Charles Lloyd (1938-, alto flute) with Jason Moran (piano), Larry Grenadier (bass), and Brian Blade (drums), “Booker’s Garden” (C. Lloyd), live, Santa Barbara, Cal., 2023
Earle Brown (1926-2002), Times Five (1963), for chamber ensemble; Argento New Music Project (Michel Galante, conductor; Francesca Ferrera, flute; William Lang, trombone; Jacqueline Kerrod, harp; Conrad Harris, violin; Michael Katz, cello), live, New York, 2023
SYMPHONY (Peter Evans, trumpets, flugelhorn, compositions; Alice Teyssier, flutes, voice; Nick Jozwiak, bass; Levy Lorenzo, percussion, electronics), “Points of Light,” published 2/17/24
Hamid Drake (percussion, MCOTD Hall of Fame) and Michael Zerang (percussion) with guest Nicole Mitchell (flute), 33rd annual winter solstice celebration, live, Chicago (Links Hall/Constellation), 12/21/23 (excerpt)
Marty Erlich: Dark Woods/Bright Sparks (Marty Ehrlich [1955-], woodwinds, compositions; Ron Horton, trumpet; Sara Schoenbeck, bassoon; Erik Friedlander, cello; Matt Pavolka, bass; Satoshi Takahashi, percussion; Erica Hunt, words), live, New York, 12/10/23
**********
lagniappe
random sights
yesterday, Oak Park, Ill.
**********
reading table
Even now there are places where a thought might grow—
—Derek Mahon (1941-2020), from “A Disused Shed in Co. Wexford”
Robert Dick (flutes, composition) with Resonant Refractions, Concerto for Flute, Bass Flute, Strings and Percussion, live, New York, 4/2/22
**********
lagniappe
reading table
I have just had a long early-morning visit from Faustina who is still carrying on selling her “ticketys” (lottery tickets) bravely and walking miles every day with them, at the age of eighty-two. First she has to have a small drink of cognac, then she advises me about what number to buy this week—it’s 2—then she tells me lots of gossip, except that I can’t understand much of it; she speaks a sort of elementary gibberish of her own, part Spanish, part English. She is carrying all her tickets and money these days in a cardboard suit-case, brown wood-grained, with a red cross on one side, and “The Little Doctor” in large print. She was also carrying a large mirror, very tarnished, in a silver frame, that someone had given her. She is going to take out the mirror and use the frame for a photograph of, first—she said—her daughter, second thought, an improvement, the “Virgin Maria . . .”
—Elizabeth Bishop (Key West, Florida), letter to Robert Lowell, November 18, 1947 (Words in Air:The Complete Correspondence Between Elizabeth Bishop and Robert Lowell)