MCOTD Hall of Fame
Henry Threadgill Sextett (HT [MCOTD Hall of Fame], 1944-, alto saxophone, flute, compositions); Frank Lacy, trombone; Rasul Sadik, trumpet; Deidre Murray, cello; Fred Hopkins, bass; Newman Baker, drums; Yoron Israel, percussion), live, Germany (Frankfurt), 1988
Tenor saxophone and drums—another take.
Ken Vandermark (tenor saxophone), Paal Nilssen-Love (drums), live, Netherlands (Haarlem), 2014
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lagniappe
reading table
There came a Wind like a Bugle —
It quivered through the Grass
And a Green Chill upon the Heat
So ominous did pass
We barred the Windows and the Doors
As from an Emerald Ghost —
The Doom’s electric Moccasin
That very instant passed —
On a strange Mob of panting Trees
And Fences fled away
And Rivers where the Houses ran
Those looked that lived — that Day —
The Bell within the steeple wild
The flying tidings told —
How much can come
And much can go,
And yet abide the World!—Emily Dickinson (1830-1886), 1618 (Franklin)
more
Andrew Cyrille (1939-, drums) with Peter Brötzmann (reeds), live, New York, 6/11/19
what’s new
Ingrid Laubrock (saxophones), Brandon Seabrook (guitar), Brandon Lopez (bass), Tom Rainey (drums), live, New York, 7/9/19
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lagniappe
random sights
yesterday, Chicago
like-nobody-else x 2
Cecil Taylor Trio (CT, 1929-2018, piano; Jimmy Lyons, alto saxophone; Sunny Murray, drums) with Albert Ayler (1936-1970, tenor saxophone), “Four,” excerpt (C. Taylor), live, Copenhagen, 1962
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A Bomb upon the Ceiling
Is an improving thing –
It keeps the nerves progressive
Conjecture flourishing –—Emily Dickinson (1830-1886), from 1150 (Franklin)
tonight in Chicago
They’re playing at Corbett v. Dempsey.
Ken Vandermark (reeds) and Nate Wooley (trumpet), live, Copenhagen, 2016
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Forever – is composed of Nows –
—Emily Dickinson (1830-1886), from 690 (Franklin)
like nobody else
Anthony Braxton ZIM Sextet (AB, 1945-, reeds, composition; Taylor Ho Bynum, cornet, flugelhorn, trombone; Ingrid Laubrock, reeds; Tomeka Reid, cello; Shelley Burgon, harp; Jacqueline Kerrod, harp; Dan Peck, tuba), live, Germany (Moers), 2017
sounds of Chicago
Listen to this guitarist (2:47-), who just celebrated his 92nd birthday with a gig at Chicago’s Green Mill. Even at twenty-three he was utterly original.
Charlie Parker (1920-1955, alto saxophone) with George Freeman (1927-, guitar), et al., “Keen and Peachy” (C. Parker), live, Chicago, 1950
sounds of New York
Right now, in the midst of a noisy criminal trial, nothing seems more appealing than something peaceful, something quiet.
Jürg Frey (1953-), Extended Circular Music No. 7; Singularity, live, New York, 2018
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reading table
I don’t know anything about consciousness. I just try to teach my students how to hear the birds sing.
