music clip of the day

jazz/blues/rock/classical/gospel/more

Tag: music clip of the day

Monday, December 2nd

Merce Cunningham Dance Company, Second Hand (1970),* New York (Brooklyn Academy of Music), 2011

**********

lagniappe

random thoughts

What if your entire life—every thought, every movement, every word—were actually a work of art, only pretending to be something ordinary?

*****

*Merce Cunningham, choreography; John Cage, music; Jasper Johns, costumes.

Sunday, December 1st

Still, after 30 years, the best gospel-music movie I’ve ever seen.

Say Amen, Somebody (1982): The Barrett Sisters (“He Has Brought Us”), The O’Neal Twins (“Jesus Dropped The Charges”), Willie Mae Ford Smith (“I’ll Never Turn Back”), Thomas A. Dorsey (“Precious Lord” [excerpt])

Saturday, November 30th

never enough

Ludwig van Beethoven (1770-1827), Piano Sonata No. 32 in C minor; Daniel Barenboim (piano), live, Berlin, 2005

**********

lagniappe

reading table

[O]ne must still have chaos within oneself, to give birth to a dancing star.

—Friedrich Nietzsche (1844-1900), Thus Spoke Zarathustra

Friday, November 29th

two takes

“Don’t Start Me Talkin'” (S. Williamson)

Sonny Boy Williamson II (AKA Aleck [or Alex] “Rice” Miller), recording, 1955


*****

Bob Dylan, TV show (David Letterman), 1984


**********

lagniappe

reading table

There are some enterprises in which a careful disorderliness is the true method.

—Herman Melville (1819-1891), Moby-Dick

Thursday, November 28th

Food.

Family.

Gratitude.

Once a year’s plenty for most holidays.

Thanksgiving couldn’t come too often.

Dolly Varden, “Thank You” (For A While, 2013)

**********

lagniappe

art beat

Paul Strand (1890-1976)
Barns and Sheds, Louiseville, Quebec, 1936

130cover

Wednesday, November 27th

serendipity

This I bumped into the other day on the radio.*

Salvatore Sciarrino (1947-), Piano Trio No. 2 (1987); Alter Ego Ensemble, 1999

**********

lagniappe

art beat

Paul Strand (1890-1976)
Abstraction, Porch Shadows, Twin Lakes, Connecticut, 1916

h2_1987.1100.10

*****

*WKCR-FM (Columbia University), Afternoon New Music (11/25/13).

Tuesday, November 26th

alone

John Cage (1912-1992), In a Landscape (1948); Keiko Shichijo (piano), live, Amsterdam, c. 2009


This I could listen to all day, all week, all month.

**********

lagniappe

musical thoughts

I find that music is humans’ most advanced achievement, more so than painting and writing, because it’s more mysterious, more magical, and it acts in such a direct way.

violinist Christian Tetzlaff

Monday, November 25th

alone

Something quiet to start the week.

Morton Feldman (1926-1987), Palais de Mari (1986); Michael Hicks (piano), live, Brigham Young University (Provo, Utah), 2006

His music, like Mozart’s, grants us access to an alternative world—one that’s clear, and light, and airy.

Sunday, November 24th

two takes

“The Storm Is Passing Over” (C. Tindley, D. Vails)

Detroit Mass Choir (Jimmy Dowell, Director), live, Detroit, 2001

*****

DeLois Barrett Campbell and The Barrett Sisters, live, 1982 (Say Amen, Somebody)

**********

lagniappe

reading table

“Hope” is the thing with feathers—
That perches in the soul—
And sings the tune without the words—
And never stops—at all—

And sweetest—in the Gale—is heard—
And sore must be the storm—
That could abash the little Bird
That kept so many warm—

I’ve heard it in the chillest land—
And on the strangest Sea—
Yet, never, in Extremity,
It asked a crumb—of Me.

—Emily Dickinson (1830-1886)

Saturday, November 23rd

Jimmy Witherspoon (vocals) with Art Pepper (alto saxophone), “Past Forty Blues,” live, Los Angeles, 1981

Art never fails to captivate. But it’s hard to watch this without mixed emotions. He looks, to these eyes, completely coked up. The next year, at the age of fifty-six, he suffered a fatal stroke.

**********

lagniappe

reading table

[W]hen a reader is grasped and held by a book, reading does not feel like an escape from life so much as it feels like an urgent, crucial dimension of life itself.

—Rebecca Mead, My Life in Middlemarch (reviewed by novelist Claire Messud in the Dec./Jan. 2014 Bookforum)