More and more I find myself seeking sounds that don’t convey a particular feeling or mood but, instead, create a space I can inhabit, physically, emotionally, intellectually, if only for a short while.
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*On WKCR-FM (Columbia University), from 6-9 p.m. (EST), Vijay Iyer, pianist, composer, recent MacArthur “genius” grant winner, future Harvard professor, will be joining host Mitch Goldman “for a deep focus on Andrew Hill.”
Most musicians are no more able than anyone else to talk about what they do in ways that are fresh and absorbing. This guy, to these ears, is something rare: a compelling player who is, as well, a provocative thinker and talker.
The other night, after falling asleep, my older son Alex (now 22) had an unexpected visitor—this guy showed up and began to play.
Vijay Iyer Trio (VI, piano; Marcus Gilmore, drums; Stephan Crump, bass)
“Galang,” recording session (Historicity), New York (Systems Two Studios), 2009
(Originally posted 6/30/10.)
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Someday, just as I sometimes do with my own father, who’s been gone for over thirty years, my older son Alex, now twenty-three, will recall occasions, after I’m gone, when he and I went out to hear live music together, like, for instance, last night, when we saw this group, from Africa, who are on their first U.S. tour.
Following up on Vijay Iyer’s take (6/30/10), here’s the original.
M.I.A., “Galang” (2005)
One of the things I love about M.I.A. is that she doesn’t let any of the usual stuff get in her way. Take her dancing, for instance: she’s, uh, not real good at it—at least not by the usual standards. Does that stop her? Nah.