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Tag: music clip of the day

Friday, 8/3/12

only rock ’n’ roll

Pussy Riot, “Punk Prayer,”* Russia (Moscow), 2012

After enduring five months of delays and attracting worldwide attention, the Pussy Riot trial finally began in Moscow this week. But what is Pussy Riot? Why is it on trial? What is Moscow? All your questions will be answered here.

What is Pussy Riot?

Pussy Riot is a Russian punk collective founded in September of last year in the wake of Vladimir Putin’s announcement that he would seek election for a third presidential term. (Putin, currently the prime minister, stepped down from the presidency in 2008 due to limits on serving consecutive terms; the current president, Dmitri Medvedev, is a Putin ally.) “[A]t that point,” Pussy Riot’s Serafima (members use pseudonyms) told Vice in February, “we realized that this country needs a militant, punk-feminist, street band that will rip through Moscow’s streets and squares, mobilize public energy against the evil crooks of the Putinist junta and enrich the Russian cultural and political opposition[.]”

Okay, but… what do they do?

I mean, what have punks ever done? Mostly the women of Pussy Riot wear colorful clothes and balaclavas and stage Situationist-style guerrilla performances in public spaces like the Red Square. It was one such performance — a “punk prayer” called “Our Lady, chase Putin out,” undertaken in Moscow’s Christ the Savior Cathedral — that got three of the group’s members in so much trouble.

What happened?

On February 21, Five Pussy Rioteers took to the church’s altar and performed a mock prayer, begging the Virgin Mary to chase Putin out of power. They lasted about 30 seconds before being removed by security guards, and the footage was later used in a music video, which you can see here.

That’s it? [Rolls eyes.]

Well, where the U.S. has successfully neutralized the protest possibilities of punk rock through a careful combination of commodification and fashionable cynicism, Russia doesn’t fuck around: two weeks after the prayer, three women in Pussy Riot — Nadezhda Tolokonnikova, Mariya Alekhina and Yekaterina Samutsevich — were arrested and charged with hooliganism, which can carry a sentence of up to seven years. They’ve been languishing in jail since then, denied bail and waiting through several delays; two of the women are mothers and haven’t seen their young kids since the arrest.

Holy shit.

Yeah. Who’s punk rock now, huh? Their lawyers say they’ve been denied food and sleep; today, a doctor had to be called when Alekhina became sick in court. The prosecutor is making all kinds of nutty accusations, according to The New Yorker‘s Masha Lipman:

In an interview, one said that the incident could “soon escalate into events comparable to the explosion of the twin towers on September 11th in America… It was proven that the act had been committed not by the American government or by the C.I.A. but by forces above them. For instance, all the employees of the shopping center” — the lawyer referred to the W.T.C. as torgovy tsentr, the Russian for “mall” — had been informed through secret masonic channels that they should not report to work on September 11th.” When the interviewer asked, “Do you mean that the Pussy Riot act and the terrorist attack in the U.S. were organized by the same people?,” the lawyers responded, “In the first instance it was a satanic group, and in the second it was the global government. But at the highest level both are connected-by Satan.” Who else?

***

So what happens next?

The trial will last a couple of weeks. All three women have pleaded not guilty; at worst, they could be sentenced to seven years in prison.

—Max Read, Gawker, 8/2/12

*****

*Lyrics (English translation, courtesy of YouTube):

(Chorus)

St. Maria, Virgin, Drive away Putin
Drive away! Drive away Putin!
(end chorus)

Black robe, golden epaulettes
All parishioners are crawling and bowing
The ghost of freedom is in heaven
Gay pride sent to Siberia in chains

The head of the KGB is their chief saint
Leads protesters to prison under escort
In order not to offend the Holy
Women have to give birth and to love

Holy shit, shit, Lord’s shit!
Holy shit, shit, Lord’s shit!

(Chorus)
St. Maria, Virgin, become a feminist
Become a feminist, Become a feminist
(end chorus)

Church praises the rotten dictators
The cross-bearer procession of black limousines
In school you are going to meet with a teacher-preacher
Go to class – bring him money!

Patriarch Gundyaev believes in Putin
Bitch, you better believed in God
Belt of the Virgin is no substitute for mass-meetings
In protest of our Ever-Virgin Mary!

(Chorus)
St. Maria, Virgin, Drive away Putin
Drive away! Drive away Putin!
(end chorus)

Thursday, 8/2/12

How ’bout a little trip to Mississippi?

David Moore, Rosedale, Mississippi, 2012

Wednesday, 8/1/12

basement jukebox

The Falcons, “Good Good Feeling” (1967)

***

Otis Clay, “That’s How It Is (When You’re In Love)” (1967)

Tuesday, 7/31/12

Lester Bowie’s Brass Fantasy (LB, trumpet; Malachi Thompson, trumpet; Steve Turre, trombone; Phillip Wilson, drums, et al.), “I Only Have Eyes For You” (H. Warren & A. Dubin), 1984

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lagniappe

this just in

Lester Bowie, whose singular playing and presence have often been celebrated here,* has just been inducted, posthumously, into the ultra-exclusive MCOTD Hall of Fame, joining tenor saxophonist Von Freeman and poets Wislawa Szymborska and William Bronk.

*****

*Here (Art Ensemble of Chicago). Here (with Digable Planets). Here (Lester Bowie’s Brass Fantasy). Here (Art Ensemble of Chicago). Here (with Sun Ra All Stars). And here (Lester Bowie Brass & Steel Band).

Monday, 7/30/12

joy, n. listening to Monk alone at the piano playing a standard.

Thelonious Monk, piano

“Don’t Blame Me” (J. McHugh & D. Fields), Denmark, 1966

*****

“Just a Gigolo” (I. Caesar & L. Casucci), 1963

Sunday, 7/29/12

old stuff

Does anyone, in any genre, sing and play with more intensity?

Blind Willie Johnson, “Jesus Make Up My Dying Bed,” 1927

Saturday, 7/28/12

two takes

The Heptones, “Book of Rules”

Recording, 1973

This bass line I could live in all day.

***

Live, London (Jazz Cafe), 2009

**********

lagniappe

radio

WKCR Proudly Presents: The Jamaican Independence Festival

Starting at 8 a.m. on Saturday, July 28th, 2012, WKCR will broadcast 43 hours of music from Jamaica spanning the development of more than 50 years of recorded music. August 6, 2012 is the 50th anniversary of Jamaican independence from Great Britain. The emergence of Jamaica’s modern recording industry began in the late 1950s followed by the emergence of ska in the early 60s. Ska was the first in a continuum of music genres–rock steady, reggae, dub, lover’s rock, and dancehall–that would have global influence in the next 50 years. The WKCR Jamaican Independence Festival will celebrate this musical and cultural legacy through a 43 hour broadcast running until 3 a.m. Monday, July 30th.

The dates of the festival fall between Jamaican Independence Day and Ethiopian Emperor Haile Selassie’s birthday on July 23rd. Saturday evening, a segment of the festival will focus on Rastafarian music specifically. The Rastafarian movement, which began in Jamaica in the 1930s after Ras Tafari Makonnen’s coronation as Haile Selassie, was a major cultural force in the Jamaican recording industry as many musicians were Rastafarians. The festival will celebrate the Jamaican community, and educate the larger New York audience in preparation for other cultural events the following week. The festival will be segmented to illustrate specific developments in genres, and periods of Jamaican music. Iconic artists whose influence deserves recognition will receive special one-hour profiles, and Sunday evening will feature a live, in-studio performance by the Brooklyn-based Full Watts Band, which specializes in rock steady and early reggae.

Here is a full schedule of the festival:

Saturday:
8-10 Festival Reggae / Independence Songs
10-12 Ska
12-14 Reggae Got Soul
14-19 Tributes to Deceased Icons: Alton Ellis, Gregory Isaacs, Dennis Brown, Sugar Minott, Bob Marley/Peter Tosh 1 hour each.
19-21 Early Dancehall/Rubadub/Early 80’s Sound
21-23 Guest (stay tuned for details)
23-(1 Sunday) Rastafari

Sunday:
(23 Saturday)-1 Rastafari
1-3 Deejay Style
3-6 Digital Reggae
6-8 Dub
8-10 Jamaican Gospel
10-12 Mento
12-14 Rocksteady/Early Reggae
14-20 Tributes to Living Icons: Bunny Wailer, Bob Andy, Ken Booth, Leroy Sibles, John Holt, Jimmy Cliff 1 hour each.
20-22 Full Watts Band Live Set/Interview
22-(1 Monday) Harmony Groups

Monday:
(22 Sunday)-1 Harmony Groups
1-3 Dub Till Dawn

Friday, 7/27/12

The voice, too, is a rhythm instrument.

Yasiin Bey, AKA Mos Def
Live (studio performance), Paris, 3/5/12*

*“Quiet Dog,” “Niggas In Poorest,” “Sunshine/Screwface,” “Forever Alive”

Thursday, 7/26/12

Julius Hemphill (alto saxophone), with Abdul Wadud (cello), Baikida E.J. Carroll (trumpet), Phillip Wilson (drums), “Dogon A.D.” (Dogon A.D.), 1972

The drumming is genius—he’s like the Zigaboo Modeliste of free-jazz. . . . Any musician who doesn’t like this should just stop—this is what it’s all about. It’s such a raw sound, right up in your face. This is the perfect introduction to someone who’s never heard free-jazz before. I wouldn’t mind if this piece went on for a couple hours.

Mats Gustafsson, Downbeat, 6/12

Wednesday, 7/25/12

Suppose that, for the rest of your life, you could listen to only one piece of music.

What would you choose?

Morton Feldman (1926-1987), For Bunita Marcus (1985)
Hildegard Kleeb, piano (1994)

Another take? Here. And here.

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lagniappe

musical thoughts

[Morton Feldman and I] were driving back from some place in New England where a concert had been given. He is a large man and falls asleep easily. Out of a sound sleep, he awoke to say, “Now that things are so simple, there’s so much to do.” And then he went back to sleep.

—John Cage, in Silence: Lectures and Writings by John Cage (1961)