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Category: hard-to-peg

Thursday, March 2nd

tonight in Chicago

These guys, from Australia, are playing at Constellation.

The Necks, live, London, 2016


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lagniappe

reading table

The Imaginary Iceberg
by Elizabeth Bishop (1911-1979)

We’d rather have the iceberg than the ship,
although it meant the end of travel.
Although it stood stock-still like cloudy rock
and all the sea were moving marble.
We’d rather have the iceberg than the ship;
we’d rather own this breathing plain of snow
though the ship’s sails were laid upon the sea
as the snow lies undissolved upon the water.
O solemn, floating field,
are you aware an iceberg takes repose
with you, and when it wakes may pasture on your snows?

This is a scene a sailor’d give his eyes for.
The ship’s ignored. The iceberg rises
and sinks again; its glassy pinnacles
correct elliptics in the sky.
This is a scene where he who treads the boards
is artlessly rhetorical. The curtain
is light enough to rise on finest ropes
that airy twists of snow provide.
The wits of these white peaks
spar with the sun. Its weight the iceberg dares
upon a shifting stage and stands and stares.

The iceberg cuts its facets from within.
Like jewelry from a grave
it saves itself perpetually and adorns
only itself, perhaps the snows
which so surprise us lying on the sea.
Good-bye, we say, good-bye, the ship steers off
where waves give in to one another’s waves
and clouds run in a warmer sky.
Icebergs behoove the soul
(both being self-made from elements least visible)
to see them so: fleshed, fair, erected indivisible.

Monday, February 27th

basement jukebox

J.B. Lenoir (vocals, guitar; 1929-1967), “Mama Talk to Your Daughter,” 1954

 

Saturday, February 25th

A handful of pieces I never tire of, no matter how many times I hear them. This is one.

Morton Feldman (1926-1987; MCOTD Hall of Fame), For Bunita Marcus (1985); Stephen Drury (piano), live, Boston, 2016


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lagniappe

art beat: other day, Museum of Contemporary Art Chicago

Jasper Johns (1930-), In Memory of My Feelings—Frank O’Hara, 1961

johns-in_memory_of_my_feelings_-_frank_ohara

 

Friday, February 24th

sounds of New York

Jim Campilongo Trio (JC, guitar; Chris Morrisey, bass; Josh Dion, drums, vocals) with Nels Cline (guitar), live, New York, 12/5/16*


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lagniappe

art beat: yesterday, Museum of Contemporary Art Chicago

Merce Cunningham: Common Time (through April 30th)


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*Set list (courtesy of YouTube):

Hot ‘Lanta 00:00
Heaven Is Creepy 08:20
Politician 18:06
Cock and Bull Story 26:12

Wednesday, February 22nd

more

Miranda Cuckson, violin; Michael Hersch (1971-), Fourteen Pieces for unaccompanied violin, excerpt; live, 2009

 

Monday, February 20th

Yesterday, in Chicago, at the Art Institute, I heard this woman play the violin. She played for well over an hour, by herself, without intermission. She performed seven pieces: the earliest, by Pierre Boulez (Anthèmes 1), was composed in 1992; the latest, by Steve Lehman (En Soi), this year. When a performer surrenders to the music wholeheartedly, she invites you, the listener, to do the same. And I did, gratefully.

Miranda Cuckson, violin

Ralph Shapey (1921-2002), Etchings (1945; excerpt), 2009


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Playing and talking, 2015

 

 

 

Monday, February 13th

 passings

Al Jarreau (aka Alwin Lopez Jarreau), March 12, 1940-February 12, 2017, singer

“Take Five” (P. Desmond), live (TV performance), Germany, 1976


(Taking a break—back in a while.)

Friday, February 10th

Quiet, beauty—sometimes they seem to have all but disappeared.

Valentin Silvestrov (piano), live, Ukraine (Kiev), 2012


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lagniappe

random thoughts

I’ve been a criminal defense lawyer for over 30 years. Week in and week out, I’m in federal and state courts. I have deeply mixed feelings about our legal system. But last night, as I read the Ninth Circuit’s 29-page ruling, I felt enormous gratitude for the one branch of government that currently seems capable of—or even interested in—thoughtful analysis.

Thursday, February 9th

what’s new

Craig Taborn, Daylight Ghosts, 2017


The other day I bumped into this guy in New York, at The Guggenheim, where we were both seeing the Agnes Martin exhibit. We talked for a moment—I told him how much I like his music. Then our eyes went back to the paintings.

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lagniappe

art beat: other day, The Guggenheim (New York)

Agnes Martin (1912-2004), Happy Holiday, 1999

Agnes Martin Happy Holiday, 1999 Acrylic and graphite on canvas 60 x 60 in. (152.4 x 152.4 cm) Pace#31903 AM Catalogue #1999.025 Date of photography: Format of original photography: 8x10 transparency

Wednesday, February 8th

not the same old stuff

Maja S. K. Ratkje, live (performance begins at 1:30), Norway (Kristiansand), 2013


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lagniappe

reading table

Happy (106th) Birthday, Elizabeth

From the few states I have seen I should now immediately select Florida as my favorite. I don’t know whether you have been here or not—it is so wild, and what there is of cultivation seems rather dilapidated and about to become wild again. On the way down we took a very slow train from Jacksonville here. All day long it went through swamps and turpentine camps and palm forests and in a beautiful pink evening it began stopping at several little stations. The stations were all off at a tangent from the main track and it necessitated first going by, then stopping, backing up, stopping, starting again—with many puffs of white smoke, blowing of the whistle, advice from the loiterers around the station—all to throw off one limp bag of mail.

—Elizabeth Bishop (1911-1979), letter to Marianne Moore, January 5, 1937