more
Johann Sebastian Bach (1685-1750), The Musical Offering: Le Concert des Nations (Jordi Savall, cond.), published 2018
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lagniappe
reading table
Clarity, clarity, surely clarity is the most beautiful / thing in the world
—George Oppen (1908-1984), from “Route”
never enough
What better way to begin the week?
Johann Sebastian Bach (1685-1750), Fifteen Three-Part Inventions: Boris Giltburg (1984-, piano), 2020
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lagniappe
art beat: yesterday, Smart Museum (University of Chicago)
Lucio Fontana (1899-1968), Concetto Spaziale, Attese (Spatial Concept, Expectations [1960]), detail
never enough
Johann Sebastian Bach (1685-1750), Violin Sonata No. 3 in C major, 3rd Movt. (Largo): Christian Tetzlaff (1966-, violin), Berlin, 2013
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It’s good now and then
to go out snow-viewing
until I tumble—Matsuo Basho (1644-94), from “The Knapsack Notebook” (translated from the Japanese by Sam Hamill)
never enough
Johann Sebastian Bach (1685-1750), Piano Partita No. 2 in C minor: Martha Argerich (1941-, piano), live, Germany (Görlitz Synagogue, Lausitz Festival), 10/13/20
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radio
Again it comes, one of my favorite musical events of the year: all Bach, all the time, until 11:59 p.m., December 31st—Bachfest 2022, WKCR (Columbia University).
never enough
Why not begin the week with something beautiful?
Wolfgang Amadeus Mozart (1756-1791), Trio for Clarinet, Viola, and Piano in E-flat major (K. 498): William Hudgins (clarinet), Kim Kashkashian (viola), Victor Rosenbaum (piano), live, Boston, 2019
How about a trip to Cologne?
Gürzenich Orchestra Cologne (François-Xavier Roth [1971-], cond.) with Antoine Tamestit (1979-, viola), live, Cologne (Germany), 5/10/22: Morton Feldman (1926-1987, MCOTD Hall of Fame), The Viola in My Life IV (1970)
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lagniappe
random sights
yesterday, Oak Park, Ill.
alone
Antoine Tamestit (1979-, viola), Paris, 5/16/20: Max Reger (1873-1916), Solo Suite No. 1 in G-minor (1915)
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You would want to be an awful fool not to know that we only bloom once.
—writer Colm Toibin (1955-) quoting writer John McGahern (1934-2006), from a conversation shortly before his death (London Review of Books, 1/27/22)
never enough
Wolfgang Amadeus Mozart (1756-1791), Fantasia in D minor (K. 397): Kristian Bezuidenhout (1979-, fortepiano), live, Amsterdam (Netherlands), 2013
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reading table
Music avoids impossibility.
—Louis Zukofsky (1904-78), from Anew (#2)
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random sights
yesterday, Chicago