Saturday, June 25th
Entering his sound-world isn’t hard. What’s hard is leaving.
Tristan Murail (1947-), La Barque mystique, 1993
Entering his sound-world isn’t hard. What’s hard is leaving.
Tristan Murail (1947-), La Barque mystique, 1993
never enough
Johann Sebastian Bach (1685-1750), Sonata No. 1 in G minor for Solo Violin, excerpt (movts. I, II); Patricia Cordero, live, Spain (Madrid), 5/10/16
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lagniappe
reading table
Perhaps I asked too large –
I take – no less than skies –—Emily Dickinson (1830-1886), 358 (Franklin), fragment
never enough
Two days ago I’d never heard of him; last night he took my breath away.
Johann Sebastian Bach (1685-1750), Partita No. 2 in D minor for Solo Violin, excerpt (Sarabande); Leonidas Kavakos, live, France (Annecy), 2015
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lagniappe
reading table
The Poets light but Lamps –
Themselves – go out –—Emily Dickinson (1830-1886), 930 (Franklin), fragment
like nobody else
Leroy Jenkins Gut Band (LJ [1932-2007] violin, compositions; Brandon Ross, guitar; David Wong, bass; Newman Taylor Baker, drums), live, New York, 2000
yesterday in Chicago
At the Art Institute—next to Millennium Park, site of Saturday’s Gospel Fest—I heard this piece for the first time, played by three Chicago-based musicians (violinist Yuan-Qing Yu, clarinetist J. Lawrie Bloom, pianist Adam Nieman). It, too, sang.
Charles Ives (1874-1954), Largo for Violin, Clarinet, Piano (1901-02); Lucy Chapman-Stoltzman (violin), Richard Stoltzman (clarinet), Richard Goode (piano), 1990
This is a sound-world I’d be happy to inhabit all day.
Anna Thorvaldsdóttir (1977-), Ró (2013); Esbjerg Ensemble, live
sounds of Chicago
Ralph Shapey (1921-2003), Three for Six (1979); Oerknal!, live, Netherlands (The Hague, Amsterdam) 2014
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lagniappe
reading table
He ate and drank the precious Words—
His Spirit grew robust—
He knew no more that he was poor,
Nor that his frame was Dust—
He danced along the dingy Days
And this Bequest of Wings
Was but a Book—What Liberty
A loosened spirit brings——Emily Dickinson (1830-1886), 1593 (Franklin)