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Tag: Miles Davis

Sunday, 5/20/12

three takes

“Trials, Troubles, Tribulations” (E.C. Ball)
(AKA “Tribulations”)

Andrew Bird
Live, Nashville (Grimey’s New & Preloved Music), 2009

***

Wayne Henderson, Martha Spencer & Jackson Cunningham
Live, Maryland (Rockville), 2010

***

E.C. Ball & Lacey Richardson
Recording (Alan Lomax), 1959-60

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lagniappe

listening room: (some of) what’s playing

 Face A Frowning World: An E.C. Ball Memorial Album (Tompkins Square)

• Merle Haggard, If I Could Only Fly (Anti- Records)

• The Canton Spirituals, The Live Experience 1999 (Verity Records)

• Getatchew Mekuria & The Ex & Guests, Moa Anbessa (Terp Records)

• Derek Bailey, Bill Laswell, Tony Williams, Arcana (DIW Records)

• Peter Brotzmann Octet, Machine Gun (FMP)

• Peter Brotzmann Sextet & Quartet, Nipples (Atavistic Records/Unheard Music Series)

• Miles Davis Quintet, Live in Europe 1967 (Columbia)

• Cecil Taylor European Orchestra, Alms/Tiergarten (Spree) (FMP)

• Alfred Cortot, piano, The Master Pianist (EMI, Icon Series)

• Nathan Milstein, violin, J.S. Bach: Sonatas & Partitas (Deutsche Grammaphon)

• Arnold Schoenberg, Das Klavierwerk, Peter Serkin, piano (Arcana)

• WKCR-FM (broadcasting from Columbia University)

Bird Flight (Phil Schaap, jazz [Charlie Parker])
Eastern Standard Time (Carter Van Pelt, Jamaican music)

• WFMU-FM

Mudd Up! (DJ/Rupture“new bass and beats”)
Sinner’s Crossroads 
(Kevin Nutt, gospel)
Cherry Blossom Clinic (Terre T, rock, etc.)
Fool’s Paradise (Rex; “Vintage rockabilly, R & B, blues, vocal groups, garage, instrumentals, hillbilly, soul and surf”)
Downtown Soulville (Mr. Fine Wine, soul, etc.)

• WHPK-FM (broadcasting from University of Chicago)

The Blues Excursion (Arkansas Red)

Wednesday, 4/4/12

Welcome to the maelstrom.

Miles Davis Group,* live, Berlin, 1973

Part 1: Turnaroundphrase

***

Part 2: Turnaroundphrase, cont.; Tune in 5

*MD, trumpet; David Liebman, saxophone; Pete Cosey, guitar, percussion; Reggie Lucas, guitar; Michael Henderson, bass; Al Foster, drums; Mtume, percussion.

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lagniappe

reading table

Last night as I was sleeping,
I dreamt—marvelous error!—
that a spring was breaking
out in my heart.
I said: Along which secret aqueduct,
Oh water, are you coming to me,
water of a new life
that I have never drunk?

Last night as I was sleeping,
I dreamt—marvelous error!—
that I had a beehive
here inside my heart.
And the golden bees
were making white combs
and sweet honey
from my old failures.

Last night as I was sleeping,
I dreamt—marvelous error!—
that a fiery sun was giving
light inside my heart.
It was fiery because I felt
warmth as from a hearth,
and sun because it gave light
and brought tears to my eyes.

Last night as I slept,
I dreamt—marvelous error!—
that it was God I had
here inside my heart.

—Antonio Mochado (1875-1939), “Last Night As I Was Sleeping” (translated from Spanish by Robert Bly)

Monday, 4/2/12

When we last saw Miles, playing in Germany in 1967, he was wearing a suit and tie. Here, two years later, his wardrobe is headed in a new direction. So is his music.

Miles Davis Quintet,* live, France (Antibes), 1969
“Milestones,” “Footprints,” “’Round Midnight”

*MD, trumpet; Wayne Shorter, tenor and soprano saxophones; Chick Corea, electric piano; Dave Holland, bass; Jack DeJohnette, drums.

Monday, 2/27/12

protean, adj. 1. Of or resembling Proteus in having a varied nature or ability to assume different forms. 2. Displaying great diversity or variety. E.g., Miles Davis.

Miles Davis Quintet (MD, trumpet; Wayne Shorter, tenor saxophone; Herbie Hancock, piano; Ron Carter, bass; Tony Williams, drums), “I Fall In Love Too Easily,” live, Germany (Karlsruhe), 1967

More? Here. And here. And here.

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lagniappe

last night

There’s something in nothing, and we’ll never know what it is.

—Susan Howe, poet, after a performance of Frolic Architecture with composer and musician David Grubbs at the University of Chicago’s Bond Chapel

Sunday, 1/29/12

 joy, n. exultation of spirit; gladness, delight. E.g., Calvary Baptist Church in West Philadelphia, with John Legend singing “How I Got Over” (2011).

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lagniappe

listening room: (some of) what’s playing

• Theo Parrish, Sound Sculptures, Vol. 1 (Sound Signature)

• Coldcut, 70 Minutes of Madness (Journeys by DJ)

• O.V. Wright, Wright Stuff (Hi UK)

• Bertha “Chippie” Hill, 1925-1929 (Document)

• Animal Collective, Merriweather Post Pavilion (Domino)

• The Fisk Jubilee Quartet, There Breathes A Hope (Archeophone)

•  This May Be The Last Time Singing: Raw African-American Gospel on 45 RPM 1957-1982 (Tompkins Square)

• Lester Bowie’s Brass Fantasy, I Only Have Eyes For You (ECM)

• Chicago Underground Trio, Slon (Thrill Jockey)

• Charlie Christian, The Genius of the Electric Guitar (Sony)

• The Best of the Nat King Cole Trio: Vocal Classics, 1942-46 (Blue Note)

• Chicago Underground Trio, Slon (Thrill Jockey)

• Miles Davis, Legendary Prestige Quintet Sessions (Prestige)

• Bill Dixon with Exploding Star Orchestra (Thrill Jockey)

• Mahmoud Ahmed, Ethiopiques 19 (Buda Musique)

• Ludwig van Beethoven/Julliard String Quartet, String Quartets Nos. 13 & 16 (Sony)

• Ludwig van Beethoven/Solomon, Piano Concertos Nos. 3 & 5 (EMI)

• Ludwig van Beethoven/Berlin Philharmonic Orchestra, Herbert von Karajan cond., Symphony No. 7 (Deutsche Grammaphon)

• Bela Bartok/Hungarian String Quartet, String Quartets Nos. 1-6 (Deutsche Grammaphon)

• Bela Bartok/Takacs Quartet, String Quartets Nos. 5-6 (Hungaroton)

• Boulez Conducts Boulez (Deutsche Grammaphon)

• Cleveland Orchestra, Pierre Boulez cond./Mitsuko Uchida, Arnold Schoenberg, Anton Webern, Alban Berg (Philips)

• Morton Feldman, For Bunita Marcus, Markus Hinterhauser, piano (Col Legno)

• Morton Feldman, Piano and String Quartet, Aki Takahashi, Kronos Quartet (Nonesuch)

• Hawthorne String Quartet, Pavel Haas (String Quartets Nos. 2 and 3), Hans Krasa (String Quartet) (London)

• Pavel Haas Quartet, Leo Janacek (String Quartet No. 1), Pavel Haas (String Quartets Nos. 1 and 3) (Supraphon)

• Arvo Part, Litany (ECM)

• Arnold Schoenberg/LaSalle Quartet, String Quartets Nos. 3 and 4 (Brilliant Classics)

• Robert Schumann/Zehetmair Quartett, String Quartets Nos. 1 & 3 (ECM)

• Zehetmair Quartet, Bela Bartok (String Quartet No. 5), Paul Hindemith (String Quartet No. 4) (ECM)

• WKCR-FM (broadcasting from Columbia University)

—Bach Festival
Bird Flight (Phil Schaap, jazz [Charlie Parker])
Eastern Standard Time (Carter Van Pelt, Jamaican music)

• WFMU-FM

Mudd Up! (DJ/Rupture“new bass and beats”)
Sinner’s Crossroads 
(Kevin Nutt, gospel)
Give the Drummer Some (Doug Schulkind, sui generis, Web only)
Lamin’s Show (sui generis)

Sunday, 11/6/11

two takes

“Don’t sit around in a dead church and die!”

Take 1: Brother Anthony Wynn (Oasis Ministries, Riceville, Tennessee)

*****

Take 2: Sensimo

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lagniappe

listening room: (some of) what’s playing

• Theo Parrish, Sound Sculptures, Vol. 1 (Sound Signature)

• Jimmie Dale Gilmore, Come On Back (Rounder)

• Rare & Collectible Fine Wine: 27 Soulful Ultra-Obscurities From the Cellars (WMFU-FM 2011 Premium; Mr. Fine Wine, Downtown Soulville)

• Cooking Cherries (WMFU-FM 2011 Premium; Terre T, The Cherry Blossom Clinic)

• Miles Davis, The Legendary Prestige Quintet Sessions (Prestige)

• Don Pullen Plays Monk (Why Not)

• Lucky 7s, Farragut (Lakefront Digital)

• Julius Hemphill, One Atmosphere (Tzadik)

• Wadada Leo Smith’s Golden Quartet, with WLS, trumpet; Anthony Davis, piano; Malachi Favors, bass; Jack DeJohnette, drums (Tzakik)

• Goodbye, Babylon (Dust-to-Digital)

• Nikhil Banerjee, Raga Purabi Kaylan (Raga)

• Bela Bartok, String Quartets, Keller Quartet (Erato), Hungarian String Quartet (Deutsche Grammaphon), Takacs Quartet (Decca)

• Anton Bruckner, Symphony No. 6, North German Radio Orchestra (Gunter Wand, conductor) (RCA Victor)

• Morton Feldman, For Bunita Marcus, Markus Hinterhauser, piano (Col Legno [import])

• Morton Feldman, Three Voices, Joan La Barbara (New Albion)

• Morton Feldman, Piano and String Quartet, Aki Takahashi, Kronos Quartet (Nonesuch)

• WKCR-FM (broadcasting from Columbia University)

—Jo Jones Centennial Festival
—Thelonious Monk birthday broadcast
Bird Flight (Phil Schaap, jazz [Charlie Parker])
Traditions in Swing (Phil Schaap, jazz)
Eastern Standard Time (Carter Van Pelt, Jamaican music)
Amazing Grace (various, gospel)
Rag Aur Taal (various, Indian)
Jazz Profiles (various, jazz)
Out to Lunch (various, jazz)

• WFMU-FM

Mudd Up! (DJ/Rupture“new bass and beats”)
Sinner’s Crossroads 
(Kevin Nutt, gospel)
Give the Drummer Some (Doug Schulkind, sui generis, Web only)
Daniel Blumin
Cherry Blossom Clinic (Terre T, rock, etc.)
Antique Phonograph Music Program (MAC, “78s and cylinders . . . played on actual period reproducing devices”)
HotRod (“Shamanic vibrational love frequencies for the infinite mind,” Web only)

• WHPK-FM (broadcasting from University of Chicago)

The Blues Excursion (Arkansas Red)

Wednesday, 9/14/11

Miles Davis Quintet (MD, trumpet; Wayne Shorter, tenor saxophone; Herbie Hancock, piano; Ron Carter, bass; Tony Williams, drums), “Footprints” (W. Shorter), live, Sweden, 1967

Vodpod videos no longer available.

Time for just one note? 3:34. (Shorter’s entire solo is a marvel [1:54-3:54]: it’s as intimate and delicate as a dream.)

More? Here. And here.

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lagniappe

reading table

just the other day
we said goodbye . . .
dewy grave

—Kobayashi Issa, 1790s (trans. David G. Lanoue)

Monday, 8/29/11

Happy Birthday, Bird!

Charlie Parker, alto saxophonist, August 29, 1920-March 12, 1955

According to Miles Davis, the history of jazz can be summarized in four words: Louis Armstrong, Charlie Parker.

Charlier Parker & Dizzy Gillespie, “Hot House,” live (TV broadcast), 1952

(Originally posted 10/17/09.)

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lagniappe

radio

WKCR-FM’s Lester Young/Charlie Parker birthday marathon runs until midnight—today’s all Bird.

*****

musical thoughts

Don’t play the saxophone. Let it play you.

—Charlie Parker

Friday, May 20, 2011

Who else (besides, of course, Bob Dylan) has played so many different roles so brilliantly?

Miles Davis (with Robben Ford & guest Carlos Santana, guitars), “Burn”
Live, Giants Stadium, East Rutherford, New Jersey, 6/15/86

Listen to stuff long enough and it changes—or you do, anyway. Once I might have faulted this for being repetitive. But that’s a bit like faulting roast beef for being meat. Of course it’s repetitive. That’s part of what makes it soar.

More? Here.

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lagniappe

listening room: what’s playing

Rashied Ali Quintet, Live In Europe (Survival Records)

• Paul Motian (with Chris Potter, Jason Moran), Lost In A Dream (ECM)

Charlie Parker, The Complete Royal Roost Live Recordings on Savoy, Vol. 3 (Columbia Japan)

Eric Dolphy At The Five Spot, Vol. 2 (with Booker Little, Mal Waldron, Richard Davis, Ed Blackwell; Prestige)

• Various Artists, Fire In My Bones: Raw + Rare + Other-Worldly African-American Gospel (1944-2007) (Tompkins Square)

• Reverend Charlie Jackson, God’s Got It: The Legendary Booker and Jackson Singles (CaseQuarter)

Group Doueh, Guitar Music from the Western Sahara (Sublime Frequencies)

Mozart: Piano Sonata No. 8 in A Minor, Helene Grimaud, Resonances (Deutsche Grammophon)

Beethoven: Piano Sonata No. 23 (“Appasionata”) and No. 29 (“Hammerklavier”), Solomon, The Master Pianist (EMI Classics)

Anton Webern: String Quartet, Six Bagatelles for String Quartet, String Quartet Op. 28, LaSalle Quartet (Brilliant Classics)

• Arnold Schoenberg: String Quartet in D major, LaSalle Quartet (Brilliant Classics)

Roger Sessions: String Quartet No. 2, Julliard String Quartet (Composers Recordings)

Morton Feldman: For Bunita Marcus, John TilburyMorton Feldman, All Piano (London HALL)

WKCR-FM (broadcasting from Columbia University)
Bird Flight (Phil Schaap, jazz [Charlie Parker])
Morning Classical (Various)
Amazing Grace (Various)

WFMU-FM
Mudd Up! (DJ/Rupture, “new bass and beats”)
Sinner’s Crossroads
(Kevin Nutt, gospel)
—Give The Drummer Some
(Doug Schulkind, sui generis)
—Fool’s Paradise
(Rex, sui generis)
Transpacific Sound Paradise (Rob Weisberg, “popular and unpopular music from around the world”)

Monday, 4/18/11

can’t wait
(an occasional series)

Group Doueh, Chicago (Old Town School of Folk Music), 6/26/11

Live, Europe, 2009

Vodpod videos no longer available.

***

Doueh (guitar), Tony Allen (drums)
Live, rehearsal, Western Sahara (Dakhla), 2010

Vodpod videos no longer available.

More Group Doueh? Here. More Tony Allen? Here.

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lagniappe

I live in Dakhla [in Western Sahara]. There are other groups in the area, but Group Doueh is the main group for this area. We are the most in demand group for weddings and parties.

***

The power of Jimi Hendrix’s guitar is something that is inspirational on so many levels.

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The main group is myself on guitar and tinidit. My wife Halima and friend Bashiri are the vocalists. My son Jamal is the keyboardist. There are also many percussionists that play with us from time to time. Also other singers will perform with us depending on who is available for certain weddings or parties.

***

For many years, most of our material was recorded on cassette. I have had many cassette recorders, some two-track, four-track and eight-track models. Now I am able to record digitally to a 16-track model. I am always experimenting to get the best situation. We always record at home and we record all of our performances.

***

[T]here really is no [music] industry [in Western Sahara]. I am an industry unto myself. I record music and have two shops that sell music to the community. Most of the recordings are done at home in makeshift studios, and cassettes or CDs are sold throughout the region.

Doueh (AKA Baamar Salmou)

*****

art beat: yesterday at the Art Institute of Chicago

Paul Cezanne, The Bay of Marselleilles, Seen From L’Estaque, c. 1885

The greatest jazz musicians—Miles Davis, Ornette Coleman, Von Freeman, et al.—can be identified by just one note. Cezanne’s that way, too. His blues are all his own.