music clip of the day

jazz/blues/rock/classical/gospel/more

Category: saxophone

Saturday, 6/19/10

replay: a clip too good for just one day

Muddy Waters, Saul Bellow, Steppenwolf Theater Company (John Malkovich, John Mahoney, Gary Sinise, Laurie Metcalf, et al.), Curtis Mayfield: a lot of great artists, musical and otherwise, have come out of Chicago in the last 50 years. Among the greatest is this group: the Art Ensemble of Chicago. While the horn players (Roscoe Mitchell, Joseph Jarman, Lester Bowie) got the lion’s share of the attention, what gave their music its juice—what made it dance—was (as you’ll hear) one of the finest rhythm sections ever: Malachi Favors, bass; Don Moye, drums.

Art Ensemble of Chicago, live, Poland (Warsaw), 1982 (in four parts)

Part 1

Part 2

Part 3

Part 4

(I talk about the AEC in the past tense because, while recordings are still released under this name from time to time, with two key members [they were all “key members”] now dead—trumpeter Lester Bowie [1999] and bassist Malachi Favors [2004]—it just isn’t [nor could it be] the same.)

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subscribe

Many things in life don’t quite seem, alas, to live up to their billing. It appears that the RSS (Real Simple Syndication) service that’s referenced in the righthand column (under “Subscribe”) may fall into this category—at least, that is, for those of us who are (as the expression goes) of a certain age. The problem seems to lie at the threshold: “real simple.”

Anyway, in the life’s-too-short, keep-it-simple-stupid department, if you’d like to “subscribe” to this blog, just send me an email (Richard McLeese/rmcleeselaw@aol.com) with “subscribe” in the subject line and—voila!—you’ll be added to an ever-growing email list that will have you receiving an e-notice whenever there’s a new blog post. As indicated in the “About” section (see righthand column), this whole thing started from a very small (like, oh, two, sometimes three, folks) email list, which then grew, then grew some more. One of many miraculous things about electronic communication is that there’s always room for one more.

(Originally posted 9/8/09.)

Tuesday, 6/15/10

movies/part 2

*****

Stormy Weather (1943)

Cab Calloway and His Orchestra; Nicholas Brothers, dancers; “Jumpin’ Jive”

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lagniappe

Fred Astaire told the [Nicholas] brothers that the “Jumpin’ Jive” number in Stormy Weather was the greatest number he had ever seen on film. He would have been more impressed had he known that the choreography was filmed all in one take.

—Constance Valis Hill, Tap Dancing America: A Cultural History (2010)

*****

Want more tap-dancing?

Here (Will Gaines).

Here (Marilyn Miller).

Here (Teddy Hale, Gregory Hines, Will Gaines).

Wednesday, June 9, 2010

guitar players who sound like nobody else, part 3

Sonny Sharrock (1940-1994)

Live (with Melvin Gibbs, bass; Abe Speller & Pheeroan Aklaf, drums), New York (Knitting Factory), 1988

*****

“Who Does She Hope To Be?” (with Pharoah Sanders, tenor saxophone; Charles Moffett, bass; Elvin Jones, drums), 1991

Monday, May 31, 2010

impeccable, adj. faultless, flawless; irreproachable. E.g., Hank Jones.

Hank Jones, July 31, 1918-May 16, 2010

“Oh, What A Beautiful Mornin’,” live, Paris, 2009

*****

“This Is This” (with Joe Lovano, saxophone), live

*****

“Sometimes I Feel Like A Motherless Child” (with Charlie Haden, bass), 1995

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lagniappe

When you listen to a pianist, each note should have an identity, each note should have a soul of its own.—Hank Jones

*****

mail

Really dumb!

[Micachu & The Shapes, 5/29/10]

Thursday, May 27, 2010

Chicago, Texas, Louisiana, West Coast—blues comes in lots of different shades.

Freddie King, with Clarence “Gatemouth” Brown; live (TV broadcast [The !!!! Beat]), 1966

Part 1

*****

Part 2 (“Funnybone”)

*****

Part 3 (“Papa’s Got a Brand New Bag”)

Friday, May 14, 2010

no redeeming value whatsoever

Andre Williams & His Orchestra, “Sweet Little Pussycat” (1966)

lagniappe

Andre Williams, 2010

Wednesday, 5/12/10

Is the greatest electric guitar player of all time a guy who died in 1942?

Charlie Christian, July 29, 1916-March 2, 1942

“Waiting for Benny” (1941 [recorded at a Benny Goodman session, while the engineers were testing the equipment])

*****

Live, New York (Minton’s), 1941

“Swing To Bop”

***

“Stompin’ at the Savoy”

lagniappe

TV news piece, Oklahoma City, 2007 (following CC’s induction into the Jazz Hall of Fame)

Saturday, 5/8/10

New Orleans Jazz & Heritage Festival, 2010/part 2

Scene 1: Parade of the New Orleans Social Aid and Pleasure Club

*****

Scene 2: Chouval Bwa

*****

Scene 3: Trombone Shorty and Orleans Avenue, “Backatown” (record-store performance)

*****

Scene 4: Pinettes Brass Band (outside another record store)

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lagniappe


Friday, May 7, 2010

New Orleans Jazz & Heritage Festival, 2010/part 1

Scene 1: Sousaphone Parade

*****

Scene 2: Brian Blade & The Fellowship

Want more Brian Blade? Here.

*****

Scene 3: Mardi Gras Indians (Members of the Golden Star Hunters, Carrolton Hunters, et al.), Backstage

Want more Mardi Gras Indians? Here.

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lagniappe


Friday, April 30, 2010

Me and a million other dudes said ‘later’ to picking cotton.—Wilson Pickett (in Gerri Hershey, Nowhere to Run: The Story of Soul Music [1994])

Wilson Pickett, live, Germany, 1968

“Stagger Lee”

*****

“Funky Broadway”

Want more? Here.

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lagniappe

listening room

The UPS guy left a tiny box yesterday—the new albums by Roky Erickson and Gil Scott-Heron. Who’s next? Sly Stone?

*****

mail

The Bobby Dylan clip was very nice and linked to Manfred Mann—sweet. Thanks.

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Thanks, Richard! Emails like yours are the main reason I have some energy every week to sit down and grind through another show. Many thanks.

—Kevin [Nutt, host of Sinner’s Crossroads on WFMU-FM, responding to an email notifying him of this mention]