music clip of the day

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Category: bass

Monday, March 16th

sounds of Chicago

Jack DeJohnette (drums) with MCOTD Hall-of-Famer Henry Threadgill (reeds), Roscoe Mitchell (reeds), Muhal Richard Abrams (piano), and Larry Gray (bass), Made in Chicago, 2015

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lagniappe

art beat: more from the other day at the Art Institute of Chicago

This, too, I never tire of.

Jackson Pollock (1912-1956), Greyed Rainbow, 1953

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Saturday, March 14th

sounds of Detroit

Don Was/Sweet Pea Atkinson, “Slow Down,” recording session, 2007

 

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lagniappe

art beat: more from the other day at the Art Institute of Chicago

This I never tire of.

Joan Mitchell (1925-1992), City Landscape, 1955

Joan_Mitchell_City_Landscape

Friday, March 6th

sounds of Chicago

Billy Boy Arnold (1935-) & The Aces,* “She Fooled Me,” live, 1978


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lagniappe

art beat

Daido Moriyama (1938-), New York, 1971

daido-2_1

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*Louis Myers (1929-1994), guitar; Dave Myers (1926-2001), bass; Fred Below (1926-1988), drums.

Tuesday, March 3rd

never enough

Thelonious Monk Quartet (TM, piano; Charlie Rouse, tenor saxophone; John Ore, bass; Frankie Dunlop, drums), “Nutty,” “Bemsha Swing,” “Epistrophy,” “Crepuscule with Nellie,” “I Mean You,” live (TV show), Netherlands, 1961

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lagniappe

art beat

William Klein (1928-), Baseball Cards, New York 1955

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Sunday, March 1st

sounds of Chicago

Inez Andrews (1929-2012), “Come In,” live (The Remarkable Inez Andrews), Chicago, 1980

Thursday, February 26th

Soundtrack for your day?

Peter Brotzmann Tentet,* live, Atlanta, 2002


*PB, reeds; Ken Vandermark, reeds; Mats Gustafsson, reeds; Mars Williams, reeds; Joe McPhee, trumpet; Jeb Bishop, trombone; Fred Longberg-Holm, cello; Kent Kessler, bass; Hamid Drake, drums; Michael Zerang, drums.

Wednesday, February 18th

white folks got soul, too
(day three)

J.J. Cale (1938-2013)

“Call Me the Breeze” (J.J. Cale), live, Tulsa, 2004


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“After Midnight” (J.J. Cale), live (with Eric Clapton), Dallas, 2004

Monday, February 16th

white folks got soul, too
(day one)

More of Lucinda W.

Lucinda Williams (with Tony Joe White [harmonica, guitar], et al.), “West Memphis” (L. Williams), recording session, 2014


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lagniappe

reading table

Why am I now a walking accident waiting to happen? Why am I more worried about that than whether there’s an afterlife?

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I don’t look in mirrors anymore. It’s cheaper than surgery.

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Bonding heads the list of words I’ve ruled out. Emerson was right—as he was about everything: an infinite remoteness underlies us all. And what’s wrong with that? Remoteness joins us as much as it separates us, but in a way that’s truly mysterious, yet completely adequate for the life ongoing.

—Richard Ford, “I’m Here” (Let Me Be Frank With You)

Saturday, February 14th

Something cheery to start the weekend.

Lucinda Williams, “It’s Gonna Rain” (L. Williams), live (studio performance), Seattle, 2/11/15

 

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lagniappe

reading table

How can you give orders when nobody is listening?

—John Ashbery, “Be Careful What You Wish For” (New York Review of Books, 3/5/15)

 

Friday, February 6th

sounds of Mali (day four)

Tinariwen, live, Paris, 2011


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lagniappe

reading table

It was what it might have been to be alive, but tenderly.

—Lucie Brock-Broido, “A Meadow” (Stay, Illusion)