Monday, February 2nd
what’s new
D’Angelo and the Vanguard (Pino Palladino, bass; John Blackwell, drums; Jesse Johnson & Isaiah Sharkey, guitars, et al.), Saturday Night Live, 1/31/15
“Really Love”
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“The Charade”
what’s new
D’Angelo and the Vanguard (Pino Palladino, bass; John Blackwell, drums; Jesse Johnson & Isaiah Sharkey, guitars, et al.), Saturday Night Live, 1/31/15
“Really Love”
***
“The Charade”
only rock ‘n’ roll
The Avantist, “Ramses,” live (studio performance), Hickory Hills, Ill., 2014
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lagniappe
reading table
I am obliged to perform in complete darkness
operations of great delicacy
on my self.—John Berryman (1914-1972, MCOTD Hall of Fame), Dream Song 67
Need a jolt?
Brandon Lopez (bass), Tyshawn Sorey (drums), Chris Pitsiokos (alto saxophone), live, New York, 11/10/14
Talk about range. The piece we heard Saturday—the one with flute, violin, bass clarinet, and piano? It was composed by the drummer.
sounds of Chicago (day two)
Sometimes encountering a new piece of music can turn your whole day around, which is what happened to me the other day when I bumped into this.
Georg Friedrich Haas (1953-), In Vain (2000)
Ensemble Dal Niente, live, Chicago, 2013
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lagniappe
art beat: yesterday at the Art Institute of Chicago
Claude Monet (1840-1926), Cliff Walk at Pourville (1882)
***
Pierre-Auguste Renoir (1841-1919), Seascape (1879)
*****
random thoughts
Eyes taste paintings no less than mouths taste food.
sounds of Chicago (day one)
Art Ensemble of Chicago (Roscoe Mitchell, reeds; MCOTD Hall-of-Famer Lester Bowie [1941-1999], trumpet; Malachi Favors [1927-2004], bass; Don Moye, drums), live, Hungary (Budapest), 1995
voices I miss
Lester Bowie’s From the Root to the Source (MCOTD Hall-of-Famer Lester Bowie [1941-1999], trumpet; Fontella Bass, vocals, piano; Martha Bass, vocals; Malachi Favors, bass, et al.), live, 1983
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lagniappe
reading table
I walked through the mountains today. The weather was damp, and the entire region was grey. But the road was soft and in places very clean. At first I had my coat on; soon, however, I pulled it off, folded it together, and laid it upon my arm. The walk on the wonderful road gave me more and even more pleasure; first it went up and then descended again. The mountainous world appeared to me like an enormous theatre. The road snuggled up splendidly to the mountainsides. Then I came down into a deep ravine, a river roared at my feet, a train rushed past me with magnificent white smoke. The road went through the ravine like a smooth white stream, and as I walked on, to me it was as if the narrow valley were bending and winding around itself. Grey clouds lay on the mountains as though that were their resting place. I met a young traveller with a rucksack on his back, who asked if I had seen two other young fellows. No, I said. Had I come here from very far? Yes, I said, and went farther on my way. Not a long time, and I saw and heard the two young wanderers pass by with music. A village was especially beautiful with humble dwellings set thickly under the white cliffs. I encountered a few carts, otherwise nothing, and I had seen some children on the highway. We don’t need to see anything out of the ordinary. We already see so much.
—Robert Walser (1878-1956), “A Little Ramble” (translated from German by Tom Whalen)
two takes
“I Don’t Claim To Be An Angel”
Laura Cantrell, live (studio performance), New York, 2011
***
Kitty Wells (1919-2012), live (TV show), c. 1953
What better way to start the year than with the music of Sly Stone?
Steven Bernstein’s Millennial Territory Orchestra (Steven Bernstein, trumpet; John Medeski, organ, et al.), live, Paris, 2011
“Stand” (feat. Sandra St. Victor, vocals)
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“Everyday People” (feat. Eric Mingus, vocals)
*****
Still, after four decades, this album remains on my desert-island list.
Sly and the Family Stone, Fresh, 1973
1. In Time (0:00)
2. If You Want Me To Stay (5:48)
3. Let Me Have It All (8:48)
4. Frisky (11:43)
5. Thankful ‘N’ Thoughtful (14:54)
6. Skin I’m In (19:36)
7. I Don’t Know (Satisfaction) (22:29)
8. Keep On Dancin’ (26:23)
9. Que Sera, Sera (Whatever Will Be, Will Be) (28:45)
10. If It Were Left Up To Me (34:07)
11. Babies Makin’ Babies (36:07)
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lagniappe
random thoughts: New Year’s resolution #5
Each day: begin, again.
two takes
Need a lift?
Charles Ives (1874-1954), Ragtime Dance No. 4 (1904)
Alarm Will Sound, live, New York, 2013
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Orchestra New England, recording, 1990
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lagniappe
musical thoughts
As I remember some of the dances as a boy, and also from father’s description of some of the old dancing and fiddle playing, there was more variety of tempo than in the present-day dances. In some parts of the hall a group would be dancing in polka, while in another, a waltz. Some of the players in the band would, in an impromptu way, pick up with the polka, and some with the waltz, and some with a march. Often the piccolo or cornet would throw in asides. Sometimes a change in tempo, or a mixed rhythm would be caused by a fiddler who, after playing three or four hours steadily, was getting a little sleepy. Or maybe another player was seated too near the hard cider barrel. Whatever the reason for these changes and simultaneous playing of things, I remember distinctly catching a kind of music that was natural and interesting and which was decidedly missed when everybody came down ‘blimp’ on the same beat again.
—Charles Ives