sounds of Haiti and Chicago
Nathalie Joachim (vocals, electronics) with Spektral Quartet, “Papa Loco” (trad.), live (studio), New York, published 10/29/19
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lagniappe
random sights
yesterday, Oak Park, Ill.
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reading table
She cries. Oh no. Oh no no no.
—Eimear McBride, A Girl Is a Half-Formed Thing
sounds of New York
Jason Kao Hwang (1957-), If We Live in Forgetfulness, We Die in a Dream (2011); Momenta Quartet, live, New York, 2012
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lagniappe
random sights
yesterday, Chicago (Columbus Park)
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reading table
If you have some photos of yourself when you were four or eight or twelve or fifteen, hold them up against the mirror. Are you the four-year-old, the eight-year-old, the fifteen-year-old, the twenty-five-year-old, or the one who is looking into the mirror, or all of them? If you are all of them, then by now you must be thousands of different people.
—Ayya Khema (1923-1997), Being Nobody, Going Nowhere: Meditations on the Buddhist Path (1987)
sounds of New York
day one
Jason Kao Hwang Human Rites Trio (JKH, compositions, violin, viola; Ken Filiano, bass; Andrew Drury, drums), live, New York, 7/16/19
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lagniappe
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Today is very nothing like / Any other day that once soared / In this place.
—W.S. Graham (1918-1986), from “The Don Brown Route”
more
Jürg Frey (1953-), Extended Circular Music No. 4 (2011-2014); Flex Ensemble (Kana Sugimura, violin; Anna Szulc-Kapala, viola; Martha Bijlsma, cello; Endri Nini, piano) with Yoann Trellu (video art), live, Germany (Hannover aka Hanover), 2017
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lagniappe
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Moon, plum blossoms,
this, that,
and the day goes.—Kobayashi Issa (1763-1827), translated from Japanese by Robert Hass
Why not begin the week with something slow, and quiet, and beautiful?
Jürg Frey (1953-), Petit fragment de paysage (Ko Ishikawa, shō; Mari Adachi, viola), Wen 16 (Seiko Takemoto, cello), Petit fragment de paysage (Mari Adachi, viola; Seiko Takemoto, cello); Wen 29 (Mari Adachi, viola); Petit fragment de paysage (Ko Ishikawa, u; Seiko Takemoto, cello), live, Tokyo, 2016
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lagniappe
reading table
even poorly planted
rice plants
slowly, slowly . . . green!—Kobayashi Issa (1763-1827), translated from Japanese by David G. Lanoue
string quartet festival
day two
Elliott Carter (1908-2012), String Quartet No. 5 (1995); Pacifica Quartet, live, Tokyo, 2004
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lagniappe
reading table
The book itself is sort of a perfect metaphor for a human being. It’s got a front and a back, it’s got a spine, and it’s bigger on the inside than it is on the outside.
—Chris Ware