sounds of Mexico
Son Rompe Pera, live (“Proteus,” “FOS,”” Reina de Cumbias,” “Ay David!,” “El Palo Poste”), Mexico City, published 10/17/20
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lagniappe
random sights
other day, Chicago
*****
reading table
All I want
is not to befirst on one side,
then the other,but to conjure
a streamof sounds and images
for which I am notresponsible.
and maneuver within it—mouth and tail
one thought.—Rae Armantrout, from “Conjure” (Conjure, 2020)
This I could listen to all day.
John Luther Adams (1953-), songbirdsongs (1974-80), excerpt (Mvt. V, Mourning Dove); Sandbox Percussion (marimba) with Jessica Sindell, Martha Aarons, Zack Patten, John Luther Adams (ocarinas); live, Montana (Fishtail), 2018
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lagniappe
random sights
other day, Chicago
Soundtrack to a dream I’d love to have.
Steve Reich (1936-), Nagoya Marimbas (1994); ensemble 0, live, France (Pau), 2010
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lagniappe
random sights
yesterday, Oak Park, Ill.
*****
reading table
. . . life and the memory of it so compressed
they’ve turned into each other. Which is which?—Elizabeth Bishop (1911-1979), from “Poem”
mesmerizing
John Luther Adams (1953-), The Farthest Place (2001), Andrew Ferdig (marimba), Kevin Keith (vibraphone), Danica Smith (violin), Andy Sproule (bass), James Wehe (piano), live, Denver, 2017
Steve Reich (1936-), Mallet Quartet (2009), So Percussion
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lagniappe
reading table
At worst, one is in motion; and at best,
Reaching no absolute, in which to rest,
One is always nearer by not keeping still.—Thom Gunn (1929-2004), “On the Move” (fragment)
percussion festival
day three
Iannis Xenakis (1922-2001), “Claviers” (from Pléïades [1978]); Yale Percussion Group, live, 2009