what’s new
More from this new album.
Joe Lovano (tenor saxophone, percussion), “One Time In,” published 2/11/19 (Trio Tapestry with Marilyn Crispell [piano], Carmen Castaldi [drums], 2019)
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lagniappe
reading table
Emily Dickinson, writing to her cousins (Louise and Frances Norcross) after the death of their father, closes with this (letter #278, poem #528 [Franklin], 1863):
Let Emily sing for you because she cannot pray.
‘Tis not that Dying hurts us so –
‘Tis Living – hurts us more –
But Dying – is a different way –
A kind behind the Door –The Southern Custom – of the Bird –
That ere the Frosts are due –
Accepts a better Latitude –
We – are the Birds – that stay.The Shiverers round Farmer’s doors –
For whose reluctant Crumb –
We stipulate – till pitying Snows
Persuade our Feathers Home
sounds of New York
What other drummer does so much with so little?
Paul Motian Trio (PM, drums; Joe Lovano, tenor saxophone; Bill Frisell, guitar), “It Should’ve Happened a Long Time Ago” (P. Motian), live, New York, 2005
passings
Jim Hall, guitarist, December 4, 1930-December 10, 2013
With Joe Lovano (tenor saxophone), “In a Sentimental Mood” (D. Ellington), live, Italy (Umbria Jazz Festival), 1996
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With Bill Evans (piano), Undercurrent (“My Funny Valentine,” “I Hear a Rhapsody,” “Dream Gypsy,” “Romain,” “Skating in Central Park,” “Darn that Dream,” “Stairway to the Stars,” “I’m Getting Sentimental Over You”), 1962
When I was in college in the early ’70s, this album was a frequent late-night companion. Since then I’ve listened to it more times than I could count. It never grows old.
joy, n. listening to Paul Motian play Monk.
Paul Motian Trio (PM, drums; Joe Lovano, tenor saxophone; Bill Frisell, guitar), “Misterioso” (T. Monk), live, New York (Village Vanguard), 2005
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lagniappe
art beat: yesterday at the Art Institute of Chicago
Jasper Johns, Corpse and Mirror II (1974-75)
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reading table
up to today
such a healthy singer . . .
katydid—Kobayashi Issa, 1813 (translated from Japanese by David G. Lanoue)