like nobody else
This I return to again, and again, and again.
Morton Feldman (1926-1987, MCOTD Hall of Fame), For Philip Guston (1984); S.E.M. Ensemble, 2000
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lagniappe
random sights
a while ago, Ireland (Dingle Peninsula)
Why not begin the week with something beautiful?
John Luther Adams (1953-), The Farthest Place (2001); Robin Lorentz (violin), Amy Knoles (vibraphone, marimba), Bryan Pezzone (piano), Barry Newton (bass), 2002
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lagniappe
random sights
other day, Chicago
sounds of Mexico
Son Rompe Pera, live (“Proteus,” “FOS,”” Reina de Cumbias,” “Ay David!,” “El Palo Poste”), Mexico City, published 10/17/20
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lagniappe
random sights
other day, Chicago
*****
reading table
All I want
is not to befirst on one side,
then the other,but to conjure
a streamof sounds and images
for which I am notresponsible.
and maneuver within it—mouth and tail
one thought.—Rae Armantrout, from “Conjure” (Conjure, 2020)
This I could listen to all day.
John Luther Adams (1953-), songbirdsongs (1974-80), excerpt (Mvt. V, Mourning Dove); Sandbox Percussion (marimba) with Jessica Sindell, Martha Aarons, Zack Patten, John Luther Adams (ocarinas); live, Montana (Fishtail), 2018
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lagniappe
random sights
other day, Chicago
Soundtrack to a dream I’d love to have.
Steve Reich (1936-), Nagoya Marimbas (1994); ensemble 0, live, France (Pau), 2010
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lagniappe
random sights
yesterday, Oak Park, Ill.
*****
reading table
. . . life and the memory of it so compressed
they’ve turned into each other. Which is which?—Elizabeth Bishop (1911-1979), from “Poem”
Feeling lost?
John Luther Adams (1953-), The Farthest Place (2001); Robin Lorentz (violin), Amy Knoles (vibraphone, marimba), Bryan Pezzone (piano), Barry Newton (bass), 2002
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lagniappe
random sights
yesterday, Chicago
mesmerizing
John Luther Adams (1953-), The Farthest Place (2001), Andrew Ferdig (marimba), Kevin Keith (vibraphone), Danica Smith (violin), Andy Sproule (bass), James Wehe (piano), live, Denver, 2017
Steve Reich (1936-), Mallet Quartet (2009), So Percussion
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lagniappe
reading table
At worst, one is in motion; and at best,
Reaching no absolute, in which to rest,
One is always nearer by not keeping still.—Thom Gunn (1929-2004), “On the Move” (fragment)
This I could listen to all day.
Toru Takemitsu (1930-1996), Rain Tree (1981); Bard Percussion (Amy Garapic, vibraphone; Petra Elek, marimba; Zihan Yi, marimba), live, Annandale-on-Hudson (Bard College), New York, 2012
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lagniappe
random sights
yesterday, Chicago (Columbus Park)
*****
reading table
We see with memory. My memory is different from yours, so if we’re both standing in the same place we’re not quite seeing the same thing. Different individuals have different memories, therefore other elements are playing a part. Whether you have been in a place before will affect you, and how well you know it. There’s no objective vision ever—ever.
—David Hockney (1937-), A Bigger Message: Conversations with David Hockney (Martin Grayford)
percussion festival
day three
Iannis Xenakis (1922-2001), “Claviers” (from Pléïades [1978]); Yale Percussion Group, live, 2009
music clip of the day 