Wednesday, January 30th
sounds of New York
Zs, live, New York, 2015
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lagniappe
reading table
cold winter sky—
where will this wandering beggar
grow old?—Kobayashi Issa, 1763-1827 (translated from Japanese by David G. Lanoue)
music clip of the day
jazz/blues/rock/classical/gospel/more
Category: New York
2019
2019
Monday, January 28th
sounds of New York
Marilyn Crispell (piano), Mark Helias (bass), Tyshawn Sorey (drums, percussion), live, New York, 2014
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lagniappe
random sights
this morning, Oak Park, Ill.
2019
Wednesday, January 16th
what’s new
Tim Berne (alto saxophone), Matt Mitchell (piano), Dave King (drums), live, New York, 1/7/19
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lagniappe
reading table
in my thatched hut
even dreaming
the cold—Kobayashi Issa, 1763-1827 (translated from Japanese by David G. Lanoue)
2019
Monday, January 7th
sounds of New York
Tim Berne (alto saxophone), Michael Formanek (bass) Andrew Cyrille (drums), live, New York, 2018
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lagniappe
reading table
One need not be a Chamber – to be Haunted –
—Emily Dickinson (1830-1886), from 407 (Franklin)
2019
Wednesday, January 2nd
what’s new
Four Tet (AKA Kieran Hebden, DJ), New York, 12/28/18
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lagniappe
random sights
yesterday, Oak Park, Ill.
2018
Sunday, December 16th
timeless
Albert Ayler (tenor saxophone, 1936-1970) with Donald Tyler (trumpet), et al., “Our Prayer” (A. Ayler), Live in Greenwich Village (Village Vanguard), 1967
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lagniappe
random sights
yesterday, Oak Park, Ill.
2018
Tuesday, December 11th
voices I miss
This drummer never fails to lift my spirits.
Ed Blackwell (drums, 1929-1992) with Mal Waldron (piano), Charlie Rouse (tenor saxophone), Woody Shaw (flugelhorn), Reggie Workman (bass), “The Git Go” (M. Waldron), live, New York (Village Vanguard), 1985
#1
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#2
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#3
2018
Saturday, December 1st
what’s new
David Leon (alto saxophone, compositions) & Ingrid Laubrock (tenor saxophone), live, New York, 11/29/18
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lagniappe
reading table
The Constructed Space
by W. S. Graham (1918-1986)
Meanwhile surely there must be something to say,
Maybe not suitable but at least happy
In a sense here between us two whoever
We are. Anyhow here we are and never
Before have we two faced each other who face
Each other now across this abstract scene
Stretching between us. This is a public place
Achieved against subjective odds and then
Mainly an obstacle to what I mean.
It is like that, remember. It is like that
Very often at the beginning till we are met
By some intention risen up out of nothing.
And even then we know what we are saying
Only when it is said and fixed and dead.
Or maybe, surely, of course we never know
What we have said, what lonely meanings are read
Into the space we make. And yet I say
This silence here for in it I might hear you.
I say this silence or, better, construct this space
So that somehow something may move across
The caught habits of language to you and me.
From where we are it is not us we see
And times are hastening yet, disguise is mortal.
The times continually disclose our home.
Here in the present tense disguise is mortal.
The trying times are hastening. Yet here I am
More truly now this abstract act become.
2018
Thursday, November 29th
more
Charmaine Lee (composition, voice) with Wet Ink Ensemble and guests (Ingrid Laubrock, tenor saxophone; Darius Jones, alto saxophone; Peter Evans, trumpet; Weston Olencki, trombone; Erin Lesser, flute; Alex Mincek, tenor saxophone; Ian Antonio, percussion; Eric Wubbels, piano; Josh Modney, violin; Kate Soper, voice; Sam Pluta, electronics), Smoke, Airs, live, New York, 2018
2018
Wednesday, November 28th
what’s new
How many singers invent their own language?
Charmaine Lee, live, New York, 11/20/18
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lagniappe
reading table
The difference between Despair
And Fear, is like the One
Between the instant of a Wreck
And when the Wreck has been —
The Mind is smooth —
No Motion — Contented as the Eye
Upon the Forehead of a Bust —
That knows it cannot see ——Emily Dickinson (1830-1886), 576 (Franklin)
