Johann Sebastian Bach (1685-1750), Cello Suite No. 1 in G major; Lucia Swarts (cello), live, Netherlands (Amsterdam), 2014
Johann Sebastian Bach (1685-1750), Cello Suite No. 6 in D major; Sergey Malov (violoncello de spalla), live, Netherlands (Amsterdam), 2016
from the hole
in the moneybox . . .
—Kobayashi Issa, 1763-1827 (translated from Japanese by David G. Lanoue)
only rock ‘n’ roll
The Ex, “Soon All Cities,” 2018
Each moment is an open door.
In case you need a reminder.
“Mean Old World,” Marion Williams and the Stars of Faith, live, Netherlands (Utrecht), 1962
sounds of Amsterdam
Michael Vatcher, percussion (Angels’ Share, sculpture exhibition, Herbert Nouens; Westerpark, Sculpture Park), 2014
John Ashbery, July 28, 1927-September, 3, 2017
Alcove (Planisphere, 2009)
Is it possible that spring could be
once more approaching? We forget each time
what a mindless business it is, porous like sleep,
adrift on the horizon, refusing to take sides, “mugwump
of the final hour,” lest an agenda—horrors!—be imputed to it,
and the whole point of its being spring collapse
like a hole dug in sand. It’s breathy, though,
you have to say that for it.
And should further seasons coagulate
into years, like spilled, dried paint, why,
who’s to say we weren’t provident? We indeed
looked out for others as though they mattered, and they,
catching the spirit, came home with us, spent the night
in an alcove from which their breathing could be heard clearly.
But it’s not over yet. Terrible incidents happen
daily. That’s how we get around obstacles.
Want to be swept away?
Robert Schumann (1810-1856), Cello Concerto in A minor; Concertgebouw Chamber Orchestra with Nicolas Altstaedt (cello), live, Amsertdam, 2016
art beat: other day, Art Institute of Chicago
Lewis Wickes Hine (1874-1940), Fresh Air for the Baby, New York East Side, c. 1910