music clip of the day

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Category: guitar

Sunday, March 1st

sounds of Chicago

Inez Andrews (1929-2012), “Come In,” live (The Remarkable Inez Andrews), Chicago, 1980

Friday, February 27th

sounds of Chicago

Goofiness is a much underrated virtue.

Mucca Pazza, live, Washington, D.C., 2015

Wednesday, February 18th

white folks got soul, too
(day three)

J.J. Cale (1938-2013)

“Call Me the Breeze” (J.J. Cale), live, Tulsa, 2004


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“After Midnight” (J.J. Cale), live (with Eric Clapton), Dallas, 2004

Tuesday, February 17th

white folks got soul, too
(day two)

Tony Joe White & Shelby Lynne, live, Nashville, 2010

“Rainy Night in Georgia” (T. J. White)


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“Can’t Go Back Home” (T. J. White)


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lagniappe

reading table

“Did I forget to mention that when you’re dead

You’re dead a long time.

My uncle, dying, told me this when asked, Why stay here for such suffering.”

—Lucie Brock-Broido, “Currying the Fallow-Colored Horse” (Stay, Illusion)

Monday, February 16th

white folks got soul, too
(day one)

More of Lucinda W.

Lucinda Williams (with Tony Joe White [harmonica, guitar], et al.), “West Memphis” (L. Williams), recording session, 2014


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lagniappe

reading table

Why am I now a walking accident waiting to happen? Why am I more worried about that than whether there’s an afterlife?

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I don’t look in mirrors anymore. It’s cheaper than surgery.

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Bonding heads the list of words I’ve ruled out. Emerson was right—as he was about everything: an infinite remoteness underlies us all. And what’s wrong with that? Remoteness joins us as much as it separates us, but in a way that’s truly mysterious, yet completely adequate for the life ongoing.

—Richard Ford, “I’m Here” (Let Me Be Frank With You)

Saturday, February 14th

Something cheery to start the weekend.

Lucinda Williams, “It’s Gonna Rain” (L. Williams), live (studio performance), Seattle, 2/11/15

 

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lagniappe

reading table

How can you give orders when nobody is listening?

—John Ashbery, “Be Careful What You Wish For” (New York Review of Books, 3/5/15)

 

Monday, February 9th

Why start the week with the same old stuff?

Derek Bailey (1930-2005, guitar), Min Tanaka (1945-, dance), Japan, 1993

 

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lagniappe

reading table

For you fleas too,
The night must be long,
It must be lonely.

—Kobayashi Issa (1763-1828; translated from Japanese by R. H. Blyth)

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the beat goes on

Nineteen hundred posts—and counting.

Saturday, February 7th

basement jukebox

Hank Snow (1914-1999), “Honeymoon on a Rocket Ship”(C. E. “Hank” Snow, J. Masters), 1953

Friday, February 6th

sounds of Mali (day four)

Tinariwen, live, Paris, 2011


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lagniappe

reading table

It was what it might have been to be alive, but tenderly.

—Lucie Brock-Broido, “A Meadow” (Stay, Illusion)

Tuesday, February 3rd

sounds of Mali (day one)

Africa Express, “Terry Riley’s in C Mali,” 2013-15

 

I am overwhelmed and delighted by this CD. I was not quite prepared for such an incredible journey, hearing the soul of Africa in joyous flight over those 53 patterns of ‘In C’. This ensemble feeds the piece with ancient threads of musical wisdom and humanity indicating to me that this work is a vessel ready to receive and be shaped by the spontaneous feelings and colours of the magician/musician. I could not ask for a greater gift for this daughter’s 50th birthday.

Terry Riley (1935-)