music clip of the day

jazz/blues/rock/classical/gospel/more

Category: drums

Saturday, March 14th

sounds of Detroit

Don Was/Sweet Pea Atkinson, “Slow Down,” recording session, 2007

 

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lagniappe

art beat: more from the other day at the Art Institute of Chicago

This I never tire of.

Joan Mitchell (1925-1992), City Landscape, 1955

Joan_Mitchell_City_Landscape

Friday, March 13th

only rock ‘n’ roll

Sleater-Kinney, “A New Wave,” 2015

Friday, March 6th

sounds of Chicago

Billy Boy Arnold (1935-) & The Aces,* “She Fooled Me,” live, 1978


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lagniappe

art beat

Daido Moriyama (1938-), New York, 1971

daido-2_1

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*Louis Myers (1929-1994), guitar; Dave Myers (1926-2001), bass; Fred Below (1926-1988), drums.

Tuesday, March 3rd

never enough

Thelonious Monk Quartet (TM, piano; Charlie Rouse, tenor saxophone; John Ore, bass; Frankie Dunlop, drums), “Nutty,” “Bemsha Swing,” “Epistrophy,” “Crepuscule with Nellie,” “I Mean You,” live (TV show), Netherlands, 1961

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lagniappe

art beat

William Klein (1928-), Baseball Cards, New York 1955

3381

Sunday, March 1st

sounds of Chicago

Inez Andrews (1929-2012), “Come In,” live (The Remarkable Inez Andrews), Chicago, 1980

Friday, February 27th

sounds of Chicago

Goofiness is a much underrated virtue.

Mucca Pazza, live, Washington, D.C., 2015

Thursday, February 26th

Soundtrack for your day?

Peter Brotzmann Tentet,* live, Atlanta, 2002


*PB, reeds; Ken Vandermark, reeds; Mats Gustafsson, reeds; Mars Williams, reeds; Joe McPhee, trumpet; Jeb Bishop, trombone; Fred Longberg-Holm, cello; Kent Kessler, bass; Hamid Drake, drums; Michael Zerang, drums.

Tuesday, February 24th

Float like a butterfly, sting like a bee.

—Muhammad Ali

Cecil Taylor Quintet (CT, piano; Harri Sjostrom, soprano saxophone; Tristan Honsinger, cello; Thurman Barker, marimba, percussion; Paul Lovens, drums), live, Germany (Hamburg), 1995

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lagniappe

art beat

William Klein (1928-), Blacks + Pepsi (AKA Moves + Pepsi)
Harlem, New York, 1955

Blacks + Pepsi, Harlem, 1955

Wednesday, February 18th

white folks got soul, too
(day three)

J.J. Cale (1938-2013)

“Call Me the Breeze” (J.J. Cale), live, Tulsa, 2004


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“After Midnight” (J.J. Cale), live (with Eric Clapton), Dallas, 2004

Monday, February 16th

white folks got soul, too
(day one)

More of Lucinda W.

Lucinda Williams (with Tony Joe White [harmonica, guitar], et al.), “West Memphis” (L. Williams), recording session, 2014


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lagniappe

reading table

Why am I now a walking accident waiting to happen? Why am I more worried about that than whether there’s an afterlife?

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I don’t look in mirrors anymore. It’s cheaper than surgery.

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Bonding heads the list of words I’ve ruled out. Emerson was right—as he was about everything: an infinite remoteness underlies us all. And what’s wrong with that? Remoteness joins us as much as it separates us, but in a way that’s truly mysterious, yet completely adequate for the life ongoing.

—Richard Ford, “I’m Here” (Let Me Be Frank With You)