Sunday, June 22nd
sounds of Memphis
The Gospel Four, “One More Blessing,” live
sounds of Memphis
The Gospel Four, “One More Blessing,” live
And speaking of relying more on feel than plan.
Hound Dog Taylor (1915-1975) & the Houserockers (Brewer Phillips guitar; Ted Harvey, drums), “I Held My Baby,” “Taylor’s Rock,” “Wild About You Baby,” “Roll Your Moneymaker,” “Sadie,” instrumental featuring Brewer, instrumental featuring Ted, live, Ann Arbor Blues and Jazz Festival, 1973
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lagniappe
art beat
Bruce Davidson (1933-), The Dwarf, Palisades, New Jersey, 1958
only rock ’n’ roll
This guy reminds me a little, at times, of some of the blues musicians I worked with years ago (when I was with Alligator Records in the ’70s), often relying, it seems, more on feel than plan.
Roky Erickson, live, Denmark (Christiana), 2013*
*****
*Set list (courtesy of YouTube):
1. Cold Night for Alligators
2. Bermuda
3. The Interpreter
4. Roller Coaster
5. Fire Engine
6. Tried to Hide
7. Levitation
8. Splash 1
9. Reverberation
10. Two Headed Dog
11. You’re Gonna Miss Me
passings
Jimmy Scott, singer, July 17, 1925-June 12, 2014
“Sometimes I Feel Like a Motherless Child,” live, New York (Birdland), 2000
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lagniappe
reading table
If you were to open up Iona’s chest and pour all the grief out of it, you would probably flood the entire planet, yet it is not visible.
—Anton Chekhov (1860-1904), “Grief” (often rendered as “Misery”; translated from Russian by Rosamund Bartlett)
never enough
Same composer, same pianist—23 years earlier.
Ludwig van Beethoven (1770-1827), Piano Sonata No. 29 in B-flat major (“Hammerklavier”), Friedrich Gulda (1930-2000), live, Germany (Bonn), 1970
1st & 2nd movements
3rd movement (beginning)
3rd movement (end), 4th movement
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lagniappe
art beat
Henri Cartier-Bresson (1908-2004), Seville, Spain, 1933
alone
Searching, searching—never finding.
Ludwig van Beethoven (1770-1827), Piano Sonata No. 31 in A-flat major (Third Movt.), Friedrich Gulda (1930-2000), live, Japan, 1993
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lagniappe
reading table
Imaginary Number
by Vijay Seshadri (1954-)The mountain that remains when the universe is destroyed
is not big and is not small.
Big and small arecomparative categories, and to what
could the mountain that remains when the universe is destroyed
be compared?Consciousness observes and is appeased.
The soul scrambles across the screes.
The soul,like the square root of minus 1,
is an impossibility that has its uses.
Ornette, at 84, still plays some of the most haunting blues I’ve ever heard.
Ornette Coleman (alto saxophone), with Henry Threadgill (alto saxophone), David Murray (tenor saxophone), Savion Glover (tap dance), et al., live, New York (Prospect Park), 6/12/14
*****
With Don Cherry (trumpet), Charlie Haden (bass), Billy Higgins (drums), The Shape Of Jazz To Come, 1959
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lagniappe
art beat
Bruce Davidson (1933-), East 100th St., New York, 1966
passings
Bob Abrahamian, soul music DJ (WHPK, Sitting in the Park), historian, archivist, September 25, 1978-June 5, 2014
Dolores Gibson, “I Got A Feeling,” 1960
*****
Byrdie Green, “Tremblin’,” 1962
*****
Deanie Parker, “Each Step I Take,” 1964
*****
These tracks opened his last radio show (5/4/14).
sounds of Brazil & Jamaica
Slavish imitation. Contrived reinvention. Tributes usually leave me wondering why they even bothered. Not this.
Gilberto Gil (1942-), Tribute to Bob Marley, live, Brazil (Sao Paulo), 2001