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Thursday, December 18th

When you work on a small scale, a slight shift can seem epic.

Oscar Noriega (alto saxophone), live, New York, 12/7/14

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Climb Mount Fuji,
O snail,
but slowly, slowly.

—Kobayashi Issa (1763-1828; translated from Japanese by Robert Hass)

Thursday, December 4th

sounds of New York (day three)

If this life of ours isn’t easy, why should our music be?

Alex Mincek (1975-), String Quartet No. 3; Mivos Quartet, live, New York, 2013


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By Emily Dickinson (1830-1886; Franklin 384)

It dont sound so terrible—quite—as it did—
I run it over—”Dead”, Brain—”Dead”.
Put it in Latin—left of my school—
Seems it don’t shriek so—under rule.

Turn it, a little—full in the face
A Trouble looks bitterest—
Shift it—just—
Say “When Tomorrow comes this way—
I shall have waded down one Day”

.

I suppose it will interrupt me some
Till I get accustomed—but then the Tomb
Like other new Things—shows largest—then—
And smaller, by Habit—

It’s shrewder then
Put the Thought in advance—a Year—
How like “a fit”—then—
Murder—wear!

Wednesday, December 3rd

sounds of New York (day two)

Here, as in the city itself, density and spaciousness coexist.

Tim Berne’s Cornered,* “Embraceable Me,” live, New York, 10/12/14

*TB, alto saxophone; Oscar Noriega, clarinets; Ryan Ferreira, guitar; Matt Mitchell, piano; Michael Formanek, bass; Ches Smith, drums, vibraphone.

Tuesday, December 2nd

sounds of New York (day one)

Tamio Shiraishi, live, New York, 10/12/14

 

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Even in Kyoto—
hearing the cuckoo’s cry—
I long for Kyoto.

—Matsuo Basho (1644-1694; translated from Japanese by Robert Hass)

 

Monday, December 1st

If I wanted to listen in on a conversation in a language I already know, I could go to Starbucks.

Christian Wolff (1934-), Pulse (1998); Jens Bracher (trumpet) & Julian Belli (percussion), live, Germany (Mannheim), 2011

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The Idea
by Mark Strand (April 11, 1934-November 29, 2014)

For us, too, there was a wish to possess
Something beyond the world we knew, beyond ourselves,
Beyond our power to imagine, something nevertheless
In which we might see ourselves; and this desire
Came always in passing, in waning light, and in such cold
That ice on the valley’s lakes cracked and rolled,
And blowing snow covered what earth we saw,
And scenes from the past, when they surfaced again,
Looked not as they had, but ghostly and white
Among false curves and hidden erasures;
And never once did we feel we were close
Until the night wind said, “Why do this,
Especially now? Go back to the place you belong;”
And there appeared , with its windows glowing, small,
In the distance, in the frozen reaches, a cabin;
And we stood before it, amazed at its being there,
And would have gone forward and opened the door,
And stepped into the glow and warmed ourselves there,
But that it was ours by not being ours,
And should remain empty. That was the idea.

Sunday, November 30th

passings

Bunny Briggs, tap dancer, February 26, 1922-November 15, 2014

Duke Ellington Orchestra with Bunny Briggs (dance) and Jon Hendricks (vocal), “David Danced Before the Lord with All His Might,” live (A Concert of Sacred Music), San Francisco (Grace Cathedral), 1965

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And David danced before the Lord with all his might . . .

—2 Samuel 6:14 (King James)

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art beat

Robert Frank (1924-), Funeral—St. Helena, South Carolina, 1955

RF.A.004.jpg

Saturday, November 29th

alone

Tashi Dorji, live (WFMU performance space), Jersey City, N.J., 9/7/14

 

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‘Like manufacturers’ instructions. In case of failure, try words.’

—Penelope Fitzgerald, Offshore

Thursday, November 27th

And thankful I am for the sounds of New Orleans, a city both real and unimaginable.

James Booker (1939-1983), “Classified” (J. Booker), live


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art beat

Michael P. Smith (1937-2008), Funeral of Emile Victor Clay, New Orleans, 1996

MPS_HNOC_3539-26

 

Tuesday, November 25th

Thankful I am, two days before Thanksgiving, for things that sound unlike anything I’ve ever heard before.

Horatiu Radulescu (1942-2008), String Quartet No. 5 (“before the universe was born”); JACK Quartet, live, Los Angeles, 2011

Monday, November 24th

Why not begin the week with something beautiful?

John Cage (1912-1992), In a Landscape (1948); Shira Legmann (piano), live, Boston

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reading table

Winter garden,
the moon thinned to a thread,
insects singing.

—Matsuo Basho (1644-1694; translated from Japanese by Robert Hass)