Let’s start the week with something that jumps.
Dirty Projectors, “Imagine It,” live, New York (Silent Barn, Brooklyn), 2007
2ⁿ
Meredith Monk and Theo Bleckmann, “Hocket” (M. Monk, from Facing North), live, Santa Fe, 2004
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lagniappe
musical thoughts
With the music, it’s about opening up space for people and making something that they can experience in themselves, in their own way. It could be memories. It could be that they feel more themselves when they hear the music. They feel more alive. They feel that magic. That’s what I’m trying for.
—Meredith Monk (interview, Believer, July/August 2014)
Why not listen to something new?
Iva Bittova (voice, violin), Don Byron (clarinet), Hamid Drake (drums), live, Paris, 2008
tonight in Chicago
This guy will be playing at the Hideout.
Daniel Levin, cello
With JP Carletti (drums), live, New Haven, Conn., 2013
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With his trio, live, Jersey City, N.J., 2008
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Solo, live, New York, 2009
Ernst Reijseger (cello) with Harmen Fraanje (organ), “Shadow” (Cave of Forgotten Dreams), live
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lagniappe
art beat
Timothy H. O’Sullivan (1840-1882), Pyramid Lake, Nevada, 1867
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Each week brings new discoveries. Yesterday, on the radio (WFMU, Give the Drummer Some), I heard this cellist for the first time. This photographer I bumped into Wednesday at the Art Institute of Chicago. Next week?
alone
Mochizuki Harutaka (alto saxophone), live, Japan (Hamamatsu), 2011
#1
#2
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lagniappe
reading table
Even in Kyoto—
hearing the cuckoo’s cry—
I long for Kyoto.—Matsuo Basho (1644-1694; translated from Japanese by Robert Hass)
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art beat: yesterday at the Art Institute of Chicago (lunch hour)
Ilse Bing (1899-1998), Three Men Sitting on Steps at the Seine, Paris (1931)
tonight in Chicago
This guy will be playing two sets—one by himself, the other with vibraphonist Jason Adasiewicz and drummer Frank Rosaly—at the Hideout.
James Falzone (clarinet), live, New Haven, 2014
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lagniappe
art beat: yesterday at the Art Institute of Chicago (lunch hour)
Paul Cezanne, The Bay of Marseilles, Seen From L’Estaque, c. 1885