music clip of the day

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Category: R&B

Wednesday, 12/28/11

more favorites from the past year

passings

*****

Is any drummer more lyrical?

Paul Motian, drummer, composer, collaborator, bandleader
March 25, 1931-November 22, 2011

Paul Motian Trio (PM, drums; Joe Lovano, saxophone; Bill Frisell, guitar), “It Should’ve Happened a Long Time Ago” (P. Motian), live, New York (Village Vanguard), 2005

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lagniappe

Sometimes he would strip a beat to absolute basics, the sound of brushes on a dark-toned ride cymbal and the abrupt thump of his low-tuned kick drum. Generally, a listener could locate the form, even when Mr. Motian didn’t state it explicitly.

“With Paul, there was always that ground rhythm, that ancient jazz beat lurking in the background,” said the pianist Ethan Iverson, one of the younger bandleaders who played with and learned from him toward the end.

Mr. Motian’s final week at the [Village] Vanguard was with Mr. Osby and Mr. Kikuchi, in September. “He was an economist: every note and phrase and utterance counted,” Mr. Osby said on Tuesday. “There was nothing disposable.”

—Ben Ratliff, New York Times11/22/11

(Originally posted 11/23/11.)

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You’re never too young to die.

 Amy Winehouse, September 14, 1983-July 23, 2011

“Tears Dry On Their Own”

Take 1: original recording and video (2006)

Vodpod videos no longer available.

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Take 2: remix by Organized Noize Dungeon Family (Big Boi)
(released 7/24/11)

Vodpod videos no longer available.

(Originally posted 7/26/11.)

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Today we remember him with a mix of new clips and old favorites.

Gil Scott-Heron, April 1, 1949-May 27, 2011

“The Bottle,” live, Jamaica (Montego Bay, Reggae Sunsplash), 1983
Cool Runnings: The Reggae Movie (1983)

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I’m New Here (2010)

“Where Did The Night Go”

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“Me And The Devil” (Robert Johnson)

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It’s a remix world.

“New York Is Killing Me” (2010), Chris Cunningham remix

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Here’s the original track, followed by a couple more remixes.

Vodpod videos no longer available.

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With Nas

Vodpod videos no longer available.

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With Mos Def

Vodpod videos no longer available.

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langiappe

musical thoughts

In the dark times, will there also be singing? Yes, there will be singing. About the dark times.

—Bertolt Brecht

(Originally posted 5/30/11.)

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Lloyd Knibb, drummer (Skatalites, et al.)
March 8, 1931-May 12, 2011

Lloyd Knibb’s importance to Jamaican music can’t be overstated. The inventor of the ska beat at Coxson Dodd’s Studio One, Knibb created a sound that spread like wildfire the world over.

—Carter Van Pelt, host, Eastern Standard Time, WKCR-FM

“Freedom Sound,” live, Belgium (Lokerse Festival), 1997

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Live, Los Angeles, 2007

#1

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#2

(Originally posted 5/18/11.)

Tuesday, 12/20/11

kaleidoscopic, adj. 1. changing form, pattern, color, etc., in a manner suggesting a kaleidoscope. 2. continually shifting from one set of relations to another. E.g., Azealia Banks’ “212” (2011).

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lagniappe

reading table

In an age when other fantastically speedy, widespread media are triumphing, and running the risk of flattening all communication into a single, homogeneous surface, the function of literature is communication between things that are different simply because they are different, not blunting but even sharpening the differences between them, following the true bent of written language.

—Italo Calvino, Six Memos for the Next Millennium (1988 [trans. Patrick Creagh])

Monday, 12/19/11

Rebirth Brass Band, Treme Sidewalk Steppers Parade, New Orleans, 2/6/11

If there’s a God, He loves parades.

More? Here. And here. And here. And here. And here.

Friday, 12/9/11

Janis Joplin, “Get It While You Can” (J. Ragovoy)
Live, TV broadcast (The Dick Cavett Show), 1970

If she had lived, what would she sound like, at 68, today?

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lagniappe

reading table

We shall not ever meet them bearded in heaven,
Nor sunning themselves among the bald of hell;
If anywhere, in the deserted schoolyard at twilight,
Forming a ring, perhaps, or joining hands
In games whose very names we have forgotten.
Come, memory, let us seek them there in the shadows.

—Donald Justice, “On the Death of Friends in Childhood”

Thursday, 12/8/11

 passings

Howard Tate, singer, August 13, 1939-December 2, 2011

“Get It While You Can” (J. Ragovoy)

Live (with Jerry Ragovoy, piano), Paris, 2003

Like a lot of performances, this gets better as it goes along. At first he seems a bit tentative. He’s trying to find his way. Then, at around 1:07, he starts to settle in and, before long, he’s inhabiting the song. If this were a recording session and I had a hand in it, I know what I’d do as this was ending. I’d ask them, without missing a beat, to keep going: “Again, from the top.”

*****

Recording, 1967

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lagniappe

Howard Tate, 72, an immensely talented soul singer who dropped out of the music business in frustration after the often brilliant albums he made in the late 1960s and early 1970s failed to reach a wide audience, died Friday of multiple myeloma and leukemia in his apartment in Burlington City.

Born in Georgia and raised in Philadelphia, Mr. Tate returned to recording and performing in the 2000s after a chance encounter in a South Jersey supermarket led to his rediscovery.

Working with Philadelphia producer and songwriter Jerry Ragovoy, Mr. Tate recorded one undeniably classic album: Get It While You Can, a 1966 release on Verve whose title track became much better known when sung by Janis Joplin.

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Neither his debut nor the subsequent Reaction (1969) and Howard Tate (1972) earned him a large audience. Mr. Tate, who had sung early in his career with organist Bill Doggett and with his fellow North Philadelphia soul man Garnet Mimms (in the doo-wop group The Gainors), wound up disappearing from the music business altogether – an absence that made his legend grow stronger.

Without music in his life, Mr. Tate, who was raised in the neighborhood around 13th and Norris Streets, sold insurance and raised six children. He started drinking after his daughter was killed in a fire in his Wynnefield home in 1976, he told The Inquirer in 2004. After his marriage crumbled, his life took a harrowing turn.

“I turned to cocaine, and it was the worst thing I could have ever done,” he said. “It destroyed my willpower. I became homeless, roaming around those drug neighborhoods in Camden. I actually thought I was going to be found dead in an alley. It was like I was waiting to die.”

Instead, however, the Baptist preacher’s son turned to the Lord. In 1994, he founded the Gift of the Cross Church and began preaching in living rooms in West Philadelphia and South Jersey.

Presumed dead by many, he ran into a former member of Harold Melvin & the Blue Notes in a Willingboro supermarket on New Year’s Day in 2001, who told him that an oldies DJ, Phil Casem of WNJC in Sewell, N.J., had been making inquiries about his whereabouts on the radio.

Two years later, Mr. Tate returned with Rediscovered, an album that included “Either Side of the Same Town,” a song Elvis Costello and Ragovoy, who died earlier this year, wrote for Mr. Tate. With his remarkable voice miraculously preserved after nearly three decades out of action, he returned to performing, and released two more albums, A Portrait of Howard (2006) and Blue Day (2008).

Mimms, now pastor of the Bottom Line Revival Church in Cheltenham, recalled Tuesday the days when he sang lead and Mr. Tate sang tenor in the Gainors, the quintet that came together after Mimms got out of the U.S. Army in 1958.

“We were very close,” said Mimms, who introduced Mr. Tate to Ragovoy and had his own Ragovoy-penned classic soul hit, “Cry Baby,” in 1963.

Mr. Tate “was a very nice dresser, and very famous with the young ladies,” Mimms said. “He was an all outgoing guy, and his falsetto was unique. I had a high range myself, but I couldn’t do that falsetto stuff he did. He could come out of his natural, and go right into it. He had a great voice.”

—Dan DeLuca, Philadelphia Inquirer (obituary), 12/7/11

Monday, 11/28/11

Has Monday ever sounded better?

Snooks Eaglin (with George Porter, Jr., bass; Kenneth Blevins, drums)
Live, New York (Lone Star Roadhouse), early ’90s

“I Just Cried Oh”

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“Baby Please”

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“Lipstick Traces”

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“You Don’t Have To Go”

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“Young Girl”

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“Red Beans” (with Jon Cleary, piano)

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Great guitar players don’t play notes—they play sounds.

Friday, 11/25/11

Can’t go another day without this guy?

Me, either.

Jackie Wilson, “Baby Workout,” TV broadcast (Shindig), 1965

More? Here. And here. And here. And here.

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lagniappe

reading table

morning after morning—
what day is it now
cuckoo?

—Kobayashi Issa, 1810 (trans. David G. Lanoue)

Thursday, 11/17/11

three takes

“Now That We Found Love” (AKA “Now That We’ve Found Love”)
(K. Gamble & L. Huff)

take 1

Heavy D (AKA Dwight Arrington Myers), May 24, 1967-November 8, 2011

Heavy D & the Boyz, 1991

*****

take 2

O’Jays, 1973

*****

take 3

Third World, live

Friday, 11/11/11

Who needs a stage when you’ve got the subway?

“Diamonds And Pearls,” Washington, D.C.

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“Thin Line Between Love And Hate,” New York

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“Stand By Me,” Chicago

Monday, 10/31/11

two takes

Need a Monday morning boost? You’ve come to the right place.

“Let the Good Times Roll”

Koko Taylor (1928-2009), live

Years ago, when I was at Alligator Records, I worked with her—what a sweetheart.

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Louis Jordan And His Tympany Five, c. 1946

Vodpod videos no longer available.

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lagniappe

art beat

Yesterday at Chicago’s Goodman Theater:

MARK ROTHKO: Wait. Stand closer. You’ve got to get close. Let it pulsate. Let it work on you. Closer. . . . There. Let it spread out. Let it wrap its arms around you; let it embrace you, filling even your peripheral vision so nothing else exists or has ever existed or will ever exist. Let the picture do its work—But work with it. Meet it halfway for God’s sake. Lean forward, lean into it. Engage with it!

—John Logan, Red (2009)