only rock ‘n’ roll
The Avantist, “Ramses,” live (studio performance), Hickory Hills, Ill., 2014
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lagniappe
reading table
I am obliged to perform in complete darkness
operations of great delicacy
on my self.—John Berryman (1914-1972, MCOTD Hall of Fame), Dream Song 67
string quartet festival (day five)
Maurice Ravel (1875-1937), String Quartet in F major (1903); Hagen Quartet, live, Austria (Salzburg), 2000
1st movt.
2nd movt.
3rd movt.
4th movt.
string quartet festival (day four)
Dmitri Shostakovich (1906-1975), String Quartet No. 8 in C minor (1960); Borodin Quartet, live
string quartet festival (day two)
Back to the beginning—the “father” of the string quartet.
Josef Haydn (1732-1808), String Quartet in C-major, Op. 76, No. 3 (“Emperor”), c. 1796; St. Lawrence String Quartet, live, Houston, 2014
string quartet festival (day one)
Ludwig van Beethoven (1770-1827), String Quartet No. 14 (Op. 131, C-sharp minor), 1826
Alban Berg Quartet, live, Vienna, 1989
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Végh Quartet, recording, 1952
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Budapest String Quartet, recording, 1951
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lagniappe
musical thoughts
Opus 131 . . . is routinely described as Beethoven’s greatest achievement, even as the greatest work ever written. Stravinsky called it ‘perfect, inevitable, inalterable.’ It is a cosmic stream of consciousness in seven sharply contrasted movements, its free-associating structure giving the impression, in the best performances, of a collective improvisation. At the same time, it is underpinned by a developmental logic that surpasses in obsessiveness anything that came before. The first four notes of the otherworldly fugue with which the piece begins undergo continual permutations, some obvious and some subtle to the point of being conspiratorial. Whereas the Fifth Symphony hammers at its four-note motto in ways that any child can perceive, Opus 131 requires a lifetime of contemplation. (Schubert asked to hear it a few days before he died.)
—Alex Ross, “Deus Ex Musica,” New Yorker, 10/20/14
old school
The Consolers (Iola & Sullivan Pugh), live (TV show), early 1960s
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lagniappe
art beat
Bruce Davidson (1933-), New York (Subway), 1980s
what’s new
Shabazz Palaces, “Forerunner Foray” (video by Chad VanGaalen), 1/9/15
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lagniappe
passings
Ernie Banks, Chicago Cubs infielder (SS, 1B), January 31, 1931-January 23, 2015
More reasons to wonder: Where would we be without the saxophone?
Collective Identity Saxophone Quartet (Alex Harding, baritone; Jorge Sylvester & Bruce Williams, alto; Sam Newsome, soprano), live, New York, 10/11/14
my back pages
On this date in 1977, at a church thirty miles north of Chicago, amidst the cold and the snow and the dark, tenor saxophonist Von Freeman (1923-2012), a MCOTD Hall-of-Famer, played for a wedding. He was accompanied by pianist John Young (1922-2008). Here is how they sounded that night, as people were entering the church (0:15-, “Somewhere Over the Rainbow,” “It Never Entered My Mind,” “More”), as the bride walked down the aisle (8:00-, “In a Sentimental Mood”), and as folks were leaving (10:20-, “My Favorite Things,” “Song for My Father”).
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Von Freeman
