music clip of the day

jazz/blues/rock/classical/gospel/more

Month: March, 2011

Thursday, 3/31/11

basement jukebox*
(an occasional series)

Fontella Bass, “Rescue Me” (1965)

Vodpod videos no longer available.

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Tyrone Davis, “Can I Change My Mind” (1969)

Vodpod videos no longer available.

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Otis Clay, “The Only Way Is Up” (1980)

Vodpod videos no longer available.

*When I was a little boy, a big bright shiny jukebox lit up our basement. Daily it granted our wishes, communicated with just the touch of a finger, for “Wake Up, Little Susie” (Everly Brothers) and “The Battle of New Orleans” (Johnny Horton) and “(The Man Who Shot) Liberty Valance” (Gene Pitney). It taught me something I’ve never forgotten—music is magic.

Wednesday, 3/30/11

I find it hard to understand why some folks wall themselves off from classical music. Jazz, blues, rock, classical: it’s all music. Sure, the musical lines and paragraphs—the units of expression—are usually (though not always) longer and more complex in classical music. But that’s simply a matter of form. Raymond Carver and Marcel Proust, for all their formal differences, both take you places you can’t get to any other way. So too do both Beethoven and Art Pepper, both Magic Sam and Mozart.

Bela Bartok, String Quartet No. 1 in A minor, 3rd movement
The Parker Quartet, live, 11/23/09

Vodpod videos no longer available.

Tuesday, 3/29/11

Zimbabwe

The music is as sweet as the news is bleak.

Zimbabwe College of Music Mbira Ensemble (with Thanda Richardson, vocals), live, Harare (Mannenberg Jazz Club), 2/17/08

Vodpod videos no longer available.

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Mbira Dzenharira, “Saramugomo,” 2001

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SMG Young Stars, Kenge Art, Mutubambile Orphan Choir with Oliver Mtukudzi, Magariro Edu Marimba Band

Vodpod videos no longer available.

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lagniappe

reading table

. . . [Robert Mugabe’s] regime . . . has lost all its moral bearings, a gang of thieves and murderers bent on holding power at any cost. The book draws to a close with the testimony of Emmanuel Chiroto, a Harare opposition leader whose campaign for mayor has brought down the wrath of Mugabe’s goons. Even as he is celebrating his victory, members of the youth militia set his house on fire and abduct his wife, Abigail, and 4-year-old son. The boy is released, but Abigail’s swollen and battered corpse is found in the morgue. “This is my lovely wife,” Chiroto tells Godwin, holding up a cellphone image of Abigail in her wedding dress. “And they killed her.” Three years after his defeat at the polls, Mugabe still clings to power in his ruined nation. But Godwin’s intrepid reportage has at least given voice to some of his victims.

—Joshua Hammer, New York Times Book Review, 3/27/11 (review of The Fear: Robert Mugabe and the Martyrdom of Zimbabwe by Peter Godwin)

*****

sight seen

In Cambridge, Massachusetts, sitting on a brick sidewalk in Harvard Square, a panhandler with a large sign:

Seeking Human Kindness

Monday, 3/28/11

four takes

“Everybody Needs Love” (Eddie Hinton)

Drive-By Truckers, live, Ashland, North Carolina, 2010

Vodpod videos no longer available.

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Eddie Hinton, live, c. 1982

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Eddie Hinton, recording, 1982

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Drive-By Truckers, live (TV broadcast [Conan]), 3/8/11

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lagniappe

overheard

Sunday morning, on a plane from Chicago to Boston, a young girl in the row in front of me:

I just don’t get how air is bumpy.

***

Do people in Boston have accents?

Sunday, 3/27/11

For some folks singing is as vital as breathing.

Five Star Jubilee Singers, Harriman Junction, Tennessee
Live, “I’ve Been Changed,” “Go Down Moses,” “I’m Just Keeping It Real,” “Open the Floodgates to Heaven,” 2008

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lagniappe

It’s a Friday night in downtown Harriman, and inside the Anointed Praise and Worship Church, the Five Star Jubilee Singers are playing like it’s already Sunday morning.

On drums is Anterrio Ray, 33, an ex-Golden Gloves boxer whose first drum set was a five-gallon bucket and a set of hubcaps. Playing electric bass is Antonio Myers, and that’s his father, Gary Myers, singing four-part harmony with the rest of the band.

They’re an extended family, this nine-member gospel group. When lead vocalist, David Bertram, 60, grabs the microphone, the music kicks in to overdrive. It’s only a rehearsal, but by the third song, Bertram is wiping his brow with a handkerchief.

“With traditional gospel music, you either get saved, or you head for the door,” says vocalist Melinda Bertram, David’s wife. “The Lord is not going to let you just sit there.”

The Five Star Jubilee Singers perform quartet-style harmonies, with electric guitars and drums thrown into the mix. Their style and repertory recall such great black gospel groups as the Swan Silvertones, the Soul Stirrers and the Five Blind Boys of Mississippi. They’ve been playing in and around Harriman for more than 50 years, making them one of the longest-running gospel acts in the region.

During the 1950s, the original Five Star Jubilee Singers won national singing conventions and toured extensively throughout the Southeast.

Today, the group sings at churches and revivals across East Tennessee, for congregations both black and white.

Bertram started singing with the Five Star Jubilee Singers when he was 12 years old. At 18 he moved up North and spent the next 30 years singing professionally with several gospel groups. In 1970, after moving back to Harriman, he convinced the Five Star Jubilee Singers to reunite.

Almost every member of the Five Star Jubilee Singers is related to someone from the original band. Bertram’s older brother, Thurman, was a founding member of the group, as was David Goins. Both these band members are now dead, as is Freeman Goins, David Goins’ younger brother, who died of a heart attack on June 27, 2007, while returning home from a rehearsal.

Every Friday night the band rehearses at the Anointed Praise and Worship Church in Harriman. Arlene Goins, 68, plays electric guitar, and so does her son, William Wright, 42. Including the bass, the Five Star Jubilee Singers have four electric guitars, the newest player being John Dye, of Clinton, Tenn., who joined the group as a rock guitarist.

***

“Our main thing is to get people to come to Jesus,” added David. “I’m going to do this till I lay down. I’m going to sing till He calls me.”

Morgan Simmons, Knoxville News Sentinel, 3/26/08

Saturday, 3/26/11

The notes are easy enough to replicate—the touch impossible.

Pinetop Perkins (piano, vocals), July 7, 1913-March 21, 2011

“Grindin’ Man” (with Willie “Big Eyes” Smith, harmonica), live, New Jersey (New Brunswick), 2008

Vodpod videos no longer available.

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“How Long Blues,” live

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lagniappe

He was one of the last great Mississippi Bluesmen. He had such a distinctive voice, and he sure could play the piano. He will be missed not only by me, but by lovers of music all over the world.

B.B. King

*****

If you don’t want to die, don’t be born.

Red Paden, owner of Red’s Blues Club, Clarksdale, Mississippi

*****

my back pages

Many years ago I had the pleasure of working with him, co-producing his tracks on Living Chicago Blues, Vol. 2 (Alligator 1978). Warm, amiable, unassuming—he was easy to like.

*****

listening room: what’s playing

• Ornette Coleman, Town Hall 1962

• Mos Def, The Ecstatic

Lupe Fiasco, Lasers

Steve Reich, Double Sextet, 2×5

Rudresh Mahanthappa & Bunky Green, Apex

Nneka, Concrete Jungle

Theo Parrish, Sound Sculptures, Vol. 1

Powerhouse Gospel On Independent Labels, 1946-1959

WFMU-FM: Sinner’s Crossroads (Kevin Nutt), Mudd Up! (DJ/rupture)

WKCR-FM: Bird Flight (Phil Schapp), Jazz Alternatives (various), Out To Lunch (various), Western Swing Festival (various)

Friday, 3/25/11

Western Swing Festival

Beginning on Friday, March 25th at 8:00 a.m. . . . [we] will honor the legacy of Western Swing with 64 hours of continuous programming, running until midnight on Sunday, March 27th (this will preempt all regularly scheduled programming). We will explore the genre’s entire history, from its roots in the 1920s and 1930s to bands still performing today. The festival will also include live performances and interviews with several Western Swing experts. Grab your ten-gallon hat, lace up those dancin’ boots, and come swing with us!

WKCR-FM (broadcasting from Columbia University)

Bob Wills and His Texas Playboys

“I Hear Ya Talkin'”

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“San Antonio Rose”

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“Take Me Back To Tulsa”

Vodpod videos no longer available.

Thursday, 3/24/11

Elizabeth Taylor, February 27, 1932-March 23, 2011

Michael Jackson, singing to Elizabeth Taylor (2003)

Vodpod videos no longer available.

Their relationship, apparently a very close one, seems less surprising when you consider the fact that they were both extremely complex figures in a culture that resists complexity, particularly in its celebrities, even more particularly in ones who happen to be female or black.

Wednesday, 3/23/11

More Lester

The world became a less interesting place the day Lester Bowie died.

Digable Planets with Lester Bowie (trumpet), Joe Sample (keyboard), Melvin “Wah-Wah Watson” Ragin (guitar), “Flying High in the Brooklyn Sky,” live

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lagniappe

Part of the job of a musician is that of a messenger. If you ain’t ready to be a messenger, forget it. You need to get a job in the post office or somewhere. If you ain’t ready to travel, pack up your family, or pack up yourself and hit the road, you’re in the wrong business. Because that’s what music is about. It’s about spreading knowledge and education, and re-education. It’s about spreading. You have got to travel with it to spread the word. Like all the people in the past that have had to travel to spread the music.

*****

It’s life itself that this [music] is about.

—Lester Bowie (in George E. Lewis, A Power Stronger Than Itself: The AACM and American Experimental Music [2008])

(Previously posted 10/28/09.)

Tuesday, 3/22/11

Yesterday, on the way home from Bloomington, Indiana (where I’d left my son Luke), one of the things that kept me company was this guy’s latest album.*

Black Star (Mos Def, Talib Kweli), “Definition” (1998)

Vodpod videos no longer available.

*Mos Def, The Ecstatic (2009)

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