music clip of the day


Category: Australia

Friday, May 26th

like nothing else

Lionel Marchetti (1967-), Inland Lake (le lac intérieur), 2019; Decibel (new-music ensemble founded in Western Australia in 2009), film by Karl Ockelford, published 5/23/23



random sights

yesterday, Oak Park, Ill.

Thursday, March 2nd

tonight in Chicago

These guys, from Australia, are playing at Constellation.

The Necks, live, London, 2016



reading table

The Imaginary Iceberg
by Elizabeth Bishop (1911-1979)

We’d rather have the iceberg than the ship,
although it meant the end of travel.
Although it stood stock-still like cloudy rock
and all the sea were moving marble.
We’d rather have the iceberg than the ship;
we’d rather own this breathing plain of snow
though the ship’s sails were laid upon the sea
as the snow lies undissolved upon the water.
O solemn, floating field,
are you aware an iceberg takes repose
with you, and when it wakes may pasture on your snows?

This is a scene a sailor’d give his eyes for.
The ship’s ignored. The iceberg rises
and sinks again; its glassy pinnacles
correct elliptics in the sky.
This is a scene where he who treads the boards
is artlessly rhetorical. The curtain
is light enough to rise on finest ropes
that airy twists of snow provide.
The wits of these white peaks
spar with the sun. Its weight the iceberg dares
upon a shifting stage and stands and stares.

The iceberg cuts its facets from within.
Like jewelry from a grave
it saves itself perpetually and adorns
only itself, perhaps the snows
which so surprise us lying on the sea.
Good-bye, we say, good-bye, the ship steers off
where waves give in to one another’s waves
and clouds run in a warmer sky.
Icebergs behoove the soul
(both being self-made from elements least visible)
to see them so: fleshed, fair, erected indivisible.

Saturday, October 22nd

This I could listen to all day.

Morton Feldman (1926-1987, MCOTD Hall of Fame), Three Voices (1982); Sonya Holowell (live and recorded voices), Australia (Sydney), 2016



reading table

Absolutely unmixed attention is prayer.

—Simone Weil (1909-1943)


baseball: Chicago Cubs

Greg Maddux on tonight’s starting pitcher, Kyle Hendricks:

If it was a radar contest, then why play the game, right? Velocity is nice, but command and movement are better.


He has the ability to throw a two-seam fastball to both sides of the plate. Most pitchers are four-seam to one side and two-seam to the other. If you can throw your two-seamer to both sides of the plate, that’s an advantage to the pitcher.


He has the ability to recognize when a hitter is sitting on a certain pitch and throw something else.


He relies on the low fastball that sinks pretty good. Very good at trying to keep the ball in front of the outfield with that pitch. That’s what it’s about—locating your fastball, changing speeds and keeping the ball in the ballpark.


He’s fun to watch.


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