music clip of the day

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Category: R&B

Monday, 11/28/11

Has Monday ever sounded better?

Snooks Eaglin (with George Porter, Jr., bass; Kenneth Blevins, drums)
Live, New York (Lone Star Roadhouse), early ’90s

“I Just Cried Oh”

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“Baby Please”

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“Lipstick Traces”

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“You Don’t Have To Go”

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“Young Girl”

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“Red Beans” (with Jon Cleary, piano)

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Great guitar players don’t play notes—they play sounds.

Friday, 11/25/11

Can’t go another day without this guy?

Me, either.

Jackie Wilson, “Baby Workout,” TV broadcast (Shindig), 1965

More? Here. And here. And here. And here.

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lagniappe

reading table

morning after morning—
what day is it now
cuckoo?

—Kobayashi Issa, 1810 (trans. David G. Lanoue)

Thursday, 11/17/11

three takes

“Now That We Found Love” (AKA “Now That We’ve Found Love”)
(K. Gamble & L. Huff)

take 1

Heavy D (AKA Dwight Arrington Myers), May 24, 1967-November 8, 2011

Heavy D & the Boyz, 1991

*****

take 2

O’Jays, 1973

*****

take 3

Third World, live

Friday, 11/11/11

Who needs a stage when you’ve got the subway?

“Diamonds And Pearls,” Washington, D.C.

*****

“Thin Line Between Love And Hate,” New York

*****

“Stand By Me,” Chicago

Monday, 10/31/11

two takes

Need a Monday morning boost? You’ve come to the right place.

“Let the Good Times Roll”

Koko Taylor (1928-2009), live

Years ago, when I was at Alligator Records, I worked with her—what a sweetheart.

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Louis Jordan And His Tympany Five, c. 1946

Vodpod videos no longer available.

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lagniappe

art beat

Yesterday at Chicago’s Goodman Theater:

MARK ROTHKO: Wait. Stand closer. You’ve got to get close. Let it pulsate. Let it work on you. Closer. . . . There. Let it spread out. Let it wrap its arms around you; let it embrace you, filling even your peripheral vision so nothing else exists or has ever existed or will ever exist. Let the picture do its work—But work with it. Meet it halfway for God’s sake. Lean forward, lean into it. Engage with it!

—John Logan, Red (2009)

Saturday, 10/22/11

Last night, while I was driving to Bloomington, Indiana (to see my son Luke), this kept me company in the darkness.

Theo Parrish, “Black Music,” Sound Sculptures Vol. 1 (2007)

More? Here. And here. And here.

Monday, 10/17/11

Stick around long enough and images that conjure your own past, going out to clubs on Chicago’s south and west sides, start to turn up as history.

Ricky Allen, “No Better Time Than Now” (One-Way 1974)
Light: On The South Side (Numero 2009)

Yeah, that’s Junior Wells at 1:08.

Saturday, 10/15/11

serendipity

Want to feel no better than you do right now?

If so, don’t bother with this stuff.

Last night, while I was listening to the radio,* these tracks came on back to back to back to back, brightening my mood considerably.

Valorie Keys, “Listen Here” (Double Shot 1966)

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Arthur Alexander, “You Better Move On” (Dot 1961; London [UK] 1962))

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Bessie Banks, “Go Now” (Blue Cat 1964; Soul City re-release 1966)

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Dee Dee Warwick, “You’re No Good” (Jubilee 1963)

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*WFMU-FM (Betsy Nichols, subbing for Mr. Fine Wine)

Saturday, 9/17/11

Mahogani Music Promotional Video, Detroit (2010)

Vodpod videos no longer available.

Yeah, the interplay between these two is awfully cliche.

But there’s a lot to like here: the sounds,* the colors, the composition, the sense of place.

I dig the camera-shy dog, too.

*Joe Simon, “Theme from Cleopatra Jones” (1973)

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lagniappe

art beat

Yesterday at the Art Institute of Chicago (after an oral argument in the nearby federal court of appeals, in a drug case involving 20 kilos of cocaine—from the sordid to the sublime):

Vasily (AKA Wassily) Kandinsky

Painting with Green Center, 1913

*****

Improvisation No. 30 (Cannons), 1913

Friday, 9/16/11

Never heard of this guy?

You’re not alone.

But for serious mental illness, he would have been a big star.

 James Carr, singer, June 13, 1942-January 7, 2001

Live, “You Got My Mind Messed Up”

Vodpod videos no longer available.

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Live, “Pouring Water on a Drowning Man”

Vodpod videos no longer available.

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“The Dark End of the Street” (D. Penn & C. Moman), Goldwax, 1967

Vodpod videos no longer available.

What may be my favorite moment in this track is one that’s easy to miss; a throwaway, it comes at 1:37—the muted, fleeting “huhh.” The whole welter of emotions Carr brings to this performance—anxious, defiant, rueful, resigned—can be heard in this single syllable.