Tuesday, October 28th
What she’s saying I don’t understand—and it doesn’t matter.
Moniek Darge and her music boxes, Belgium (Ghent), 2011
What she’s saying I don’t understand—and it doesn’t matter.
Moniek Darge and her music boxes, Belgium (Ghent), 2011
sounds of Argentina
Juana Molina, live, Paris, 2013*
**********
lagniappe
musical thoughts
Tempo, rhythm, improvisation—baseball, too, is music.
Mike Moustakas (third base), Kansas City Royals, 10/14/14
*Set list (courtesy of YouTube):
– Wed 21 00:50
– Eras 04:06
– Lo decidi yo 10:11
– Ay, no se ofendan 14:41
– Un dia 21:20
– Las edades 29:03
– Sin guia, no 34:59
– Final feliz 41:15
keep on dancing
“Since The Accident”
Obsolete Music Technology, 2012
***
Specter’s Shattered Mix, 2012
**********
lagniappe
reading table
“Come this way, this way
blind man!”
little butterfly—Kobayashi Issa (1763-1827; translated from Japanese by David G. Lanoue)
This I could listen to all day.
Morton Feldman (1926-1987), Palais de Mari (1986); Blair McMillen (piano) & Ryan Olivier (video processing), live, Philadelphia, 2014
**********
lagniappe
musical thoughts
My obsession with surface is the subject of my music. In that sense, my compositions are really not ‘compositions’ at all. One might call them time canvases in which I more or less prime the canvas with an overall hue of the music.
—Morton Feldman, “Between Categories” (Give My Regards to Eighth Street)
what’s new
Ashley Paul, “I’m In You” (Heat Source), 2014