Steve Reich (1936-), Mallet Quartet (2009), So Percussion
**********
lagniappe
reading table
At worst, one is in motion; and at best,
Reaching no absolute, in which to rest,
One is always nearer by not keeping still.—Thom Gunn (1929-2004), “On the Move” (fragment)
This I could listen to all day.
Toru Takemitsu (1930-1996), Rain Tree (1981); Bard Percussion (Amy Garapic, vibraphone; Petra Elek, marimba; Zihan Yi, marimba), live, Annandale-on-Hudson (Bard College), New York, 2012
**********
lagniappe
random sights
yesterday, Chicago (Columbus Park)
*****
reading table
We see with memory. My memory is different from yours, so if we’re both standing in the same place we’re not quite seeing the same thing. Different individuals have different memories, therefore other elements are playing a part. Whether you have been in a place before will affect you, and how well you know it. There’s no objective vision ever—ever.
—David Hockney (1937-), A Bigger Message: Conversations with David Hockney (Martin Grayford)
percussion festival
day three
Iannis Xenakis (1922-2001), “Claviers” (from Pléïades [1978]); Yale Percussion Group, live, 2009
This I could listen to all day.
John Cage (1912-1992), In a Landscape (1948)
Michael Compitello (marimba), live, c. 2013
**********
lagniappe
random sights
yesterday, Chicago (Columbus Park)
Feel like floating?
Steve Reich (1936-), Six Marimbas (1986); Undergraduate Recital (Colin Van de Reep, Noam Bierstone, Sandro Valiante, Mark Morton, Ben Reimer, Ben Duinker), McGill University, Montreal, 2011
**********
lagniappe
reading table
Attention is the rarest and purest form of generosity.
—Simone Weil (1909-1943; quoted at Orange Crate Art)
Float like a butterfly, sting like a bee.
—Muhammad Ali
Cecil Taylor Quintet (CT, piano; Harri Sjostrom, soprano saxophone; Tristan Honsinger, cello; Thurman Barker, marimba, percussion; Paul Lovens, drums), live, Germany (Hamburg), 1995
**********
lagniappe
art beat
William Klein (1928-), Blacks + Pepsi (AKA Moves + Pepsi)
Harlem, New York, 1955
sounds of Chicago
Something quiet to begin the week.
Tobias Broström (1978-), “Twilight”; Third Coast Percussion, live
**********
lagniappe
reading table
quite remarkable
being born human . . .
autumn dusk.—Kobayashi Issa (1763-1827; translated from Japanese by David G. Lanoue)
Feel like floating?
Steve Reich (1936-), Music for 18 Musicians (1974-76)
eighth blackbird, Third Coast Percussion, et al., live, Chicago, 2011
