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Category: violin

Tuesday, April 4th

Sometimes I just want to be swept away.

Maurice Ravel (1875-1937), String Quartet in F major (1903), 1st Mvt.
Takács Quartet, live, New York, 2017

 

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lagniappe

reading table

cloud becomes a mountain
becomes
a cloud

—Kobayashi Issa (1763-1827), translated from Japanese by David G. Lanoue

Monday, March 13th

Saturday night, in Chicago, at the Museum of Contemporary Art, I heard the Spektral Quartet. They performed a single piece, this one, which lasted not one, or two, or three, or four, but five hours. Awash in sounds and silences, I got up out of my metal chair, I looked at my watch, I checked my text messages, my email, not once.

Morton Feldman (1926-1987, MCOTD Hall of Fame*), String Quartet No. 2 (excerpt), Flux Quartet, live, 2013


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lagniappe

random sights

this morning, Oak Park, Ill.

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*With saxophonists Von Freeman and Henry Threadgill; trumpeter Lester Bowie; drummer Hamid Drake; gospel singer Dorothy Love Coates; poets John Berryman, William Bronk, and Wislawa Szymborska; and photographer Helen Levitt.

Saturday, March 4th

never enough

This took my breath away—more than once.

Ludwig van Beethoven (1770-1827), Violin Concerto; Frankfurt Radio Symphony Orchestra (Philippe Herreweghe, cond.) with Patricia Kopatchinskaja (violin), live, 2014

Wednesday, February 22nd

more

Miranda Cuckson, violin; Michael Hersch (1971-), Fourteen Pieces for unaccompanied violin, excerpt; live, 2009

 

Monday, February 20th

Yesterday, in Chicago, at the Art Institute, I heard this woman play the violin. She played for well over an hour, by herself, without intermission. She performed seven pieces: the earliest, by Pierre Boulez (Anthèmes 1), was composed in 1992; the latest, by Steve Lehman (En Soi), this year. When a performer surrenders to the music wholeheartedly, she invites you, the listener, to do the same. And I did, gratefully.

Miranda Cuckson, violin

Ralph Shapey (1921-2002), Etchings (1945; excerpt), 2009


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Playing and talking, 2015

 

 

 

Saturday, February 4th

never enough

Johann Sebastian Bach (1685-1750), Partitas No. 1 (B minor), 2 (D minor), and 3 (E major) for solo violin; Gidon Kremer (violin), live, Austria (Lockenhaus), 2006


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lagniappe

art beat: other day, Art Institute of Chicago

Vincent van Gogh (1853-1890), Grapes, Lemons, Pears and Apples, 1887

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Thursday, February 2nd

Last night, in Chicago, worn out by work and the world, I walked from my office to Symphony Center, where I heard these folks perform pieces by, among others, this composer—and I’m so glad I did.

Kremerata Baltica with Gidon Kremer (violin), live; Mieczyslaw Weinberg (1919-1996), Sinfonietta No. 2, excerpt (3rd mvt., Adagio)


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lagniappe

random sights

yesterday, Chicago

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Tuesday, January 24th

In a world so noisy what’s more precious than sounds so quiet?

Morton Feldman (1926-1987, MCOTD Hall of Fame), Piano and string quartet (1985), Sed Contra Ensemble, live (performance begins at 4:11), Ukraine (Lviv), 2016


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art beat: other day, Whitney Museum of American Art (New York)

Edward Hopper (1882-1967), A Woman in the Sun, 1961

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Thursday, December 22nd

never enough

Johann Sebastian Bach (1685-1750), Chaconne from Partita No. 2 in D Minor, Jascha Heifetz (1901-1987), violin


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lagniappe

radio

One of the year’s truly great musical events begins Friday at 1 a.m. (EST)—the annual Bach Festival on WKCR-FM (Columbia University). All Bach, all the time, until midnight New Year’s Eve. If, after the last few months, you just can’t take any more clarity and light, you might want to skip it.

Wednesday, December 7th

Sometimes I want to hear something that will quicken my pulse; sometimes I want something that will slow it—like this, for instance, which I heard the other night in Chicago, played by the group for whom it was written (a.pe.ri.od.ic). One sound . . . another . . . another . . .

Jürg Frey (1953-), Fragile Balance (2014), excerpt; Ensemble Grizzana (Jürg Frey, clarinet; Mira Benjamin, violin; Richard Craig, flute; Emma Richards, viola; Philip Thomas, piano; Seth Woods, cello); 2015


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lagniappe

reading table

Winter seclusion—
sitting propped against
the same worn post

—Matsuo Basho (1644-1694), translated from Japanese by Sam Hamill (The Sound of Water: Haiku by Basho, Buson, Issa, and Other Poets)