More sounds from the shadows.
Evan Parker (tenor saxophone) and Ned Rothenberg (alto saxophone), live, Silver Spring, Md. (Sonic Circuits Festival of Experimental Music), 2009
If this dialogue were translated into English, how would it read?
last night
I heard these guys at a small Chicago club (Hideout)—what a storm.
Peter Brötzmann (reeds), Ken Vandermark (reeds), Hamid Drake (drums), Chad Taylor (drums), live, Slovenia (Ljubljana), 7/3/13
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lagniappe
musical thoughts
When our minds are filled with music, they’re free of everything else.
making a joyful noise
Evangelist Rosie Haynes (alto saxophone, vocals), “Because He Lives,” live, Milwaukee, 2005
#1
#2
*****
taking a break
I’m taking some time off—back in a while.
D’Angelo (with Questlove, drums; Pino Palladino, bass; Kuumba Frank Lacy, trombone, trumpet; Chalmers “Spanky” Alford, guitar; Anthony Hamilton, vocals, et al.), live, Switzerland (Montreux Jazz Festival), 2000
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lagniappe
musical thoughts
No stage anywhere in the world can compare with the one that exists in the imagination. Where else can you find Jimi Hendrix jamming with Miles Davis? Sam Cooke singing with Smokey Robinson? Sly Stone taking everybody higher with Sun Ra?
*****
Happy Birthday, Suzanne!
This is, to these ears, just perfect.
Sonny Rollins Trio (SR, tenor saxophone; Henry Grimes, bass; Pete La Roca, drums), “Weaver of Dreams,” live, Netherlands (Laren), 1959
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lagniappe
random thoughts
What will the world be like without you?
tonight
I’ll be at the Hideout, a small club on Chicago’s northwest side, seeing this Ethiopian dancer, this baritone saxophonist, and an array of other dancers and musicians.
Melaku Belay (dance), Ken Vandermark (baritone saxophone), Joe McPhee (alto saxophone), Milwaukee, 6/22/13
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lagniappe
reading table
wind blowing
paper fans rustling
rustling—Kobayashi Issa (1763-1827), 1823 (translated from Japanese by David G. Lanoue)
father and son
Brian Blade (drums) & The Fellowship Band, with Brady L. Blade Sr. (vocals), “Amazing Grace,” live, Savannah, Ga. (2012)
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lagniappe
reading table
Some things endure. When my sons, Alex and Luke, were in grade school, I started a two-person “reading group” with each of them. We would read novels together, maybe one a month, alternating choices, and go out and talk about them over a meal. Alex is now twenty-five. This morning we’re going out for breakfast, where we’ll be talking about a short story by Richard Yates, “Oh, Joseph, I’m So Tired.” Of stories there is no end.
When Franklin D. Roosevelt was President-elect there must have been sculptors all over America who wanted a chance to model his head from life, but my mother had connections.
—Richard Yates (1926-1992), “Oh, Joseph, I’m So Tired” (first sentence)
two takes
“Lulu’s Back In Town” (H. Warren & A. Dubin)
Fats Waller, recording, 1935
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Thelonious Monk Quartet (TM, piano; Charlie Rouse, tenor saxophone; Larry Gales, bass; Ben Riley, drums), live (TV studio), Norway (Oslo), 1960
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lagniappe
musical thoughts
A note can be as small as a pin or as big as the world. It depends on your imagination.
kinetic
Rudresh Mahanthappa (alto saxophone), Rez Abbasi (guitar), Rich Brown (bass), Rudy Royston (drums), “Killer,” “Playing with Stones,” Washington, D.C., 2012
sounds of Chicago
Want to hear a great solo? You’ve come to the wrong place. This isn’t about solos; it’s about interplay.
The Rempis Percussion Quartet,* live, Chicago (Hideout), 2010
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*Dave Rempis, saxophones; Ingebrigt Håker Flaten, bass; Tim Daisy, drums; Frank Rosaly, drums.
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