Why not begin the week with something beautiful?
Frederic Chopin (1810-1849), Ballade No. 1 in G minor (1831); Arturo Benedetti Michelangeli (1920-1995), piano, live
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lagniappe
musical thoughts
[N]ow Miles [Davis] was relaxed and pianist Arturo Benedetti Michelangeli was sending him into several shades of ecstasy.
“Listen to those trills!” Miles ordered.
—1961 interview (Marc Crawford, The Miles Davis Reader)
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art beat: more from Friday at the Art Institute of Chicago
Henri Matisse (1869-1954), Interior at Nice, c. 1919
more Miles
Miles Davis Septet,* “Yesternow,” live, Norway (Oslo), 1971
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lagniappe
art beat
Lee Friedlander (1934-), Japan (Hiroshima), 1984
*MD (trumpet), Gary Bartz (alto saxophone), Keith Jarrett (keyboards), Michael Henderson (bass), Leon Chandler (drums), Don Alias (percussion), James “Mtume” Forman (percussion).
never enough
Miles Davis Septet,* “What I Say,” live, Norway (Oslo), 1971
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lagniappe
art beat
Lee Friedlander (1934-), Japan (Kyoto), 1981
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*MD (trumpet), Gary Bartz (soprano saxophone), Keith Jarrett (keyboards), Michael Henderson (bass), Leon Chandler (drums), Don Alias (percussion), James “Mtume” Forman (percussion).
D’Angelo (with Questlove, drums; Pino Palladino, bass; Kuumba Frank Lacy, trombone, trumpet; Chalmers “Spanky” Alford, guitar; Anthony Hamilton, vocals, et al.), live, Switzerland (Montreux Jazz Festival), 2000
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lagniappe
musical thoughts
No stage anywhere in the world can compare with the one that exists in the imagination. Where else can you find Jimi Hendrix jamming with Miles Davis? Sam Cooke singing with Smokey Robinson? Sly Stone taking everybody higher with Sun Ra?
*****
Happy Birthday, Suzanne!
He knocked me out with his concept of space, his lightness of touch, his understatement.
Ahmad Jamal Trio (AJ [1930-], piano; Israel Crosby [1919-1962], bass; Vernel Fournier [1928-2000], drums), “Excerpts From The Blues” (not “Ahmad’s Blues”), TV show, 1959
Miles
Miles Davis Quintet (MD, trumpet; Wayne Shorter, tenor saxophone; Herbie Hancock, piano, Ron Carter, bass; Tony Williams, drums), live, Europe (Karlsruhe, Germany; Stockholm, Sweden), 1967
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lagniappe
musical thoughts
Miles may not be the greatest trumpet player in the history of jazz, but he’s arguably the greatest bandleader. Only someone with supreme self-confidence could do what he did. A brilliant judge of talent, a leader who expected, and enabled, others to flourish, he could seem, at times, the least interesting player in his own band.
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reading table
Winter solitude—
in a world of one color
the sound of wind.—Matsuo Basho (1644-1694, translated from Japanese by Robert Hass)
Miles
Miles Davis Group,* live, Germany (Berlin), 1971
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lagniappe
art beat: Friday at the Art Institute of Chicago (after a hearing at the nearby federal court building)
Allen Ruppersberg, No Time Left To Start Again/The B and D of R’n’R (through 1/6/13)**
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*With Gary Bartz, saxophones; Keith Jarrett, keyboards; Michael Henderson, bass; Leon Chancler, drums; Don Alias & James Mtume, percussion.
**“B and D”=birth and death.
Who wouldn’t want to go to such a heaven?
Soul Stirrers (feat. Jimmy Outler), “Listen to the Angels Sing,” TV show, early 1960s
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lagniappe
listening room: (some of) what’s playing
• The Dirtbombs, Ultraglide in Black (In the Red)
• Robert Glasper Experiment, Black Radio (Blue Note)
• Shabazz Palaces, Black Up (Sub Pop)
• Terrie Ex, Paal Nilssen-Love, Hurgu! (PNL Records)
• Anthony Braxton Quintet (Basel) 1977 (hatOLOGY)
• Miles Davis, Live in Europe 1967 (Sony Legacy)
• ICP Orchestra Performs Herbie Nichols & Thelonious Monk (ICP)
• George Lewis & The NOW Orchestra, The Shadowgraph Series: Compositions for Creative Orchestra (Spool)
• Misha Mengelberg, Steve Lacy, Goerge Lewis, Harjen Gorter, Han Bennink, Change of Season (Soul Note)
• Pharaoh Sanders, Karma (Impulse!)
• Charles “Bobo” Shaw & Lester Bowie, Bugle Boy Bop (Muse)
• Reverend Claude Jeter, Yesterday and Today (Shanachie)
• This May Be My Last Time Singing: Raw African-American Gospel On 45 RPM (1957-1982) (Tompkins Square)
• J. Berg’s A Cappella Archives (Vol. 3), Royal Rarities (Vol. 3) (Rare Gospel)
• Congotronics 2: Buzz ’n’ Rumble in the Urb ’n’ Jungle (Crammed Discs)
• Pandit Pran Nath, Midnight: Raga Malkauns (Just Dreams)
• Nikhil Banerjee, Afternoon Ragas (Bhimpalasri, Multani) (Raga Records)
• John Luther Adams, Songbird Songs (Mode Records)
• John Luther Adams, Clouds of Forgetting, Clouds of Unknowing (New World Records)
• John Cage Edition—Vol. 23: The Works for Violin 4 (Irvine Arditti, violin; Stephen Drury, piano) (Mode Records)
• Morton Feldman, Trio (Aki Takahashi, piano; Marc Sabat, violin; Rohan de Saram, cello) (Mode Records)
• Tristan Murail, Gondwana, Desintegrations, Time and Again (Disques Montaigne)
• Peter Serkin Plays the Music of Toru Takemitsu (RCA/BMG)
• The Incomparable Rudolf Serkin (Beethoven, Piano Sonatas Nos. 30, 31, 32) (Deutsche Grammophon)
• WKCR-FM (broadcasting from Columbia University)
—Bird Flight (Phil Schaap, jazz [Charlie Parker])
—Eastern Standard Time (Carter Van Pelt, Jamaican music)
• WFMU-FM
—Mudd Up! (DJ/Rupture, “new bass and beats”)
—Sinner’s Crossroads (Kevin Nutt, gospel)
—Cherry Blossom Clinic (Terre T, rock, etc.)
—Fool’s Paradise (Rex; “Vintage rockabilly, R & B, blues, vocal groups, garage, instrumentals, hillbilly, soul and surf”)
—Downtown Soulville (Mr. Fine Wine, soul, etc.)
music clip of the day 