Art Ensemble of Chicago (Roscoe Mitchell, saxophones, percussion; Joseph Jarman, saxophones, percussion, electric guitar; Lester Bowie [MCOTD Hall of Famer], trumpet, percussion; Malachi Favors, bass, percussion; Don Moye, drums, percussion [first clip])
Charlie Musselwhite (1944-; vocals, harmonica) with Big Walter Horton (1918-1981; vocals, harmonica), live, Chicago, 1981
Charlie’s playing is wonderful: it both swings and sings. And he’s got great presence. But listen to Walter, whom I had the chance to work with in the ’70s when I was with Alligator Records. He’s not onstage long; this was only months before his death. But there are moments, when Walter’s playing, where time seems to stop (16:11, 18:03, 18:22, 19:57, etc.).
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lagniappe
reading table
You can fall a long way in sunlight.
You can fall a long way in the rain.
The ones who don’t take the old white horse
take the morning train.
—Robert Hass (1941-), “August Notebook: A Death” (excerpt)
For over thirty years he’s been taking me places no one else does.
Henry Threadgill’s Zooid, live, New York, 2013
#1
#2
*****
It’s not just notes on a page. Threadgill really reaches out and grabs you by the lapels. Someone else described it to me as ‘every time Threadgill enters, it’s like the curtains just parted.’ He has this way of cutting right through the texture of the music.
The Engines (9/1; Dave Rempis, saxophones, Jeb Bishop, trombone; Kent Kessler [filling in for Nate McBride], bass; Tim Daisy, drums), live, Columbia, South Carolina, 2013
Stevie Wonder with Prince, “Superstition” (S. Wonder), live, Paris, 2010
Not many stars would handle this the way Prince does. Actually, what’s most impressive is what he doesn’t do. Given a guitar solo, he doesn’t try to steal the show—or even draw attention. Instead, he feeds the groove.
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lagniappe
reading table
Sophistication is upscale conformity.
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What is more yours than what always holds you back?
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The heart is a small, cracked cup, easy to fill, impossible to keep full.
—James Richardson, “Even More Aphorisms and Ten-Second Essays from Vectors 3.0” (excerpts)