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Category: hard-to-peg

Tuesday, November 8th

like nobody else

Bob Dorough (1923-), “Devil May Care” (B. Dorough), live (studio performance), Newark, N.J., 2015


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lagniappe

random sights

yesterday, Oak Park, Ill.

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*****

baseball: Chicago Cubs

Whether staring and suffering, or grinning and hugging and high-fiving, fans become generic in every World Series. But I remember Cubs fans differently from my sporadic visits to the sunlit Confines in those lean years. They loved their Cubs and yearned for better times, but cheered without irony for every good or great play by the visiting team. It was the game they loved above all.

We will see these youthful champions in the post-season for years to come, I believe. Their infield has a combined age of ninety-six—my own age, as it happens—as good a young bunch as I can recall. Bryant, the third baseman and coming National League M.V.P., goes six feet five and bats from a spread-legged crouch that expands magically into a sudden tall tree with the skyward bat at its top. He’s also swift. That sprint of his around the bases from first reminded you of a clip from the Olympics. The shortstop, Addison Russell, who is twenty-two, batted in six runs in Game 6. Báez, at second, patrols his environs with a feline muscularity. Twenty-seven-year-old Anthony Rizzo, the first baseman, bats left, and may prove to be the best of the quartet—with any luck, a future Hall of Famer whose best years await us.

—Roger Angell, New Yorker, 11/3/16

Monday, November 7th

Why not begin the week with something beautiful?

Toru Takemitsu (1930-1996), Rain Tree Sketch (1982); Peter Serkin (piano), live, Tokyo, 2003


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lagniappe

random sights

yesterday, Glencoe, Ill. (Chicago Botanic Garden)

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*****

random thoughts

Time change—all the pleasures of jet lag without ever leaving home.

Saturday, November 5th

This I could listen to all day.

Toru Takemitsu (1930-1996), Rain Tree (1981); Bard Percussion (Amy Garapic, vibraphone; Petra Elek, marimba; Zihan Yi, marimba), live, Annandale-on-Hudson (Bard College), New York, 2012


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lagniappe

random sights

yesterday, Chicago (Columbus Park)

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*****

reading table

We see with memory. My memory is different from yours, so if we’re both standing in the same place we’re not quite seeing the same thing. Different individuals have different memories, therefore other elements are playing a part. Whether you have been in a place before will affect you, and how well you know it. There’s no objective vision ever—ever.

—David Hockney (1937-), A Bigger Message: Conversations with David Hockney (Martin Grayford)

Thursday, November 3rd

never enough 

Miles Davis (with Wayne Shorter, saxophones; Chick Corea, keyboards; Dave Holland, bass; Jack DeJohnette, drums), live, Paris, 1969*


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lagniappe

baseball: Chicago Cubs

It’s going to take a while, maybe a year or two, for this to sink in.

*****

*Setlist (courtesy of YouTube):

1. Introduction 0:00
2. Directions 0:34
3. Bitches Brew 8:33
4. Paraphernalia 22:50
5. Riot 35:21
6. I Fall In Love Too Easily 38:42
7. Sanctuary 40:53
8. Miles Runs The Voodoo Down 45:13
9. The Theme 1:02:45

Wednesday, November 2nd

more

Wadada Leo Smith (trumpet), Louis Moholo-Moholo (drums), live


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lagniappe

random sights

other day, Oak Park, Ill.

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Tuesday, November 1st

sui generis

Sculpture, “Untitled,” 2016

https://vimeo.com/167876880

 

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lagniappe

random sights

other day, Oak Park, Ill. (Trumpenstein)

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*****

baseball: Chicago Cubs

. . . Cleveland leads this World Series 3-2, but it feels very close—like, as close to tied as it can be without being, you know, actually tied.

—Thomas Boswell, Washington Post, 10/31/16

Monday, October 31st

Repetitive?

Yes.

Boring?

Not to these ears.

William Basinski, Watermusic II, 2003


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lagniappe

random sights

yesterday, Chicago (Columbus Park)

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*****

baseball: Chicago Cubs

Now, it’s onto Cleveland, with a confident team, a DH in [Kyle] Schwarber, [Aroldis] Chapman knowing he’s capable of going longer than two innings, and a “Rocky’’ tape stuffed in their equipment bag.

“The boys are feeling real good right now,’’ said [Anthony] Rizzo, who was impersonating Rocky Balboa with shadow-boxing before the game, even playing the “Rocky’’ theme as his walk-up music before his first at-bat. “We had a good time in here before the game. We’re going the bout. We’re going the distance.

“We’re bought in.

“And we believe in it.’’

—Bob Nightengale, USA Today, 10/31/16

Saturday, October 29th

tonight in Chicago

He’ll be playing at Constellation.

Wadada Leo Smith (trumpet) with John Edwards (bass), Mark Sanders (drums), live, Latvia (Riga), 2014


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lagniappe

art beat: yesterday at the Art Institute of Chicago

Henri Matisse (1869-1954), The Geranium, 1906

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Monday, October 24th

like nobody else

How about a trip to Paris?

Blossom Dearie (1924-2009), “C’est le Printemps” (“It Might as Well Be Spring”)
(R. Rodgers, O. Hammerstein II; adaptation, J. Sablon), “Plus je t’embrasse” (“Heart of My Heart”) (B. Ryan; adaptation, Max François), live, Paris, 1961

 

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lagniappe

reading table

Autumn again
getting old is like
a bird flying into a cloud

—Matsuo Basho (1644-1694), translated from Japanese by David Young

Saturday, October 22nd

This I could listen to all day.

Morton Feldman (1926-1987, MCOTD Hall of Fame), Three Voices (1982); Sonya Holowell (live and recorded voices), Australia (Sydney), 2016


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lagniappe

reading table

Absolutely unmixed attention is prayer.

—Simone Weil (1909-1943)

*****

baseball: Chicago Cubs

Greg Maddux on tonight’s starting pitcher, Kyle Hendricks:

If it was a radar contest, then why play the game, right? Velocity is nice, but command and movement are better.

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He has the ability to throw a two-seam fastball to both sides of the plate. Most pitchers are four-seam to one side and two-seam to the other. If you can throw your two-seamer to both sides of the plate, that’s an advantage to the pitcher.

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He has the ability to recognize when a hitter is sitting on a certain pitch and throw something else.

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He relies on the low fastball that sinks pretty good. Very good at trying to keep the ball in front of the outfield with that pitch. That’s what it’s about—locating your fastball, changing speeds and keeping the ball in the ballpark.

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He’s fun to watch.