No one could convince me, when I’m listening to the clarinet, that any instrument is more beautiful.
Shabaka Hutchings, clarinet, with Kit Downes, keyboards; John Edwards, bass; Mark Sanders, drums; Leafcutter John, electronics; live, London (St. Sepulchre-without-Newgate), 7/14/11
Vodpod videos no longer available.Happy Birthday, Thelonious!
Thelonious Monk, composer, pianist, bandleader
October 10, 1917-February 17, 1982
Monk’s music—its exquisite mix of logic and lyricism—sometimes makes me think of Mozart.
“’Round Midnight” (AKA “’Round About Midnight”) (T. Monk)
Take 1: Bill Evans Trio (BE, piano; Eddie Gomez, bass; Marty Morrell, drums), live, Sweden, 1970
Vodpod videos no longer available.***
Take 2: Don Pullen (piano), rec. 1984 (Don Pullen Plays Monk)
Vodpod videos no longer available.***
Take 3: Milt Jackson (vibes), live, Japan, 1990
Vodpod videos no longer available.More Monk? Here. And here. And here. And here.
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lagniappe
musical thoughts
If it wasn’t for music, man, life wouldn’t be nothing—it’s all about music.
—Thelonious Monk
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Sonny Rollins talks about Monk:
Vodpod videos no longer available.*****
radio
All Monk, all day: WKCR-FM (broadcasting from Columbia University).
It’s easy to forget, sometimes, just how great somebody could be.
B.B. King, “How Blue Can You Get?”
Live, Sing Sing Prison (Ossining, New York), 1972
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lagniappe
last night
W. S. Merwin, who just finished a term as U.S. Poet Laureate, gave a reading at Chicago’s downtown library, where he talked about this and that:
The English language is a great dump. Everything that has come into it has stayed there.
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Poetry begins . . . with listening.
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I wanted to be open . . . to anything that sounded like poetry.
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To animals the meaning is the sound—and that’s pretty close to poetry.
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Time is one of the great human fictions.
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Many of the most important things we do are not calculated. They take us by surprise.
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What the arts are made of is nothing but pure attention.
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radio
Happy (100th) Birthday, Papa Jo! WCKR-FM’s Centennial Festival, mentioned Monday, continues until noon tomorrow.
Has anyone played blues harp more sweetly?
Johnny Shines (1915-1992), vocals, guitar; David “Honeyboy” Edwards (1915-2011), guitar; Big Walter Horton (1917-1981), harmonica; “For The Love of Mike,” live, 1978
Vodpod videos no longer available.More Big Walter? Here.
More Honeyboy? Here.
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lagniappe
A belated Happy Birthday to MCOTD Hall of Famer Von Freeman, who turned 88 yesterday. Want to send birthday wishes? You can email them to info@jazzinchicago.org (subject line: Birthday Wishes for Von Freeman). Or you can do it the old-fashioned way: Birthday Wishes for Von Freeman, c/o The Jazz Institute of Chicago, 410 S. Michigan Ave., Chicago, IL 60605.
why I love radio
Beginning yesterday afternoon and continuing until noon Saturday, WKCR-FM, which broadcasts from Columbia University, is celebrating the centennial of Papa Jo Jones—the “greatest drummer who ever lived,” according to the station’s Phil Schaap—in the best possible way: they’re playing his music (with Count Basie, Billie Holiday, et al.), and nothing but his music, 24 hours a day. Breakfast, he’s on; lunch, he’s on; dinner, he’s on; bedtime, he’s on—and it’s all free.* Is this a great life, or what?
Here at MCOTD, we’re celebrating Papa Jo, too—with this clip, a favorite.
*****
He doesn’t pummel the beat, the way so many drummers do.
He pulls it out of the air.
Jo Jones (“Papa Jo” [as distinguished from “Philly Joe“]), October 7, 1911-September 3, 1985
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lagniappe
[W]hat really distinguished the great drummers I heard growing up, what really attracted me to men such as Sonny Greer, Chick Webb, Sid Catlett, Jo Jones and Kenny Clarke was that they all thought like composers, they all had their own way of hearing a band. They were all original thinkers who identified themselves when they played. And they stood out. They played like leaders.
—Max Roach
(Originally posted 8/5/10.)
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*“Free” is a bit misleading; it costs money to keep this daily miracle on the air, so, periodically, WKCR-FM solicits contributions. If you tune in and like what you hear, perhaps you, too, could kick in a few bucks.
Today, in celebration of my son Alex’s 24th birthday, we revisit a few of the many posts he’s inspired.
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I’ve got a song for you to listen to . . .
—my (23-year-old) son Alex
tUnE-yArDs, “Bizness,” live, Austin (SXSW), 3/18/11
Vodpod videos no longer available.(Originally posted 4/30/11.)
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I’ve got a song for you to listen to . . .
—my (23-year-old) son Alex
The Pains of Being Pure At Heart, “Say No To Love” (2010)
Vodpod videos no longer available.(Originally posted 12/28/10.)
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The other night, after falling asleep, my older son Alex (now 22) had an unexpected visitor—this guy showed up and began to play.
Vijay Iyer Trio (VI, piano; Marcus Gilmore, drums; Stephan Crump, bass)
“Galang,” recording session (Historicity), New York (Systems Two Studios), 2009
(Originally posted 6/30/10.)
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Someday, just as I sometimes do with my own father, who’s been gone for over thirty years, my older son Alex, now twenty-three, will recall occasions, after I’m gone, when he and I went out to hear live music together, like, for instance, last night, when we saw this group, from Africa, who are on their first U.S. tour.
Group Doueh, live, San Francisco, 7/1/11
Vodpod videos no longer available.(Originally posted, with a different clip, 6/27/11.)
Don Byron New Gospel Quintet (DB, tenor saxophone & clarinet; DK Dyson, vocals; Xavier Davis, piano; Brad Jones, bass; Pheeroan akLaff, drums), “Precious Lord” (T. A. Dorsey), live, Brazil (São Paulo), 2010
Vodpod videos no longer available.Last night I heard these folks live at the University of Chicago. Whenever I go out and hear someone, I’m reminded, again, that even (especially?) today, when records and the ’net make more music more available than ever before, there’s no substitute for live music. No recording offers the textures and nuances of a great live performance. (Never, for instance, have I heard a recording that truly reproduces the sounds of a drum kit, much less the interplay between horn and drums.) Not only is there more to hear live, your focus is sharper: you know you won’t have another opportunity to experience these sounds. And when you go to a club or a concert hall, you become, for that night, a member of an ad hoc musical community—something you can’t do sitting in your living room.
Happy (85th) Birthday, Trane!
John Coltrane, September 23, 1926-July 17, 1967
John Coltrane Quartet (JC, tenor saxophone; McCoy Tyner, piano; Jimmy Garrison, bass; Elvin Jones, drums), “I Want To Talk About You,” live, Sweden (Stockholm), 1962
Vodpod videos no longer available.More? Here. And here. And here. And here.
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lagniappe
radio
All Trane, all day: WKCR-FM (broadcasting from Columbia University).
Miles Davis Quintet (MD, trumpet; Wayne Shorter, tenor saxophone; Herbie Hancock, piano; Ron Carter, bass; Tony Williams, drums), “Footprints” (W. Shorter), live, Sweden, 1967
Vodpod videos no longer available.Time for just one note? 3:34. (Shorter’s entire solo is a marvel [1:54-3:54]: it’s as intimate and delicate as a dream.)
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lagniappe
reading table
just the other day
we said goodbye . . .
dewy grave—Kobayashi Issa, 1790s (trans. David G. Lanoue)
What a joy to find, as I did yesterday, new sounds that provide so much pleasure.
Starlicker (Rob Mazurek, cornet; Jason Adasiewicz, vibraphone; John Herndon, drums), “Horseshoes,” live, Iowa (Dubuque), 2011
Vodpod videos no longer available.
music clip of the day 