Thursday, 4/22/10
Happy Birthday, Mingus!
No jazz composer since Thelonious Monk has a stronger voice.
Lyrical beauty, inexhaustible drive, deep feeling: what more could you ask for?
Enormously influential, his music served as a bridge between the compositional elegance of Duke Ellington and the freewheeling rambunctiousness of the Art Ensemble of Chicago, Henry Threadgill, David Murray, et al.
Charles Mingus Quintet (CM, bass; Dannie Richmond, drums; Eric Dolphy, alto saxophone, bass clarinet; Clifford Jordan, tenor saxophone; Jaki Byard, piano), live (TV broadcast), Belgium, 1964
“So Long, Eric”
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“Peggy’s Blue Skylight”
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“Meditations on Integration” (excerpt)
Want more? Here.
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lagniappe
. . . [Mingus’s] music was pledged to the abolition of all distinctions: between the composed and the improvised, the primitive and the sophisticated, the rough and the tender, the belligerent and the lyrical.—Geoff Dyer, But Beautiful: A Book About Jazz (1996)
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Making the simple complicated is commonplace; making the complicated simple, awesomely simple, that’s creativity.
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I, myself, came to enjoy the players who didn’t only just swing but who invented new rhythmic patterns, along with new melodic concepts. And those people are: Art Tatum, Bud Powell, Max Roach, Sonny Rollins, Lester Young, Dizzy Gillespie and Charles Parker, who is the greatest genius of all to me because he changed the whole era around.
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In my music, I’m trying to play the truth of what I am. The reason it’s difficult is because I’m changing all the time.
—Charles Mingus
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Radio Mingus: all Mingus, all the time
In celebration of Mingus’s birthday, WKCR-FM (broadcasting from Columbia University) is playing his music all day.
