music clip of the day

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Category: trombone

Saturday, September 19th

voices I miss

Lester Bowie’s New York Organ Ensemble (LB [1941-1999, MCOTD Hall of Fame], trumpet; Frank Lacy, trombone; James Carter, tenor saxophone; Spencer Barefield, guitar; Kathy Farmer, organ; Famoudou Don Moye, drums), live, Spain (Madrid), 1992

Time for just one?

Try “Somewhere” (L. Bernstein, S. Sondheim), 11:45-.

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lagniappe

art beat

Vivian Maier (1926-2009), Chicago (Maxwell Street), 1967

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Friday, August 21st

like nobody else

Rahsaan Roland Kirk (1935-1977), live, Paris, 1970


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lagniappe

art beat: yesterday at the Chicago Cultural Center 

Archibald Motley: Jazz Age Modernist (through 8/31)

Black Belt, 1934

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Wednesday, August 12th

sounds of Brazil

Jorge Ben & Gal Costa, “Que Pena,” live


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lagniappe

art beat

Robert Frank (1924-), Cafe – Beaufort, South Carolina, 1955

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Saturday, June 6th

sounds of New Orleans

Why would anyone want to live anywhere else?

To Be Continued (TBC) Brass Band, live, New Orleans, 2012

Thursday, June 4th

MCOTD Hall of Fame

Henry Threadgill’s Zooid,* live, Washington, D.C., 2013


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lagniappe

reading table

Nothings’s a Gift
by Wislawa Szymborska (1923-2012; translated from Polish by Clare Cavanagh and Stanislaw Baranczak)

Nothing’s a gift, it’s all on loan.
I’m drowning in debts up to my ears.
I’ll have to pay for myself
with my self,
give up my life for my life.

Here’s how it’s arranged:
The heart can be repossessed,
the liver, too,
and each single finger and toe.

Too late to tear up the terms,
my debts will be repaid,
and I’ll be fleeced,
or, more precisely, flayed.

I move about the planet
in a crush of other debtors.
Some are saddled with the burden
of paying off their wings.
Others must, willy-nilly,
account for every leaf.

Every tissue in us lies
on the debit side.
Not a tentacle or tendril
is for keeps.

The inventory, infinitely detailed,
implies we’ll be left
not just empty-handed
but handless too.

I can’t remember
where, when, and why
I let someone open
this account in my name.

We call the protest against this
the soul.
And it’s the only item
not included on the list.

*****

the beat goes on

Two thousand posts—and counting.

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*HT (flute, alto saxophone), Liberty Ellman (guitar), Jose Davila (tuba, trombone), Christopher Hoffman (cello), Elliot Humberto Kavee (drums).

 

Tuesday, May 12th

sounds of Amsterdam

More of the Instant Composers Pool (ICP) Orchestra.*

Live, Chicago (Elastic Arts), 5/3/15


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lagniappe

art beat

Bruce Davidson (1933-), Palisades, New Jersey, 1958

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***** 

*Ab Baars, tenor saxophone; Tobias Delius, tenor saxophone; Michael Moore, alto saxophone; Thomas Heberer, trumpet; Walter Wierbos, trombone; Tristan Honsiger, cello; Mary Oliver, violin; Ernst Glerum, bass; Han Bennink, drums; with guest Guus Janssen (piano).

Monday, May 4th

sounds of Amsterdam

It’s a wonderful life—sometimes, anyway. This weekend, in Chicago, I got to hear these folks twice: Saturday night all together (Constellation), Sunday in a series of (mostly) duos and trios (Elastic Arts).

Instant Composers Pool (ICP) Orchestra*

“Lavoro” (S. Bergin, borrowing from “Moten Swing”), live, Oakland, Ca., 2013


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“East of the Sun, West of the Moon” (Brooks Bowman), recording (East of the Sun), 2014


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*Ab Baars, tenor saxophone; Tobias Delius, tenor saxophone; Michael Moore, alto saxophone; Thomas Heberer, trumpet; Walter Wierbos, trombone; Tristan Honsiger, cello; Mary Oliver, violin; Ernst Glerum, bass; Han Bennink, drums.

Wednesday, April 15th

MCOTD Hall of Fame

Lester Bowie’s Brass Fantasy (LB, trumpet; Steve Turre, trombone; Frank Lacy, trombone; Bob Stewart, tuba; Phillip Wilson, drums, et al.), live, Berlin, 1986

Thursday, March 26th

These guys I could listen to all day.

Kelin-Kelin’ Orchestra (with Brice Wassy, drums, vocals), “Me Feeh” (B. Wassy), live, Paris, 2013

Tuesday, March 10th

sounds of Chicago

Matthias Kranebitter (1980-), pack the box (with five dozen of my liquor jugs) (2013)
Mocrep, live, Chicago, 2014

[vimeo 111677932 w=560&h=315]

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lagniappe

reading table

Collage=life.

—Joseph Cornell, diary entry, 1964