back to church
Rev. Al Green, “The Lord Will Make A Way Somehow,” live, Memphis (Full Gospel Tabernacle Church), 1984
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A big birthday shout-out to my son Alex: where would I be without my guys?
good news, bad news
24 Recipients of MacArthur ‘Genius’ Grant Named
First the bad news: MCOTD was passed over, again. The good news? This guy, often featured here, wasn’t.
Vijay Iyer (1971-), pianist, composer, soon-to-be Harvard professor
“Imagine” (J. Lennon), live, Germany (Leverkusen), 2011
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“Actions Speak” (V. Iyer), live (Stephan Crump, bass; Marcus Gilmore, drums), New York, 2012
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“Somewhere” (L. Bernstein), recording (Stephan Crump, bass; Marcus Gilmore, drums), Historicity, 2009
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lagniappe
musical thoughts
the stillness of the valley
is itself a kind of music—Du Fu (AKA Tu Fu; 712-770; “Visting the Fengxian Monastery” [excerpt]; translated from Chinese by David Young)
what’s new
Chvrches, “Gun,” 2013
sounds of Chicago
This is a track I coproduced. It was the last thing recorded that night, an afterthought. The lights had just been turned down. The room was nearly dark.
Carey Bell’s Blues Harp Band,* “Woman In Trouble” (Living Chicago Blues, Vol. 1; Grammy Nominee), Alligator, 1978
*CB, vocals, harmonica; Lurrie Bell, guitar; Bob Riedy, piano; Aron Burton, bass; Odie Payne, Jr., drums.
love it or hate it
Weasel Walter (drums), Mary Halvorson (guitar), Peter Evans (trumpet), live, New York (Death By Audio, Brooklyn), 2012
Some folks are intimidated by this stuff. Part of the problem is the label: “classical” music. That sounds like something for graduate students. Nonsense. You don’t need to know anything—anything at all—to connect with this. All you need are two ears, a mind, and a heart.
Maurice Ravel (1875-1937), String Quartet in F major (1903), first movement; Chiara String Quartet, live, University of Nebraska, 2013
only rock ’n’ roll
Here’s something from the show I saw the other night.
Savages, “She Will,” live, Chicago (Metro), 9/16/13
In the hope-I-die-before-I-get-old department, it occurred to me, as I was driving home from this show, that I’ve been doing variations on this particular theme—going out into the dark night to hear live music—for at least, uh, let’s see, yeah, it must be at least forty-five years, since it was 1968, when I was fifteen, that my brother Don and I, after seeing the Velvet Underground at Chicago’s Kinetic Playground, were arrested and taken to the police station. The charge? Curfew.
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lagniappe
musical thoughts
The best music, you can seek some shelter in it momentarily, but it’s essentially there to provide you something to face the world with.
—Bruce Springsteen
Kuumba Singers, “Ride On,” “Hold On” (with Bobby McFerrin), live, Germany (Leipzig), 2002
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lagniappe
musical thoughts
Imagine a United States as great, in every way, as its music.
two takes
More from the Motor City.
“What Becomes of the Brokenhearted” (W. Weatherspoon, P. Riser, J. Dean)
Jimmy Ruffin (1939-; David’s brother), 1965
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Mitch Ryder (with Don Was, bass, et al.), live, Detroit, 2008
alone
R.L. Burnside (1926-2005), “See My Jumper Hanging on the Line,” live, Independence, Miss., 1978
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lagniappe
reading table
Harvest in progress
a crane stands
in the rice paddy—Matsuo Basho (1644-1694; translated from Japanese by David Young)
