alone
Why not begin the week with something beautiful?
Patricia Brennan (vibraphone), “Sonnet” (P. Brennan), 2018
***
Another take.
Recording, 2020
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lagniappe
random sights
yesterday, Oak Park, Ill. (Oak Park Conservatory)
*****
reading table
This world of dew
is only a world of dew—
and yet—Kobayashi Issa (1763-1827), translated from Japanese by Sam Hamill
Feeling lost?
John Luther Adams (1953-), The Farthest Place (2001); Robin Lorentz (violin), Amy Knoles (vibraphone, marimba), Bryan Pezzone (piano), Barry Newton (bass), 2002
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lagniappe
random sights
yesterday, Chicago
sounds of New York
day three
Tomas Fujiwara’s 7 Poets Trio (TF, compositions, drums; Patricia Brennan, vibraphone; Tomeka Reid, cello), live, New York, 6/10/19
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lagniappe
random sights
yesterday, Chicago
mesmerizing
John Luther Adams (1953-), The Farthest Place (2001), Andrew Ferdig (marimba), Kevin Keith (vibraphone), Danica Smith (violin), Andy Sproule (bass), James Wehe (piano), live, Denver, 2017
more
Julius Eastman (1940-1990), Stay on It (1973), live, Switchboard Music Festival, San Francisco, 2016*
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lagniappe
random thoughts
The paper clip in my desk drawer will outlive me.
*****
*Annie Phillips, bass clarinet; Jeff Anderle, clarinet; Aram Shelton, alto saxophone; Alisa Rose, violin; Hannah Addario-Berry, cello; Helen Newby, cello; Dominique Leone, piano; Mark Clifford, vibraphone; Jordan Glenn, drums.
like nobody else
Anthony Braxton Accelerator Ghost Trance Septet (AB, reeds, composition; Taylor Ho Bynum, trumpet, flugelhorn; Jessica Pavone, viola; Chris Dahlberg, bass, cello; Mary Halvorson, guitar; Jay Rozen, tuba; Aaron Siegel, drums, percussion, vibraphone), live, Spain (San Sebastian), 2008
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lagniappe
random sights
this morning, outside Chicago (Forest Park)
*****
random thoughts
Aging criminal-defense lawyer’s retirement plan: drop dead at my desk.
Steve Reich (1936-), Mallet Quartet (2009), So Percussion
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lagniappe
reading table
At worst, one is in motion; and at best,
Reaching no absolute, in which to rest,
One is always nearer by not keeping still.—Thom Gunn (1929-2004), “On the Move” (fragment)
joy of serendipity
Empirical, live, London, 2016
***
More.
“Card Clash,” live, Southhampton, England, 2015
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lagniappe
reading table
hole in the wall
pretty
my year’s first sky—Kobayashi Issa (1763-1827), translated from Japanese by David G. Lanoue
This I could listen to all day.
Toru Takemitsu (1930-1996), Rain Tree (1981); Bard Percussion (Amy Garapic, vibraphone; Petra Elek, marimba; Zihan Yi, marimba), live, Annandale-on-Hudson (Bard College), New York, 2012
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lagniappe
random sights
yesterday, Chicago (Columbus Park)
*****
reading table
We see with memory. My memory is different from yours, so if we’re both standing in the same place we’re not quite seeing the same thing. Different individuals have different memories, therefore other elements are playing a part. Whether you have been in a place before will affect you, and how well you know it. There’s no objective vision ever—ever.
—David Hockney (1937-), A Bigger Message: Conversations with David Hockney (Martin Grayford)
Sometimes, in the middle of the night, if sleep leaves and doesn’t return, I’ll put one of these on repeat, softly.
Morton Feldman (1926-1987, MCOTD Hall of Fame), Piano and String Quartet (1985); Aki Takahashi and Kronos Quartet, 1993
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John Luther Adams (1953-), The Farthest Place (2001), 2002
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lagniappe
random sights
other day, Chicago (Columbus Park)
