John Zorn (composition, alto saxophone, direction) with Marc Ribot (guitar), Kenny Wollesen (vibraphone), Jamie Saft (keyboards), Trevor Dunn (bass), Cyro Baptista (percussion), Joey Baron (drums): “Karaim,” France (Marciac), 2010
“Old Man Dancing” (Carla Bley, 1936-): Chet Doxas (clarinet, tenor saxophone), Carla Bley (piano), Karen Mantler (keyboard), Steve Swallow (bass), 2020
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lagniappe
random sights
yesterday, Oak Park, Ill.
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reading table
This is the point in prefaces where I customarily say something nice about my wife. This time, however, I can’t think of anything that even comes anywhere near doing her justice. Her name is Susan Patek Booth.
Berkeley, California May 3, 1997
—Stephen Booth (1933-2020), from Precious Nonsense: The Gettysburg Address, Ben Jonson’s Epitaphs on His Children, and Twelfth Night (1998)
Sun Ra (1914-1993, Fender Rhodes electric piano), live (“Love in Outer Space,” “Haverford Impromptu #1,” “Rhapsody in Blue,” “St. Louis Blues,” “Space is the Place / Over the Rainbow,” “Haverford Impromptu #2”), followed by Walt Dickerson (1928-2008, vibraphone), Haverford College (Pennsylvania), 1980
Miles Davis (1926-1991, trumpet), Gary Bartz (1940-, saxophones), Chick Corea (1941-2021, keyboards), Keith Jarrett (1945-, keyboards), Dave Holland (1946-, bass), Jack DeJohnette (1942-, drums), Airto Moreira (1941-, percussion), live, England (Isle of Wight Festival), 1970
1st Set (3:30-): ZRL (Zachary Good, clarinet; Ryan Packard, percussion, electronics; Lia Kohl, cello)
2nd Set (1:11:50-): RedGreenBlue (Paul Giallorenzo, keyboards, electronics; Ryan Packard, percussion, electronics; Charlie Kirchen, bass; Ben LaMar Gay, cornet)
Tim Berne’s Dilated Pupils (TB, alto saxophone; David Torn, guitar; Ryan Ferreira, guitar; Craig Taborn, keyboards; Ches Smith, percussion), live (performance begins at 7:00), New York, 2013
Fatoumata Diawara, live (“”Kanou Dan Yen,” “Nterini,” “Negue Negue”), Italy (Como), published 2/3/22
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lagniappe
reading table
I think of you daily and feel anxious lest we lose our old backward and forward flow that always seems to open me up and bring color and peace.
–Robert Lowell (1917-1977), letter (3/10/1963) to Elizabeth Bishop (1911-1979) (Words in Air: The Complete Correspondence Between Elizabeth Bishop and Robert Lowell)