This I could listen to all day.
Morton Feldman (1926-1987, MCOTD Hall of Fame), For Philip Guston (1984); Claire Chase (flute, alto flute, piccolo), Steven Schick (percussion), Sarah Rothenberg (piano, celesta), live, Houston (Rothko Chapel), 2013
**********
lagniappe
random sights
today, Oak Park, Ill.
In a country that continues to coarsen, delicacy grows ever more precious.
John Luther Adams (1953-), there is no one, not even the wind (2017); Emerald City Music, live (world premiere), Seattle, 9/15/17
**********
lagniappe
random sights
other day, Oak Park, Ill.
voices I miss
Ed Blackwell (drums, 1929-1992) with Mal Waldron (piano), Charles Rouse (tenor saxophone, flute), Woody Shaw (trumpet, flugelhorn), Reggie Workman (bass), live (“The Git Go,” “All Alone,” “Fire Waltz”), New York (Village Vanguard), 1985
**********
lagniappe
art beat: other day, Art Institute of Chicago
Utagawa Hiroshige (1797-1858), Irises at Horikiri, 1857
timeless
Rahsaan Roland Kirk (1935-1977), “Haunted Feelings,” 1971
**********
lagniappe
reading table
secluded house—
the drunk hired hand
in the autumn dusk—Kobayashi Issa (1763-1827), translated from Japanese by David G. Lanoue
What we need—now more than ever.
Clickety Clack! Clickety Clack!
What is this madness that Nixon has put upon us?
Clickety Clack! Clickety Clack!
Won’t someone bring the spirit back?—Rahsaan Roland Kirk (1935-1977), 1973
Rahsaan Roland Kirk, Bright Moments, recorded live (San Francisco), 1973*
*****
*Track list (courtesy of YouTube):
A1. Introduction
2. Pedal Up
3. You’ll Never Get To Heaven
4. Clickety Clack
5. Prelude To A Kiss
6. Talk (Electric Nose)
7. Fly Town Nose Blues
B1. Talk (Bright Moments)
2. Bright Moments Song
3. Dem Red Beans And Rice
4. If I Loved You
5. Talk (Fats Waller)
6. Jitterbug Waltz
7. Second Line Jump
more
Johann Sebastian Bach (1685-1750), Partita in A minor for Solo Flute; Sandra Miller (flute), live, New York, 2013
**********
lagniappe
radio
Bach Festival, WKCR-FM (see 12/22/16 post): Day Nine (alas, the last).
*****
reading table
The only response
to a child’s grave is
to lie down before it and play dead—Bill Knott (1940-2014)
Sometimes I want to hear something that will quicken my pulse; sometimes I want something that will slow it—like this, for instance, which I heard the other night in Chicago, played by the group for whom it was written (a.pe.ri.od.ic). One sound . . . another . . . another . . .
Jürg Frey (1953-), Fragile Balance (2014), excerpt; Ensemble Grizzana (Jürg Frey, clarinet; Mira Benjamin, violin; Richard Craig, flute; Emma Richards, viola; Philip Thomas, piano; Seth Woods, cello); 2015
**********
lagniappe
reading table
Winter seclusion—
sitting propped against
the same worn post—Matsuo Basho (1644-1694), translated from Japanese by Sam Hamill (The Sound of Water: Haiku by Basho, Buson, Issa, and Other Poets)
His sound-world I never tire of entering.
Tristan Murail (1947-), Feuilles à travers les cloches (Leaves through the bells), 1998; Sax Ensemble (José Luis Temes, dir.), live
**********
lagniappe
random sights
other day, Oak Park, Ill.
more
Morton Feldman (1926-1987, MCOTD Hall of Fame), For Philip Guston (1984); Either/OR (Richard Carrick, piano/celesta; Margaret Lancaster, flutes; David Shively, percussion), live, Philadelphia, 2015
**********
lagniappe
reading table
flitting butterfly–
every corner of my hut
is inspected—Kobayashi Issa (1763-1827; translated from Japanese by David G. Lanoue)
more
Hamiet Bluiett (baritone saxophone, clarinet, flute, voice), William Parker (bass, doson gouni, shakuhachi), Hamid Drake (drums, voice), live, New York, 2016
**********
lagniappe
reading table
Three bowls of stew
and you feel
rich after all—Yosa Buson (1716-1783), translated from Japanese by W.S. Merwin and Takako Lento
