music clip of the day

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Category: trombone

Tuesday, September 12th

Sometimes a simple melody can be more than enough.

Frank Lacy and 10³²K (FL, trombone; Kevin Ray, bass; Andrew Drury,  percussion), “I’ll Be Right Here Waiting” (S. McCall), live, Troy, N.Y., 2016

 

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lagniappe

reading table

from the mist
stinging insects
emerge

—Kobayashi Issa, 1763-1827 (translated from Japanese by David G. Lanoue)

Thursday, May 11th

timeless

James P. Johnson (piano), Sidney DeParis (trumpet), Vic Dickenson (trombone), Ben Webster (tenor saxophone), Jimmy Shirley (guitar), John Simmons (bass), Sidney Catlett (drums), “After You’ve Gone” (T. Layton, M. Harris), 1944


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lagniappe

reading table

Your actual experience is a complete flux.

Robert Lowell (1917-1977)

Thursday, March 9th

MCOTD Hall of Fame

William Parker’s In Order To Survive (WP, bass, composition; Hamid Drake, drums, MCOTD Hall of Fame;* Lewis Barnes, trumpet; Rob Brown, alto saxophone; Cooper-Moore, piano), “Criminals in the White House,” live, New York, 2013

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lagniappe

radio

Today—his birthday—it’s all Ornette Coleman all day on WKCR-FM (Columbia University).

*****

*With saxophonists Von Freeman and Henry Threadgill; trumpeter Lester Bowie; gospel singer Dorothy Love Coates; composer Morton Feldman; poets John Berryman, William Bronk, and Wislawa Szymborska; and photographer Helen Levitt.

Saturday, July 30th

keep on dancing

M.A.K.U. SoundSystem, live (TV show), New York, 2016

Wednesday, April 20th

More.

Henry Threadgill’s Society Situation Dance Band
Live, Germany (Hamburg), 1988

#1


#2


#3


*****

Henry Threadgill and His Very Very Circus
“Too Much Sugar for a Dime,” live, New York, 1995


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lagniappe

random sights

this morning, Oak Park, Ill.

FullSizeRender (66)

Tuesday, April 19th

MCOTD Hall of Famer—and, as of yesterday, Pulitzer Prize Winner.

Henry Threadgill’s Zooid

Live, Poland (Warsaw), 2011


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Live, New York, 2013


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Live, Washington, D.C., 2013


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lagniappe

musical thoughts

All music is classical music, you know. I don’t put up boundaries on music.

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Of course I started out in an ethnic community, with the blues and church music and jazz. But that was just one place to start. You read fiction then you start reading nonfiction! You start reading biographies and scientific accounts. It doesn’t change where you came from. It just broadens it. That’s what we do, we keep building on the foundation where we come from. You don’t lose it, you just keep building on it.

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I think we’ve gotten used to the dissonant, so it’s not even dissonant any more.

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[W]e have no control over anything but what we do. I just try to stay hopeful: I don’t want to get too pessimistic about anything.

—Henry Threadgill, The Guardian, 4/18/16

*****

the beat goes on

2,300 posts—and counting.

Wednesday, March 16th

sounds of joy

Instant Composers Pool (ICP) Orchestra, “Lavoro” (S. Bergin, borrowing from “Moten Swing”), live, Amsterdam, 2013


Joyful? Yes. But sad, too. Pianist (and cofounder) Misha Mengelberg’s encroaching dementia, which has since sidelined him altogether, provides a poignant counterpoint.

Thursday, January 28th

sounds of Jamaica

Burning Spear, live, Paris, 1988

Friday, November 20th

Milford Graves (drums, vocals) with Amiri Baraka (words), Roswell Rudd (trombone), Charles Gayle (tenor saxophone, piano), William Parker (bass), live, New York, 2013


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As you get older, you ain’t afraid to say something.

—Milford Graves

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lagniappe

art beat: yesterday, Museum of Contemporary Art (Chicago)

Douglas Ewart, George Lewis, Douglas Repetto, Rio Negro II, 2015 (The Freedom Principle: Experiments in Art and Music, 1965 to Now [through Sunday])

Monday, September 21st

drum fest
day one

Gebhard Ullmann (tenor saxophone), Steve Swell (trombone), Hilliard Greene (bass), Barry Altschul (drums), “Planet Hopping on a Thursday Afternoon” (S. Swell), live, Germany (Bernbeuren), 2010

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