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Category: jazz

Saturday, 11/12/11

Labels are often worse than useless. This guy, for instance, is often tagged as “cerebral.” But here’s something you can’t—I can’t, anyway—listen to without smiling.

Anthony Braxton, Composition No. 58
Taylor Ho Bynum Chicago Big Band,* live, 2009, Chicago

*****

Here’s another take—Braxton’s original recording (The Complete Arista Recordings of Anthony Braxton [Mosaic], rec. 1976).

More? Here.

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lagniappe

reading table

To obtain the value
of a sound, a movement,
measure from zero.

***

A sound has no legs to stand on.

***

The world is teeming: anything can
happen.

—John Cage, “2 Pages, 122 Words on Music and Dance” (excerpts)

*Taylor Ho Bynum & Josh Berman (cor), Jaimie Branch (tpt), Jeb Bishop & Nick Broste (tb), Nicole Mitchell (fl), Caroline Davis, Keefe Jackson & Dave Rempis (saxes), Jeff Parker (g), Jason Adasiewicz (vib), Nate McBride (b), Tim Daisy & Tomas Fujiwara (d)

Tuesday, 11/1/11

Edward Wilkerson, Jr. (bass clarinet), Tomeka Reid (cello), Scott Hesse (guitar), live, Lakeside, Michigan (Lakeside Inn), 10/16/11*

Vodpod videos no longer available.

No matter how long you’ve been listening to music there are always new things to hear. When, for instance, is the last time you heard a trio featuring bass clarinet, cello, and guitar?

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lagniappe

musical thoughts

This whole division between genres has more to do with marketing than anything else. It’s terrible for the culture of music. Like anything that is purely economic, it ignores the most important component.

—Tom Waits, Pitchfork interview, 10/18/11

*This concert was presented by portoluz as part of its Jazz on a Summer’s Day series.

Thursday, 10/27/11

 flicks

Bessie Smith, St. Louis Blues (1929)

Part 1

*****

Part 2

*****

Tuesday, 10/18/11

clear, adj. bright, luminous, transparent. E.g., Wadada Leo Smith’s trumpet playing.

Wadada Leo Smith (trumpet), live, London (Cafe Oto), 9/5/11

A performance like this opens up, I’ve found, once you quit trying to find
a foothold.

Friday, 10/14/11

Happy (Belated) 70th Birthday, Lester!

Lester Bowie, October 11, 1941-November 8, 1999
trumpet player, bandleader, irrepressible spirit

Lester Bowie Brass & Steel Band, Umbria Jazz Festival (Italy), 1996

Part 1

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Part 2

***

Part 3

***

Part 4

More? Here. And here. And here. And here. And here.

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lagniappe

musical thoughts

Jazz is neither specific repertoire nor academic exercise . . . but a way of life.

—Lester Bowie

Wednesday, 10/12/11

No one could convince me, when I’m listening to the clarinet, that any instrument is more beautiful.

Shabaka Hutchings, clarinet, with Kit Downes, keyboards; John Edwards, bass; Mark Sanders, drums; Leafcutter John, electronics; live, London (St. Sepulchre-without-Newgate), 7/14/11

Vodpod videos no longer available.

Monday, 10/10/11

Happy Birthday, Thelonious!

Thelonious Monk, composer, pianist, bandleader
October 10, 1917-February 17, 1982 

Monk’s music—its exquisite mix of logic and lyricism—sometimes makes me think of Mozart.

“’Round Midnight” (AKA “’Round About Midnight”) (T. Monk)

Take 1: Bill Evans Trio (BE, piano; Eddie Gomez, bass; Marty Morrell, drums), live, Sweden, 1970

Vodpod videos no longer available.

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Take 2: Don Pullen (piano), rec. 1984 (Don Pullen Plays Monk)

Vodpod videos no longer available.

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Take 3: Milt Jackson (vibes), live, Japan, 1990

Vodpod videos no longer available.

More Monk? Here. And here. And here. And here.

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lagniappe

musical thoughts

If it wasn’t for music, man, life wouldn’t be nothing—it’s all about music.

—Thelonious Monk

*****

Sonny Rollins talks about Monk:

Vodpod videos no longer available.

*****

radio

All Monk, all day: WKCR-FM (broadcasting from Columbia University).

Friday, 10/7/11

It’s easy to forget, sometimes, just how great somebody could be.

B.B. King, “How Blue Can You Get?”
Live, Sing Sing Prison (Ossining, New York), 1972

Vodpod videos no longer available.

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lagniappe

last night

W. S. Merwin, who just finished a term as U.S. Poet Laureate, gave a reading at Chicago’s downtown library, where he talked about this and that:

The English language is a great dump. Everything that has come into it has stayed there.

***

Poetry begins . . . with listening.

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I wanted to be open . . . to anything that sounded like poetry.

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To animals the meaning is the sound—and that’s pretty close to poetry.

***

Time is one of the great human fictions.

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Many of the most important things we do are not calculated. They take us by surprise.

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What the arts are made of is nothing but pure attention.

*****

radio

Happy (100th) Birthday, Papa Jo! WCKR-FM’s Centennial Festival, mentioned Monday, continues until noon tomorrow.

Tuesday, 10/4/11

Has anyone played blues harp more sweetly?

Johnny Shines (1915-1992), vocals, guitar; David “Honeyboy” Edwards (1915-2011), guitar; Big Walter Horton (1917-1981), harmonica; “For The Love of Mike,” live, 1978

Vodpod videos no longer available.

More Big Walter? Here.

More Honeyboy? Here.

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lagniappe

A belated Happy Birthday to MCOTD Hall of Famer Von Freeman, who turned 88 yesterday. Want to send birthday wishes? You can email them to info@jazzinchicago.org (subject line: Birthday Wishes for Von Freeman). Or you can do it the old-fashioned way: Birthday Wishes for Von Freeman, c/o The Jazz Institute of Chicago, 410 S. Michigan Ave., Chicago, IL 60605.

Monday, 10/3/11

why I love radio

Beginning yesterday afternoon and continuing until noon Saturday, WKCR-FM, which broadcasts from Columbia University, is celebrating the centennial of Papa Jo Jones—the “greatest drummer who ever lived,” according to the station’s Phil Schaap—in the best possible way: they’re playing his music (with Count Basie, Billie Holiday, et al.), and nothing but his music, 24 hours a day. Breakfast, he’s on; lunch, he’s on; dinner, he’s on; bedtime, he’s on—and it’s all free.* Is this a great life, or what?

Here at MCOTD, we’re celebrating Papa Jo, too—with this clip, a favorite.

*****

He doesn’t pummel the beat, the way so many drummers do.

He pulls it out of the air.

Jo Jones (“Papa Jo” [as distinguished from “Philly Joe“]), October 7, 1911-September 3, 1985

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lagniappe

[W]hat really distinguished the great drummers I heard growing up, what really attracted me to men such as Sonny Greer, Chick Webb, Sid Catlett, Jo Jones and Kenny Clarke was that they all thought like composers, they all had their own way of hearing a band. They were all original thinkers who identified themselves when they played. And they stood out. They played like leaders.

—Max Roach

(Originally posted 8/5/10.)

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*“Free” is a bit misleading; it costs money to keep this daily miracle on the air, so, periodically, WKCR-FM solicits contributions. If you tune in and like what you hear, perhaps you, too, could kick in a few bucks.