more
Heaven: hearing, together, a favorite drummer and a favorite bassist.
Ed Blackwell (drums, 1929-1992) with Malachi Favors (bass, 1927-2004) and Dewey Redman (tenor saxophone, 1931-2006), “Paris? Oui” (Tarik), 1969
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lagniappe
random sights
yesterday, Oak Park, Ill.
alone
Brad Mehldau (piano), “Three Pieces After Bach,” live, Paris, 2018
what’s new
Joris Voorn (DJ), live, Paris, 6/11/18
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lagniappe
reading table
little tub—
pond snails ready for shelling
play sliding games—Kobayashi Issa, 1763-1827 (translated from Japanese by David G. Lanoue)
God has given me a ministry. It’s about reaching as many souls as I can through techno, speaking God’s truth and his gospel to as many ears as I can, taking the message to the street.
—Floorplan (aka Robert Hood), New Yorker, 5/7/18
Live, Paris, 2015
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lagniappe
random sights
yesterday, outside Chicago (Prairie Path, Bellwood)
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one of the most absorbing pieces I know
Morton Feldman (1927-1986; MCOTD Hall of Fame), Rothko Chapel (1971); Ensemble Intercontemporain, live, Paris, 2017
(Rothko Chapel, located in Houston, reportedly was not damaged by Harvey.)
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lagniappe
reading table
John Ashbery (July 28, 1927-September, 3, 2017)
. . . as though wondering
whether forgetting
The whole thing might not, in the end, be the only solution.—Soonest Mended (fragment)
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random sights
yesterday, Chicago (Columbus Park)
voices I miss
Steve Lacy (soprano saxophone, 1934-2004), “Wasted” (S. Lacy), live, Paris, 1982
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lagniappe
art beat: other day, Art Institute of Chicago
Utagawa Hiroshige (1797-1858), Yatsumi Bridge, 1856
what’s new
Oumou Sangaré, “Kamelemba,” 2017
New Year’s resolution
More accordion.
Live, Paris, 2012
How about a trip to Paris?
Steve Lacy Trio (SL [1934-2004], soprano saxophone; Jean Jacques Avenel, bass; John Betsch, drums), “Epistrophy” (T. Monk), “Revenue,” live, Paris (Sunset Jazz Club), 1993
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lagniappe
reading table
A gentleman of the better type is, in our opinion, only he who entertains a fair number of vain and foolish ideas about himself, and who above all imagines that his nose is better than any other good and sensible human nose whatsoever.
—Robert Walser (1878-1956), “The Walk” (translated from German by Christopher Middleton)
More of Ornette.
Ornette Coleman Trio (David Izenzon, bass; Charles Moffett, percussion), playing and talking, Paris, 1966
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lagniappe
art beat
Helen Levitt (1913-2009; MCOTD Hall of Fame), New York, c. 1940
