Kim Kashkashian (viola), “In memoriam Blum Tamás” by György Kurtág (from Signs, Games, and Messages for solo viola [1998-2005]), live, Germany (Hamburg), 2020
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lagniappe
random sights
other day, Chicago (Columbus Park)
*****
reading table
The world? Moonlit
drops shaken
from the crane’s bill.
—Dogen (1200-1253), translated from Japanese by Lucien Stryk with the assistance of Noboru Fujiwara
Saturday I posted the first of these two (wonderful) performances; here’s the second.
Mars Williams presents: An Ayler Xmas Vol. 4 (Night 2) (Mars Williams, tenor saxophone, toy instruments; Josh Berman, cornet; Jim Baker, piano, viola, ARP synthesizer; Krzysztof Pabian, bass; Brian Sandstrom, bass, guitar, trumpet; Steve Hunt, drums; Peter Maunu, violin), live (performance begins at 5:15), Chicago (Constellation), 12/19/20
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lagniappe
random sights
other day, Oak Park, Ill.
*****
reading table
An empty day without events.
And that is why
it grew immense
as space. And suddenly
happiness of being
entered me.
I heard
in my heartbeat
the birth of time
and each instant of life
one after the other
came rushing in
like priceless gifts.
—Anna Swir (1909-1984), “Priceless Gifts” (translated from Polish by Czesław Miłosz and Leonard Nathan)
Mars Williams presents: An Ayler Xmas Vol. 4 (Night 1) (Mars Williams, tenor saxophone, toy instruments; Josh Berman, cornet; Jim Baker, piano, viola, ARP synthesizer; Krzysztof Pabian, bass; Brian Sandstrom, bass, guitar, trumpet; Steve Hunt, drums; Peter Maunu, violin), live (performance begins at 3:45), Chicago (Constellation), last night
**********
lagniappe
random sights
other day, Chicago
*****
reading table
Such a moon—
the thief
pauses to sing.
—Yosa Buson (1716-1784), translated from Japanese by Lucien Stryk and Takashi Ikemoto
This, by someone I’d never heard of (much less heard) until yesterday, I could listen to all day.
Nikolai Korndorf (1947-2001), In Honour of Alfred Schnittke (AGSCH), string trio for violin, viola, cello (1986), excerpt (1st Mvt.); Patricia Kopatchinskaya (violin), Daniel Raiskin (viola), Alexander Ivashkin (cello), 2005
Why not begin the week with something that’s unlike anything you’ve ever heard before?
Nathalie Joachim (vocals, flute, electronics, compositions, arrangements) and Spektral Quartet, Fanm d’Ayiti (Women of Haiti), live (with recorded voices), New York (Kaufman Music Center), 2019
Composer/performer Nathalie Joachim and Spektral Quartet perform Joachim’s Fanm d’Ayiti (Women of Haiti), an evening-length work for voice, flute, string quartet and electronics. A celebration of some of Haiti’s most iconic yet under recognized female artists as well as an exploration of Joachim’s Haitian heritage, Fanm d’Ayiti features original songs incorporating the recorded voices of Joachim’s grandmother and the girls’ choir of her family’s home farming village of Dantan; new arrangements of songs by some of the greatest known female voices in Haitian history; and recorded interviews with these artists about their lives fighting for social justice and uplifting the people of Haiti.