music clip of the day

jazz/blues/rock/classical/gospel/more

Monday, November 4th

three takes

This guy, like Monk, could take a familiar form, open it up, and create something both old and new.

Julius Hemphill (1938-1995), “The Hard Blues”

Live (with members of the Jazz Composers Alliance Orchestra and the Either/Orchestra),  Boston, 1989


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Recording (JH, alto saxophone, flute; Baikida E.J. Carroll, trumpet; Hamiet Bluiett, baritone saxophone; Abdul Wadud, cello; Philip Wilson, drums), recorded 1972 (first released on Coon Bid’ness, 1975)

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Recording (Julius Hemphill, alto saxophone; Marty Ehrlich, soprano and alto saxophone, flute; Carl Grubbs, soprano and alto saxophone; James Carter, tenor saxophone; Andrew White. tenor saxophone; Sam Furnace, baritone saxophone, flute), 1991

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lagniappe 

art beat

Helen Levitt (1913-2009), New York, c. 1940

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Sunday, November 3rd

five takes

“Where We’ll Never Grow Old,” AKA “Never Grow Old” (J. Moore, 1914)

Patty Griffin with Buddy Miller, live, 2010


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The Canton Spirituals, live, c. 1990


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The Carter Family, recording, 1932


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Aretha Franklin, live, Detroit, 1996

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Johnny Cash, recording, 2004

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lagniappe

art beat

Helen Levitt (1913-2009), New York

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Saturday, November 2nd

only rock ’n’ roll

MC5, “Kick Out The Jams,” “Ramblin’ Rose,” “Motor City’s Burning,” “Tonight,” “Black To Comm #2,” live (TV studio), Germany (Bremen), 1972

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lagniappe

art beat

Danny Lyon (1942-), Chicago, 1960s

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Friday, November 1st

only rock ’n’ roll

Richard Hell and the Voidoids (with Robert Quine [1942-2004], guitar, et al.), “Blank Generation,” live, New York (CBGB’s), Blank Generation, 1980


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lagniappe

art beat

Danny Lyon (1942-), Chicago, 1965

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Monday, October 28th

passings

Lou Reed, singer, songwriter, guitarist, March 2, 1942-October 27, 2013

Live (with Robert Quine [1942-2004], guitar; Fernando Saunders, bass; Fred Maher, drums), New York (Bottom Line), 1983

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lagniappe

musical thoughts

All great rock comes from a particular place. Take Lou Reed. Could he have emerged from Detroit? Nah—too self-conscious, too arty. San Francisco? Unh-uh—way too abrasive. He could only have come from one place, the city where, as the joke has it, a tourist goes up to someone and asks: “Can you tell me the way to the Empire State Building—or should I just go fuck myself?”

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taking a break

I’m taking some time off—back in a while.

Sunday, October 27th

sounds of Chicago

They sounded so good last week—let’s hear some more.

The Staple Singers, “Are You Sure,” live, 1971


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lagniappe

art beat

William Eggleston (1939-)

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Saturday, October 26th

adlib-ability

Drummer Big Black (AKA Daniel Ray, 1934-), talking and playing (with Go: Organic Orchestra, Venice, Calif., 2005)


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lagniappe

art beat

Helen Levitt (1913-2009), New York, c. 1940

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Friday, October 25th

sounds of Chicago

King Louie, “My Niggaz” (2012-13)


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lagniappe

found words

From this week’s Chicago Reader music section:

. . . spastic, fuzzed-out bubblegum punk.

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Local seapunk originator . . .

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. . . like folk-shouter Odetta going through a goth/drone phase.

Thursday, October 24th

alone

Sometimes the performer makes all the difference. In the wrong hands this can seem a mess. In the right ones it sparkles.

Karlheinz Stockhausen (1928-2007), Klavierstücke XI (1956)
Prodromos Symeonidis, live, 2006

Wednesday, October 23rd

sounds of Chicago

Here’s another track I co-produced long ago, in a world without CDs, or MP3s, or Internet.

Pinetop Perkins (1913-2011), “Blues After Hours” (Living Chicago Blues, Vol. 2, Alligator Records, 1978)


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lagniappe

art beat

Helen Levitt (1913-2009), New York, c. 1940

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