timeless
Bud Powell (1924-1966, piano) with Curly (aka Curley) Russell (bass), Max Roach (drums), “Un Poco Loco” (B. Powell), 1951
In the late 1980s, the renowned literary and cultural critic Harold Bloom included “Un Poco Loco” in his list of the most “sublime” works of twentieth-century American art (from his introduction to Modern Critical Interpretations: Thomas Pynchon’s Gravity’s Rainbow).
—Wikipedia
**********
random sights
other day, Oak Park, Ill.
alone
What better way to begin the week?
Hilary Hahn (violin), live (friend’s empty place), 11/8/20: W.A. Mozart (1756-1791), Violin Concerto No. 5 in A major (K. 219, “Turkish”) and New Cadenzas (H. Hahn)
**********
lagniappe
musical thoughts
Mozart was a kind of idol to me—this rapturous singing . . . that’s always on the edge of sadness and melancholy and disappointment and heartbreak, but always ready for an outburst of the most delicious music.
—Novelist Saul Bellow (1915-2005)
**********
random sights
other day, Oak Park, Ill.
timeless
Miles Davis Quintet (MD, 1926-1991, trumpet; Wayne Shorter, 1933-, tenor saxophone; Herbie Hancock, 1940-, piano; Ron Carter, 1937-, bass; Tony Williams, 1945-1997, drums) , live, Italy (Milan), 1964
**********
lagniappe
musical thoughts
Herbie Hancock: “the best thing that Miles ever said to me.”
*****
random sights
other day, Oak Park, Ill.
never enough
Wolfgang Amadeus Mozart (Piano sonata K.281, 0:00; Variations on “Salve tu, Domine” K.398, 21:14; Variations on “Unser dummer Pöbel meint” K.455, 29:51; Fantasy K.397, 44:27; Piano sonata K.310, 50:52), Robert Schumann (Arabeske op.18, 1:14:05; Toccata op.7, 1:21:05); Emil Gilels (1916-1985, piano), live, Moscow, 1970
**********
lagniappe
musical thoughts
Mozart was a kind of idol to me—this rapturous singing . . . that’s always on the edge of sadness and melancholy and disappointment and heartbreak, but always ready for an outburst of the most delicious music.
—Novelist Saul Bellow, 1915-2005
*****
random sights
yesterday, Oak Park, Ill.
sounds of New York
Herbie Nichols Trio (HN, 1919-1963, piano; Al McKibbon, bass; Art Blakey, drums), “The Third World” (H. Nichols), 1955
**********
lagniappe
random sights
other morning, Oak Park, Ill.
*****
musical thoughts
Thank you all for listening. Your open ears, open minds, and open hearts are essential to resisting the gathering darkness of our times.
—composer John Luther Adams, 2/18/20 email
what’s new
Max Richter (1966-, compositions, piano, keyboard) with the American Contemporary Music Ensemble (Clarice Jensen, cello & artistic director; Ben Russell, violin; Laura Lutzke, violin; Isabel Hagen, viola; Claire Bryant, cello), “On the Nature of Daylight,” “Vladimir’s Blues,” “Infra 5,” live, Washington, D.C., 1/22/20
**********
lagniappe
musical thoughts
I’m very interested in the idea of a piece of music being a place to think.
—Max Richter
*****
random sights
yesterday, Oak Park, Ill.
never enough
Ludwig van Beethoven (1770-1827), String Quartet No. 13, excerpt (Mvt. V, Cavatina), 1826; Guarneri Quartet
**********
lagniappe
musical thoughts
During a fraught 17-day stay in the hospital because of post-surgical infections 10 years ago, Beethoven’s Cavatina furnished the only moments during which I was released from suffering.
—Susan Gubar, “When Music Is the Best Medicine,” New York Times, 9/26/19
*****
random sights
yesterday, Chicago
MCOTD Hall of Fame
Morton Feldman (1926-1987, MCOTD Hall of Fame), For Christian Wolff (1986); Eberhard Blum (flute), Nils Vigland (piano, celesta), 1992
It can be hard to recall, after an hour or two, what the world sounded like before this began.
**********
lagniappe
listening room
Clear, open, luminous: pianist Aki Takahashi’s recently released recording of For Bunita Marcus (1985), available on Spotify, is one of the finest renderings of Feldman’s unique sound-world that I’ve ever heard.
Why not start the week with a trip to Haiti?
Val-Inc (AKA Val Jeanty), live (studio), Haiti (Le Studio, Port-au-Prince), 2018
**********
lagniappe
musical thoughts
Sounds shape reality.
—Val Jeanty
sounds of Chicago
John Cage, Solo for flute, from Concert for Piano (1958); Eric Lamb, flute (International Contemporary Ensemble), Chicago, 2012
**********
lagniappe
musical thoughts
Music is theater for the ear. Take this performance. The phrasing, the interplay between sound and silence—this unfolds like something by Beckett.
