music clip of the day

jazz/blues/rock/classical/gospel/more

Friday, November 8th

Is any instrument more compelling than the human voice?

Patty Griffin, live, Washington, D.C., 2013

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Lee Friedlander (1934-)

Pittsburg-PA-1980

Thursday, November 7th

Feel like floating?

Morton Feldman (1926-1987), For Philip Guston (1984)
S.E.M. Ensemble, 2000

Wednesday, November 6th

love it or hate it

Terrie Ex (guitar), Paal Nilssen-Love (drums), live, Paris, 2012

#1


#2


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Danny Lyon (1942-), Chicago (Uptown), 1965

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Tuesday, November 5th

This guy, like another New Yorker,* contains multitudes.

John Zorn (with Marc Ribot, guitar; John Medeski, keyboards, et al.), live, Poland (Warsaw), 2013


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musical thoughts

All the various styles are organically connected to one another. I’m an additive person—the entire storehouse of my knowledge informs everything I do. People are so obsessed with the surface that they can’t see the connections, but they are there.

—John Zorn

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*Walt Whitman (“Song of Myself”): “I am large, I contain multitudes.”

Monday, November 4th

three takes

This guy, like Monk, could take a familiar form, open it up, and create something both old and new.

Julius Hemphill (1938-1995), “The Hard Blues”

Live (with members of the Jazz Composers Alliance Orchestra and the Either/Orchestra),  Boston, 1989


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Recording (JH, alto saxophone, flute; Baikida E.J. Carroll, trumpet; Hamiet Bluiett, baritone saxophone; Abdul Wadud, cello; Philip Wilson, drums), recorded 1972 (first released on Coon Bid’ness, 1975)

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Recording (Julius Hemphill, alto saxophone; Marty Ehrlich, soprano and alto saxophone, flute; Carl Grubbs, soprano and alto saxophone; James Carter, tenor saxophone; Andrew White. tenor saxophone; Sam Furnace, baritone saxophone, flute), 1991

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Helen Levitt (1913-2009), New York, c. 1940

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Sunday, November 3rd

five takes

“Where We’ll Never Grow Old,” AKA “Never Grow Old” (J. Moore, 1914)

Patty Griffin with Buddy Miller, live, 2010


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The Canton Spirituals, live, c. 1990


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The Carter Family, recording, 1932


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Aretha Franklin, live, Detroit, 1996

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Johnny Cash, recording, 2004

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Helen Levitt (1913-2009), New York

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Saturday, November 2nd

only rock ’n’ roll

MC5, “Kick Out The Jams,” “Ramblin’ Rose,” “Motor City’s Burning,” “Tonight,” “Black To Comm #2,” live (TV studio), Germany (Bremen), 1972

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Danny Lyon (1942-), Chicago, 1960s

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Friday, November 1st

only rock ’n’ roll

Richard Hell and the Voidoids (with Robert Quine [1942-2004], guitar, et al.), “Blank Generation,” live, New York (CBGB’s), Blank Generation, 1980


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Danny Lyon (1942-), Chicago, 1965

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Monday, October 28th

passings

Lou Reed, singer, songwriter, guitarist, March 2, 1942-October 27, 2013

Live (with Robert Quine [1942-2004], guitar; Fernando Saunders, bass; Fred Maher, drums), New York (Bottom Line), 1983

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musical thoughts

All great rock comes from a particular place. Take Lou Reed. Could he have emerged from Detroit? Nah—too self-conscious, too arty. San Francisco? Unh-uh—way too abrasive. He could only have come from one place, the city where, as the joke has it, a tourist goes up to someone and asks: “Can you tell me the way to the Empire State Building—or should I just go fuck myself?”

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taking a break

I’m taking some time off—back in a while.

Sunday, October 27th

sounds of Chicago

They sounded so good last week—let’s hear some more.

The Staple Singers, “Are You Sure,” live, 1971


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William Eggleston (1939-)

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