sounds of New York
Why not begin the week with something new?
Ches Smith (drums, percussion), Craig Taborn (piano), Mat Maneri (viola), Bill Frisell (guitar), live, New York, 5/21/21 (performance begins at 10:30)
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lagniappe
random sights
yesterday, outside Chicago (Glen Ellyn)
more
Spektral Quartet (Clara Lyon [violin], Maeve Feinberg [violin], Doyle Armbrust [viola], Russell Rolen [cello]): Joseph Haydn, The Seven Last Words of Christ, recorded in Chicago (St. James Cathedral), 3/20/21 (performance begins at 4:00)
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lagniappe
random sights
this morning, Oak Park, Ill.
sounds of Chicago
Spektral Quartet (Clara Lyon [violin], Maeve Feinberg [violin], Doyle Armbrust [viola], Russell Rolen [cello]), live, Chicago (University of Chicago), 2018: Béla Bartók (1881-1945), String Quartet No. 1 in A minor (1909)
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lagniappe
random sights
yesterday, Oak Park, Ill.
Another take on piano and strings.
Alfred Schnittke (1934-98), Piano Quintet (1972-76), live (Katya Apekisheva, piano; Boris Brovtsyn, Julia-Maria Kretz, violins; Amihai Grosz, viola; Torleif Thedéen, cello), Netherlands (Utrecht), 2010
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lagniappe
random sights
other day, Chicago
Suppose that, for the rest of your life, you could listen to only one piece of music. What would you choose? For me it might be this.
Morton Feldman (1926-1987; MCOTD Hall of Fame), Piano and String Quartet (1985); Kronos Quartet with Aki Takahashi (piano), 1993
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lagniappe
art beat: other day, Art Institute of Chicago
Jackson Pollock (1912-1956), Number 17A, 1948 (detail)
More beauty?
Maurice Ravel (1875-1937), String Quartet in F major (1903); Sacconi Quartet, live, London, 2015
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lagniappe
random sights
yesterday, Chicago
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reading table
The snow is melting
and the village is flooded
with children.—Kobayashi Issa, 1763-1827 (translated from Japanese by Robert Haas)
Why not begin the week with something beautiful?
Claude Debussy (1862-1918), String Quartet in G minor (1893); Parker Quartet, live, Cambridge, Mass., 2019
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lagniappe
art beat: other day, Art Institute of Chicago
Dish, Hellenistic or early Roman; eastern Mediterranean; mid-2nd/early 1st century BC; glass, mosaic glass technique (detail)
breathtaking
Claude Debussy (1862-1918), Sonata for flute, viola, and harp (1915); Emmanuel Pahud (flute), Yulia Deyneka (viola), Aline Khouri (harp), live, Berlin, 2018
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lagniappe
random sights
yesterday, Oak Park, Ill.
sounds of Paris
Toru Takemitsu (1930-1996), And then I knew ’twas Wind (1992); Ensemble Intercontemporain, live, Paris, 2017
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lagniappe
random sights
this morning, Oak Park, Ill.
*****
reading table
Like Rain it sounded till it curved
And then we knew “twas Wind –
It walked as wet as any Wave
But swept as dry as Sand –—Emily Dickinson (1830-1886), from 276 (Franklin)
Why not begin the week with one of the most beautiful—and moving—pieces I know?
Morton Feldman (1927-1986, MCOTD Hall of Fame), Rothko Chapel (1971); Markus Creed (cond.), SWR Vokalensemble (Vocal Ensemble), et al., live, Germany (Cathedral of Speyer, Schwetzinger), 2017
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lagniappe
art beat: yesterday, Art Institute of Chicago
Mark Rothko (1903-1970), No. 2 (Blue, Red and Green) (Yellow, Red, Blue on Blue), 1953 (detail)
music clip of the day 