sounds of Paris
Toru Takemitsu (1930-1996), And then I knew ’twas Wind (1992); Ensemble Intercontemporain, live, Paris, 2017
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lagniappe
random sights
this morning, Oak Park, Ill.
*****
reading table
Like Rain it sounded till it curved
And then we knew “twas Wind –
It walked as wet as any Wave
But swept as dry as Sand –—Emily Dickinson (1830-1886), from 276 (Franklin)
sounds of Paris
Edgard Varèse (1883-1965), Ionisation (1931); Ensemble Intercontemporain (Susanna Mälkki, direction), live, Paris, 2012
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lagniappe
random sights
other day, Chicago
*****
reading table
In the mountain’s shadow
my grass hut’s
so cold
I’ll be up burning firewood
all night long—Ryokan (1758-1831), translated from Japanese by Burton Watson
what’s new
Lous and the Yakuza, live, Paris, published 1/27/2021
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lagniappe
random sights
other day, Oak Park, Ill.
*****
reading table
The problem with being alone is that one never is: you’ve always got yourself to contend with.
—Alex Clark, Times Literary Supplement (“A singular traveller: Patricia Highsmith at 100”), 1/22/21
more
György Ligeti (1923-2006), excerpts from Concerto for Piano and Orchestra, Hamburg Concerto for Solo Horn and Chamber Orchestra, Concerto for Cello and Orchestra, Concerto for Violin and Orchestra; Ensemble Intercontemporain, live, Paris, 2019
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lagniappe
random sights
other day, Chicago
two takes
“Crepuscule with Nellie” (T. Monk)
Susan Alcorn (pedal steel guitar), live, Baltimore, 11/6/20
*****
Thelonious Monk (piano), live, Paris, 1969
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lagniappe
random sights
other day, outside Chicago (Salt Creek Trail)
more
Giacinto Scelsi (1905-1988), Anahit (1965); Ensemble Intercontemporain (feat. Diego Tosi [violin]; Matthias Pintscher, cond.) , live, Paris, 2014
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lagniappe
random sights
yesterday, outside Chicago (Salt Creek Trail)
timeless
Art Blakey and the Jazz Messengers (AB, drums; John Gilmore, tenor saxophone; Lee Morgan, trumpet; John Hicks, piano; Victor Sproles, bass), live (music starts at 4:25), Paris, 1965
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lagniappe
random sights
yesterday, Chicago
*****
reading table
If I had known
how sorrowful this world is,
I would have become
grass or a tree
in a deep mountain!—Ryokan (1758-1831), translated from Japanese by Kazuaki Tanahashi
sounds of Mali and Paris
Salif Keita (1949-), “Cono,” live, Japan, 1990
*****
Another take.
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lagniappe
random sights
yesterday, Oak Park, Ill.
sounds of Paris
Pierre Boulez (1925-2016), . . . explosante-fixe . . . (for solo MIDI flute, two “shadow” flutes, chamber orchestra, and electronics, 1991–93); Ensemble Intercontemporain (Matthias Pintscher, cond.), live, Paris, 2015
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lagniappe
random sights
yesterday, Oak Park, Ill.
like nobody else
How about time-traveling to 1961 Paris?
Blossom Dearie (1924-2009, vocals, piano), “C’est le Printemps” (“It Might as Well Be Spring,” R. Rodgers, O. Hammerstein II; adaptation, J. Sablon), “Plus je t’embrasse” (“Heart of My Heart,” B. Ryan; adaptation, Max François), live, Paris, 1961
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lagniappe
art beat: other day, Museum of Modern Art, New York
Isa Genzken (1948-), Rose II (2007)
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reading table
The youth walks up to the white horse, to put its halter on
and the horse looks at him in silence.
They are so silent they are in another world.—D. H. Lawrence (1885-1930), “The White Horse”
