music clip of the day

jazz/blues/rock/classical/gospel/more

Thursday, April 10th

alone

There are all kinds of lullabies.

Tamio Shiraishi (alto saxophone), live, New York, 1/26/14, 1 a.m.

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lagniappe

random thoughts

Yesterday, while I was shopping at Trader Joe’s, a youthful Mick Jagger jumped out of the speakers. “I can’t get no . . . satisfaction . . .” In 1965, when I was twelve years old, if someone had said that in 2014 this would be the soundtrack to buying grapefruit, I would have thought they were nuts. “When I’m drivin’ in my car and that man comes on the radio . . .” Sometimes I wish my generation would just get the hell off the stage.

Wednesday, April 9th

alone 

Clarity, mystery: they often act like strangers—not here.

Anton Webern (1883-1945), Variations for Piano, Op. 27 (1936)
Andy Costello (piano), live

Tuesday, April 8th

alone

Jason Adasiewicz (vibraphone), “Stake,” live, Chicago, 2009


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lagniappe

reading table

Dream Song 1
By John Berryman (1914-1972)

Huffy Henry hid  the day,
unappeasable Henry sulked.
I see his point,—a trying to put things over.
It was the thought that they thought
they could do it made Henry wicked & away.
But he should have come out and talked.

All the world like a woolen lover
once did seem on Henry’s side.
Then came a departure.
Thereafter nothing fell out as it might or ought.
I don’t see how Henry, pried
open for all the world to see, survived.

What he has now to say is a long
wonder the world can bear & be.
Once in a sycamore I was glad
all at the top, and I sang.
Hard on the land wears the strong sea
and empty grows every bed.

Monday, April 7th

Happy (99th) Birthday, Billie!

Billie Holiday, singer, April 7, 1915-July 17, 1959

“All of Me” (G. Marks, S. Simons),* New York, March 21, 1941

Yesterday, I listened to this. Then I listened again. And again.

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lagniappe

radio

WKCR-FM (Columbia University): all Billie, all day.

*****

reading table

The Day Lady Died
By Frank O’Hara (1926-1966)

It is 12:20 in New York a Friday
three days after Bastille day, yes
it is 1959 and I go get a shoeshine
because I will get off the 4:19 in Easthampton
at 7:15 and then go straight to dinner
and I don’t know the people who will feed me

I walk up the muggy street beginning to sun
and have a hamburger and a malted and buy
an ugly NEW WORLD WRITING to see what the poets
in Ghana are doing these days
I go on to the bank
and Miss Stillwagon (first name Linda I once heard)
doesn’t even look up my balance for once in her life
and in the GOLDEN GRIFFIN I get a little Verlaine
for Patsy with drawings by Bonnard although I do
think of Hesiod, trans. Richmond Lattimore or
Brendan Behan’s new play or Le Balcon or Les Nègres
of Genet, but I don’t, I stick with Verlaine
after practically going to sleep with quandariness

and for Mike I just stroll into the PARK LANE
Liquor Store and ask for a bottle of Strega and
then I go back where I came from to 6th Avenue
and the tobacconist in the Ziegfeld Theatre and
casually ask for a carton of Gauloises and a carton
of Picayunes, and a NEW YORK POST with her face on it

and I am sweating a lot by now and thinking of
leaning on the john door in the 5 SPOT
while she whispered a song along the keyboard
to Mal Waldron and everyone and I stopped breathing

*****

*With Lester Young (tenor saxophone), Kenny Clarke (drums), et al.

Sunday, April 6th

old school

Golden Gate Quartet, “Golden Gate Gospel Train” (1937), “Rock My Soul” (1938), “Noah” (1939), “Ride Up in the Chariot” (1941)

 

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lagniappe

reading table

his peach sapling
has blossomed . . .
though he never prays

—Kobayashi Issa (1763-1827; translated from Japanese by David G. Lanoue)

 

 

Saturday, April 5th

alone

Gyorgy Ligeti (1923-2006), Piano Etudes (Book 1), No. 6 (Automne a Varsovie [Autumn in Warsaw]); Susanne Anatchkova (piano), live

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lagniappe

reading table

[N]othing has ever been—nor will it ever be—the way it used to be.

—Aleksandar Hemon, The Book of My Lives

*****

yesterday

Some things cannot be planned for, nor can they be explained. Such was the case this week when a friend of my son Alex—someone who was in our house, full of conversation, just a few weeks ago—killed himself. The funeral was yesterday. Before it began Alex and I talked briefly with the mother and father, whom I had never met. I told them one of the things I appreciated about their son was that he wasn’t merely polite to me, his friend’s father. He wanted to connect. A greater sorrow a parent could not know.

Friday, April 4th

only rock ’n’ roll

The War On Drugs, “Under the Pressure”

Live, Philadelphia, 3/14/14


***

Recording (Lost in the Dream), 3/14


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lagniappe

reading table

Now, unlike then—sixty years ago—we know so much more about others . . . . [t]hough, of course, we know not much more of the important things—what’s in others’ hearts; and if their hearts are broken or damaged or full.

—Richard Ford, “A Symposium on Magic,” The Threepenny Review, Spring 2014

Thursday, April 3rd

sounds of Chicago

Chicago Underground Duo (Rob Mazurek, cornet, electronics, voice; Chad Taylor, drums, mbira, electronics), live (music begins at 4:30), Italy (Venice), 2013


(This clip, alas, has some glitches: at 56:15 both the sound and the picture drop out, returning, with just one of two audio channels, at 58:46.)

Wednesday, April 2nd

passings

Frankie Knuckles, DJ, January 18, 1955-March 31, 2014

2013 Boiler Room set, excerpt (Lou Rawls, “You’ll Never Find Another Love Like Mine,” remix)


***

It could be plausibly argued that Knuckles was as important to the birth of contemporary dance music as James Brown was to soul or Chuck Berry to rock ‘n’ roll. And like those innovators, Knuckles helped nurture a deceptively sophisticated sound that celebrated and embraced outsiders and misfits — in Knuckles’ case, the gay African-American and Hispanic communities.

***

“God has a place on the dancefloor,” he once told the Tribune. “We wouldn’t have all the things we have if it wasn’t for God. We wouldn’t have the one thing that keeps us sane – music. It’s the one thing that calms people down.

“Even when they’re hopping up and down in a frenzy on the dancefloor, it still has their spirits calm because they’re concentrating on having a good time, loving the music, as opposed to thinking about something negative. I think dancing is one of the best things anyone can do for themselves. And it doesn’t cost anything.”

—Greg Kot, Chicago Tribune (obituary), 4/1/14

April 1st

sounds of New Orleans

Brass band, live, New Orleans (Frenchmen Street), 2013


MVP? Without a doubt, it’s the snare drummer. Not only does he hold everything together, he pushes, pushes, pushes.