27 years later
Art Ensemble of Chicago (Roscoe Mitchell, 1940-, reeds, flute, percussion; Famadou Don Moye, 1946-, drums, percussion) and Guests (Hugh Ragin, trumpets, flugelhorn; Tomeika Reed, cello; Silvia Bolognesi, bass; Jaribu Shahid, bass; Dudu Kouate, percussion), live, Italy (Cormòns), 2018
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lagniappe
random sights
other day, Chicago
like nobody else
Art Ensemble of Chicago (Roscoe Mitchell, 1940-, reeds, flute, percussion; Joseph Jarman, 1937-2019, reeds, flute, percussion; Lester Bowie, 1941-1999, trumpet, flugelhorn, MCOTD Hall of Fame; Malachi Favors, 1927-2004, bass, percussion, vocals; Don Moye, 1946-, drums, percussion), live, Germany (Hamburg), 1991
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lagniappe
random sights
other day, Oak Park, Ill.
*****
reading table
Culture’s beginnings:
from the heart of the country
rice-planting songs—Matsuo Basho (1644-1694), from Narrow Road to the Interior (translated from Japanese by Sam Hamill)
Why not begin the week with something new?
Nathalie Joachim (vocals, flute, electronics) with the Spektral Quartet and a Haitian children’s choir (recorded), “Suite pou Dantan: Prelid” (Fanm d’Ayiti [Women of Haiti]), 10/8/19
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lagniappe
random sights
yesterday, Oak Park, Ill.
sounds of New York
day two
Sam Pluta (1979-), Broken Symmetries (2011-12); Wet Ink Ensemble (Sam Pluta, electronics; Joshua Modney, violin; Erin Lesser, piccolo; Alex Mincek, tenor saxophone; Eric Wubbels, piano; Ian Antonio, percussion), live, New York, 2016
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lagniappe
random sights
other day, Bellwood, Ill.
MCOTD Hall of Fame
Morton Feldman (1926-1987, MCOTD Hall of Fame), For Christian Wolff (1986); Eberhard Blum (flute), Nils Vigland (piano, celesta), 1992
It can be hard to recall, after an hour or two, what the world sounded like before this began.
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lagniappe
listening room
Clear, open, luminous: pianist Aki Takahashi’s recently released recording of For Bunita Marcus (1985), available on Spotify, is one of the finest renderings of Feldman’s unique sound-world that I’ve ever heard.
MCOTD Hall of Fame
Morton Feldman (1926-1987, MCOTD Hall of Fame), For Philip Guston (1984); S.E.M. Ensemble, 2000
sounds of Chicago
John Cage, Solo for flute, from Concert for Piano (1958); Eric Lamb, flute (International Contemporary Ensemble), Chicago, 2012
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lagniappe
musical thoughts
Music is theater for the ear. Take this performance. The phrasing, the interplay between sound and silence—this unfolds like something by Beckett.
This I could listen to all day.
Morton Feldman (1926-1987, MCOTD Hall of Fame), For Philip Guston (1984); Claire Chase (flute, alto flute, piccolo), Steven Schick (percussion), Sarah Rothenberg (piano, celesta), live, Houston (Rothko Chapel), 2013
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lagniappe
random sights
today, Oak Park, Ill.
In a country that continues to coarsen, delicacy grows ever more precious.
John Luther Adams (1953-), there is no one, not even the wind (2017); Emerald City Music, live (world premiere), Seattle, 9/15/17
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lagniappe
random sights
other day, Oak Park, Ill.
voices I miss
Ed Blackwell (drums, 1929-1992) with Mal Waldron (piano), Charles Rouse (tenor saxophone, flute), Woody Shaw (trumpet, flugelhorn), Reggie Workman (bass), live (“The Git Go,” “All Alone,” “Fire Waltz”), New York (Village Vanguard), 1985
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lagniappe
art beat: other day, Art Institute of Chicago
Utagawa Hiroshige (1797-1858), Irises at Horikiri, 1857
