music clip of the day

jazz/blues/rock/classical/gospel/more

Category: R&B

Saturday, October 12th

basement jukebox

Willie Mitchell, record producer, March 1, 1928–January 5, 2010  

O. V. Wright (1939-1980), “A Nickel and a Nail,” 1971

 

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Syl Johnson (1936-), “Take Me to the River,” 1975

 

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Otis Clay (1942-2016), “Trying to Live My Life Without You,” 1972

 

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Ann Peebles (1947-), “I Can’t Stand the Rain,” 1973

 

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Al Green (1946-), “Let’s Stay Together,” 1971

 

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lagniappe

random sights

other day, Kankakee, Ill.

Friday, September 13th

I can’t listen to this just once: the moment it ends I want to hear it again.

Womack & Womack, “Teardrops” (C. Womack, L. Womack), 1988

 

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lagniappe

art beat

Robert Frank, photographer, November 9, 1924–September 9, 2019

Today, remembering him, we revisit some of our favorite images.

Cafe—Beaufort, South Carolina, 1955

cafe-beaufort-sc-1955-56-web

 

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Funeral—St. Helena, South Carolina, 1955/56

 

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View from Hotel Window—Butte, Montana, 1955/56

 

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Rooming house—Bunker Hill, Los Angeles, 1955/56

 

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US 285, New Mexico, 1955

Saturday, September 7th

basement jukebox

The Escorts, “Ooh Baby Baby” (S. Robinson, P. Moore), 1973

 

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lagniappe

reading table

The Map
by Elizabeth Bishop (1911-1979)

Land lies in water; it is shadowed green.
Shadows, or are they shallows, at its edges
showing the line of long sea-weeded ledges
where weeds hang to the simple blue from green.
Or does the land lean down to lift the sea from under,
drawing it unperturbed around itself?
Along the fine tan sandy shelf
is the land tugging at the sea from under?

The shadow of Newfoundland lies flat and still.
Labrador’s yellow, where the moony Eskimo
has oiled it. We can stroke these lovely bays,
under a glass as if they were expected to blossom,
or as if to provide a clean cage for invisible fish.
The names of seashore towns run out to sea,
the names of cities cross the neighboring mountains
—the printer here experiencing the same excitement
as when emotion too far exceeds its cause.
These peninsulas take the water between thumb and finger
like women feeling for the smoothness of yard-goods.

Mapped waters are more quiet than the land is,
lending the land their waves’ own conformation:
and Norway’s hare runs south in agitation,
profiles investigate the sea, where land is.
Are they assigned, or can the countries pick their colors?
—What suits the character or the native waters best.
Topography displays no favorites; North’s as near as West.
More delicate than the historians’ are the map-makers’ colors.

Friday, July 5th

basement jukebox

Billy Stewart (1937-1970), “Sitting in the Park” (B. Stewart), 1965

 

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lagniappe

reading table

Understanding makes the mind lazy.

—Penelope Fitzgerald (1916-2000), The Bookshop

Wednesday, June 26th

basement jukebox

Junior Wells (1934-1998), “Little by Little” (M. London), 1960

 

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lagniappe

random sights

this morning, Oak Park, Ill.

Friday, June 14th

another take

Amy Winehouse (1983-2011), “I Love You More Than You’ll Ever Know” (D. Hathaway), live, France, 2007

 

Wednesday, June 12th

basement jukebox

Donny Hathaway (1945-1979), “I Love You More Than You’ll Ever Know” (D. Hathaway), 1972

 

Monday, June 3rd

what’s new

Mavis Staples with Ben Harper, “We Get By” (B. Harper), published 5/15/19

 

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Another take.

Live (TV show), published 5/21/19

 

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lagniappe

musical thoughts

Music Is the Healing Force of the Universe

—album title, saxophonist Albert Ayler, 1969

(Taking a break—back in a while.)

Saturday, June 1st

basement jukebox

Gus Jinkins (aka Jenkins), “You Told Me” (G. Jinkins [aka Jenkins]), 1956

 

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lagniappe

reading table

new red flowers
have bloomed . . .
pure water over moss

—Kobayashi Issa, 1763-1827 (translated from Japanese by David G. Lanoue)

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random sights

yesterday, Oak Park, Ill.

Wednesday, May 8th

basement jukebox

James Carr (1942-2001) with Betty Harris (1939-), “I’m a Fool for You,” 1967 (Billboard R&B #42, Pop #97)

 

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