Nina Simone (“Black Is the Color of My True Love’s Hair” [Trad.], “To Love Somebody” [B. Gibb, R. Gibb], “Suzanne” [L. Cohen], “Save Me” [A. Franklin], “Porgy, I Is Your Woman Now”/”Today Is A Killer”/”I Loves You Porgy” [G. Gershwin, D. Heyward]), live, Rome, 1969
Bob Dorough (1923-; vocals, piano), “Spring Can Really Hang You Up The Most” (T. Wolf, F. Landesman), 1997
*****
Blossom Dearie (1924-2009; vocals, piano), “They Say It’s Spring” (M. Clark, B. Haymes), 1958
*****
Sun Ra Arkestra (SR [1914-1993], piano; June Tyson, vocals; John Gilmore, tenor saxophone, et al.), “Springtime Again” (S. Ra), live, Rome, 1980
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lagniappe
reading table
A little Madness in the Spring
Is wholesome even for the King,
But God be with the Clown—
Who ponders this tremendous scene—
This whole Experiment of Green—
As if it were his own!
—Emily Dickinson (1830-1886; Franklin #1356)
***
spring rain—
the uneaten ducks
are quacking
—Kobayashi Issa (1763-1828; translated from Japanese by David G. Lanoue)
William Parker (bass), Christian McBride (bass), Cooper-Moore (drums), Charles Gayle (tenor saxophone), Hamiett Bluiett (baritone saxophone), Jason Kao Hwang (violin), live (benefit concert), New York, 2012
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lagniappe
musical thoughts
Q: What would you do if you were not a composer?
Augusta Read Thomas (1964-): . . . I would spend all day listening. I could listen all day long until the day I die to music I’ve never heard and only begin to scratch the surface. There’s so much new. . . .
John Luther Adams (1953-), “The Farthest Place” (2001); piano (Clint Davis), vibraphone (Brian Archinal & Andy Bliss), bass (Satoru Tagawa), violin (Lydia Kabalen); University of Kentucky (Lexington), 2008
Compared to one’s normal clothes, pajamas
are just as caricature as the dreams
they bare: farce-skins, facades, unserious
soft versions of the modediem, they seem
to have come from a posthumousness;
floppy statues of ourselves, slack seams
of death. Their form mimics the decay
that will fit us so comfortably someday.